| Jon Voight | ... | J. P. Tannen | |
| Richard Crenna | ... | Mitchell | |
| Marie-Christine Barrault | ... | Marie | |
| Millie Perkins | ... | Kathleen | |
| Roxana Zal | ... | Tilde | |
| Robby Kiger | ... | Truman-Paul | |
| Son Hoang Bui | ... | Trung | |
| Maria O'Brien | ... | Mandy | |
| Nelson Welch | ... | Old Man | |
| Bernie Hern | ... | Bickering Husband | |
| Moria Turner | ... | Bickering Wife | |
| Kevin Costner | ... | Newlywed Husband | |
| Cynthia Kania | ... | Newlywed Wife | |
| Marion Russell | ... | Rodessa | |
| Gustaf Unger | ... | Twin | |
| Bertil Unger | ... | Twin | |
| Erik Holland | ... | Captain | |
| Peggy Kubena | ... | Blonde | |
| James Coleman | ... | Communications Officer (as James C. Lawrence) | |
| Ora Rubinstein | ... | Girl on Airplane | |
| Robert Schaffel | ... | Frank | |
| Rupert Sykes | ... | Ship's Officer | |
| Ugo Bianchi | ... | Ugo (as Hugo Valentino) | |
| Ronald F. Hoiseck | ... | Maitre D' | |
| Enrico Pini | ... | Taxi Driver | |
| Saïd | ... | Jeep Driver | |
| rest of cast listed alphabetically: | |||
| Shawn Easton | ... | Fireman (uncredited) | |
Directed by | |||
| Robert Lieberman | |||
Writing credits(in alphabetical order) | ||
| David Seltzer | writer | |
Produced by | |||
| Robert Schaffel | .... | producer | |
Original Music by | |||
| Miles Goodman | |||
| John Morris | |||
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Jane Jenkins | |||
Production Design by | |||
| Robert F. Boyle | |||
Art Direction by | |||
| Norman Newberry | |||
Set Decoration by | |||
| Arthur Jeph Parker | |||
Costume Design by | |||
| Vicki Sánchez | (as Vicki Sanchez) | ||
Makeup Department | |||
| Jeff Angell | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist (as Kay Pownall) | |
Production Management | |||
| Roberto Cocco | .... | unit production manager: Europe | |
| Richard McWhorter | .... | production manager (as Richard F. McWhorter) | |
| Wally Samson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director (as Newton Arnold) | |
| Russ Harling | .... | second assistant director | |
| Gere LaDue | .... | dga trainee | |
| Victor Tourjansky | .... | second assistant director: Europe | |
Art Department | |||
| Phil Read | .... | construction coordinator | |
| Art Schneider | .... | lead man | |
| John A. Scott III | .... | assistant property master (as John Scott) | |
| Arthur Shippee | .... | property master | |
| Gianni Fiumi | .... | props (uncredited) | |
| Bruce Wayne Mecchi | .... | set dresser (uncredited) | |
Sound Department | |||
| Larry Carow | .... | sound editor | |
| Crew Chamberlain | .... | cable person | |
| Don Coufal | .... | boom operator | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Juno J. Ellis | .... | assistant sound editor (as Juno T. Ellis) | |
| Robert Glass | .... | sound re-recording mixer | |
| Scott Hecker | .... | sound editor (as Scott A. Hecker) | |
| Craig S. Jaeger | .... | assistant sound editor | |
| Robert Knudson | .... | sound re-recording mixer (as Buzz Knudson) | |
| John A. Larsen | .... | sound editor | |
| Bruce Richardson | .... | sound effects editor (as Paul Bruce Richardson) | |
| Robert R. Rutledge | .... | sound editor (as Robert Rutledge) | |
| Hank Salerno | .... | adr editor | |
| Norman B. Schwartz | .... | post-production dialogue | |
| Jeff Wexler | .... | sound mixer | |
| Tiziano Crotti | .... | sound: second unit (uncredited) | |
Special Effects by | |||
| Gunter Jennings | .... | special effects | |
Visual Effects by | |||
| Don Hansard | .... | process coordinator | |
Camera and Electrical Department | |||
| Albert Alexander | .... | second grip | |
| John Boccaccio | .... | first assistant camera | |
| Dick Deats | .... | key grip | |
| Jerry Deats | .... | dolly grip | |
| Jessie Deats | .... | company grip | |
| Larry Flynn | .... | electrician | |
| Christopher Dunn George | .... | second assistant camera (as Christopher George) | |
| Michael Gershman | .... | camera operator | |
| Victor Goss | .... | director of photography: second unit | |
| Jan Kiesser | .... | additional photographer | |
| Christine M. Loss | .... | still photographer (as Christine Loss) | |
| Rexford L. Metz | .... | aerial photographer (as Rex Metz) | |
| Ken Nishino | .... | first assistant camera | |
| Jerome L. Posner | .... | best boy electric (as Jerry Posner) | |
| Larry Whitehead | .... | gaffer | |
| Massimo Zeri | .... | assistant camera | |
| Gianfranco Maioletti | .... | additional camera operator (uncredited) | |
| Randy Nolen | .... | Steadicam operator (uncredited) | |
| Kenji Takama | .... | camera intern (uncredited) | |
| Emmanuel Vouniozos | .... | on-set technician (uncredited) | |
Casting Department | |||
| Elisabeth Leustig | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sandy Berke Jordan | .... | costumer: women (as Sandy Berke) | |
| Nick Scarano | .... | assistant costumer: men | |
| Silvio Scarano | .... | costumer: men | |
Editorial Department | |||
| Bruce Green | .... | assistant editor | |
| Jack Hooper | .... | negative cutter | |
| Tom Nelson | .... | apprentice film editor | |
Music Department | |||
| Frank Jones | .... | scoring mixer | |
| Debra Kopensteiner | .... | musical research | |
| Eugene Marks | .... | music editor (as Eugene A. Marks) | |
| Robert Fernandez | .... | scoring mixer (uncredited) | |
Other crew | |||
| Enid Arias | .... | personal consultant: Mr. Voight (as Enid Watts Arias) | |
| Joanie Blum | .... | script supervisor | |
| Dimitri Dimitriadis | .... | foreign location manager: Greece | |
| Marjorie Gaines | .... | assistant to producer | |
| Karen Hale Wookey | .... | script supervisor (as Karen Wookey) | |
| Don Henry | .... | production auditor | |
| John James | .... | location manager | |
| Dov Maoz | .... | foreign location manager: Israel | |
| Chuck Painter | .... | unit publicist | |
| Colleen Rose | .... | assistant: Robert Schaffel | |
| Ahmed Sami | .... | foreign location manager: Egpyt (as Ahmed Sami Mohamed) | |
| Faye Stephens | .... | assistant to producer | |
| Ron Weber | .... | craft service | |
| John Whaley | .... | foreign location manager: UK | |
| Nikos Doukas | .... | location manager: Greece (uncredited) | |
Thanks | |||
| Dale Amar | .... | special thanks | |
| Hannah Rita Rose Amar | .... | special thanks | |
| Newt Arnold | .... | special thanks (as Newton Arnold) | |
| Fletcher Bryant | .... | special thanks | |
| Shawn Easton | .... | special thanks | |
| Mike Espejo | .... | special thanks | |
| Mike Gelbish | .... | special thanks | |
| Jon Johannessen | .... | special thanks | |
| Jeff Lawrence | .... | special thanks | |
| Milton Lieberman | .... | special thanks | |
| Sally Lieberman | .... | special thanks | |
| Joseph Nasser | .... | special thanks (as Joseph F. Nasser) | |
| Daniel Núñez | .... | special thanks (as Daniel Nunez) | |
| Adam O'Neil | .... | special thanks | |
| Raymond Purtle | .... | special thanks | |
| Jacob Saba | .... | special thanks | |
| Ed Schaffel | .... | special thanks | |
| Gordon Smith Jr. | .... | special thanks | |
| Geoff Vanderstook | .... | special thanks | |
| Barbara Voight | .... | special thanks | |
| Bob Yanez | .... | special thanks | |
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| Dodsworth | A Walk on the Moon | The Barbarian Invasions | Breaking the Sound Barrier | The Good Mother |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
You'll miss the point if you dismiss this as another Lifetime soaper. There is authentic truth, feeling and heart in this film if you watch it from the top and stick with it. Table for Five is an intelligently paced and structured story both men and women will relate to. A failed divorced father (Jon Voight) has been replaced in the lives of his ex-wife and children by a more well-heeled step dad (Richard Crenna). The biological father (Voight) is allowed to take a two week Mediterranean cruise with his three pre-adolescent kids - the first time he's spent an extended period with them in four years. His failings as a father soon become apparent days into the cruise, but tragic events transpire that challenge him to ante up for his kids in ways he could never emotionally risk before.
A powerful film about fathering, Table for Five contains two of the ten best hours of Jon Voigt ever released on film - an outstandingly nuanced performance. The kids, especially Roxana Zal and Robbie Kiger are precociously honest actors. And dig the talent on the other side of the lens. Vilmos Zsigmond (Deer Hunter etc) is director of photography, Michael Kahn (editor on almost all Spielberg pix since Close Encounters) did the cut. The screenplay by David Seltzer (Lucas) gives the actors and the audience everything they could want from each character. Robert Leiberman's patient blocking and direction allows all the principal actors time to develop each scene. Professional all the way. A 9.5 out of 10, with only a half point deducted for a few somewhat slick TV-ish shortcuts in the production and a hammy helicopter dolly up. But, make no mistake. This one is not to be missed. Enjoy!