Earl Pilcher Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining ... See full summary »
James Earl Jones,
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
Four chapters based on the birth of a 'secret child', or a film, with chapter titles: "La séction Césarienne" (Caesarian section: a descriptive detail introducing the mother); "Le dernier ... See full summary »
Henri de Maublanc,
Alchoholic former country singer Mac Sledge makes friends with a young widow and her son. The friendship enables him to find inspiration to resume his career. Written by
Stefan Halldorsson <firstname.lastname@example.org>
I was happy to see this film once again when it aired last night on CMT. It's certainly worthy of a second look, as you take something new away from it each time. Even though this was filmed during the urban cowboy era of the early 80s, it doesn't seem dated in its subject matter. Country music fans can draw their own conclusions as to who inspired some of the characters. Robert Duvall's burnt-out drunk Mac Sledge surely borrowed from Lefty Frizzell. Mac's singing style is eerily close to Lefty's and he even performs one of his songs in the film. Betty Buckley's country queen Dixie Scott is reminiscent of Dottie West. Perhaps the writer based his story on George Jones and Tammy Wynette's bitter divorce, Jones' subsequent alcoholism and redemption, and Tammy's raising of their daughter. Whatever the case, it has a wonderful message about loss making us appreciate the good things we're given in life. The final song playing while Tess Harper watches her husband and son tossing a football says it best.
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