In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Alchoholic former country singer Mac Sledge makes friends with a young widow and her son. The friendship enables him to find inspiration to resume his career. Written by
Stefan Halldorsson <firstname.lastname@example.org>
The film was originally released on March 4, 1983 in only three movie theaters in New York City, Los Angeles, and Chicago. This was due perhaps in part to poor test screenings - which had caused Universal executives to lose faith in the film - but also because Universal had released the far more expensive and anticipated Scarface (1983) the same year, and was spending most of its advertising budget to promote that film instead. Country music star Willie Nelson was nonetheless one of several country performers who were impressed by the authenticity of Robert Duvall's performance and offered to help promote it, however, studio executives told Duvall that they did not understand how someone like Nelson could help publicize it. Duvall later reflected that this was indicative of the studio's lack of understanding about both the genre and the film. See more »
In the final scenes, Sonny is shown with empty farmland behind him, then after a cut to a wider shot, suddenly the gas station and motel are behind him. See more »
Laid back movie with a surprising emotional impact
This is a great, great film. Robert Duvall richly deserved the Oscar he won for Best Actor, and Bruce Beresford's direction is quirky but consistently entertaining.
The most wonderful aspect of this movie is how the screenwriter (Horton Foote) doesn't let the characters engage in all the obvious, "Hollywood" histrionics that the plot would allow them to do. For example: when Mack (Duvall) finally meets his long-lost daughter late in the film, he doesn't run to her and embrace her with tears staining his face while music swells beneath the scene, as a hack director would have him do. Instead, he looks at his shoes, makes small talk, and acts embarrassed. Why? Because, consistently throughout the film, he doesn't believe he deserves the good things that come his way.
This is the tale of a man who, in the absolute pit of despair and hopelessness, is saved by the love of a good woman and the love of God. You need to see it.
24 of 26 people found this review helpful.
Was this review helpful to you?