| Photos (see all 28 | slideshow) |
| Christopher Reeve | ... | Superman / Clark Kent | |
| Richard Pryor | ... | Gus Gorman | |
| Jackie Cooper | ... | Perry White | |
| Marc McClure | ... | Jimmy Olsen | |
| Annette O'Toole | ... | Lana Lang | |
| Annie Ross | ... | Vera Webster | |
| Pamela Stephenson | ... | Lorelei Ambrosia | |
| Robert Vaughn | ... | Ross Webster | |
| Margot Kidder | ... | Lois Lane | |
| Gavan O'Herlihy | ... | Brad | |
| Nancy Roberts | ... | Unemployment Clerk | |
| Graham Stark | ... | Blind Man | |
| Henry Woolf | ... | Penguin Man | |
| Gordon Rollings | ... | Man in Cap (as Gordon Rawlings) | |
| Peter Wear | ... | Bank Robber | |
| Justin Case | ... | Mime | |
| Bob Todd | ... | Dignified Gent | |
| Terry Camilleri | ... | Delivery Man | |
| Stefan Kalipha | ... | Data School Instructor | |
| Helen Horton | ... | Miss Henderson | |
| Lou Hirsch | ... | Fred | |
| Bill Reimbold | ... | Wages Man | |
| Shane Rimmer | ... | State Policeman | |
| Al Matthews | ... | Fire Chief | |
| Barry Dennen | ... | Dr. McClean | |
| Enid Saunders | ... | Minnie Bannister | |
| Kevin Harrison Cork | ... | D.J. | |
| Robert Henderson | ... | Mr. Simpson | |
| Paul Kaethler | ... | Ricky | |
| R.J. Bell | ... | Mr. Stokis | |
| Pamela Mandell | ... | Mrs. Stokis | |
| Peter Whitman | ... | Man at Cash Point | |
| Ronnie Brody | ... | Husband | |
| Sandra Dickinson | ... | Wife | |
| Philip Gilbert | ... | Newsreader | |
| Pat Starr | ... | White Coated Scientist | |
| Gordon Signer | ... | Mayor | |
| John Bluthal | ... | Pisa Vendor | |
| George Chisholm | ... | Street Sweeper | |
| David Fielder | ... | Olympic Runner | |
| Robert Beatty | ... | Tanker Captain | |
| Christopher Malcolm | ... | Miner #1 (as Chris Malcolm) | |
| Larry Lamb | ... | Miner #2 | |
| rest of cast listed alphabetically: | |||
| Roy Alon | ... | Man Trapped in Car (uncredited) | |
| Stan Edmonds | ... | Applauding Man (uncredited) | |
| Les Kimber | ... | Bus Driver (uncredited) | |
| Grant Lowe | ... | Cab Driver (uncredited) | |
| Derek Lyons | ... | Commuter (uncredited) | |
| Mildred Shay | ... | Woman in Elevator (uncredited) | |
| Aaron Smolinski | ... | Boy at Photo Booth (uncredited) | |
| Geoffrey Steele | ... | Man in Elevator (uncredited) | |
| David Winning | ... | Commuter (uncredited) | |
Directed by | |||
| Richard Lester | |||
Writing credits | ||
| Jerry Siegel | (characters) & | |
| Joe Shuster | (characters) | |
| David Newman | (screenplay) and | |
| Leslie Newman | (screenplay) | |
Produced by | |||
| Ilya Salkind | .... | executive producer | |
| Robert Simmonds | .... | associate producer | |
| Pierre Spengler | .... | producer | |
Original Music by | |||
| Ken Thorne | |||
Cinematography by | |||
| Robert Paynter | |||
Film Editing by | |||
| John Victor-Smith | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Debbie McWilliams | |||
Production Design by | |||
| Peter Murton | |||
Art Direction by | |||
| Brian Ackland-Snow | |||
| Terry Ackland-Snow | |||
| Bert Davey | |||
Set Decoration by | |||
| Peter Young | |||
Costume Design by | |||
| Evangeline Harrison | |||
Makeup Department | |||
| Paul Engelen | .... | makeup artist | |
| Stuart Freeborn | .... | makeup artist | |
| Robert L. Stevenson | .... | hair department head | |
Art Department | |||
| Richard Holland | .... | set designer | |
| Ted Michell | .... | scenic artist | |
| Wesley Peppiatt | .... | props | |
| Michael G. Ploog | .... | illustrator | |
| Michael G. Ploog | .... | storyboard artist | |
| Denis Rich | .... | illustrator | |
| Andrew Semple | .... | painter | |
| Bob Sherwood | .... | dressing prop (uncredited) | |
Sound Department | |||
| Roy Charman | .... | sound mixer | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Archie Ludski | .... | dubbing editor | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Rocky Phelan | .... | dubbing editor | |
| Don Sharpe | .... | dubbing editor | |
| Paul Smith | .... | dubbing editor | |
| Lionel Strutt | .... | adr mixer | |
Special Effects by | |||
| Colin Chilvers | .... | director of miniatures | |
| Colin Chilvers | .... | special effects director | |
| Chris Corbould | .... | special effects senior technician | |
| Ian Corbould | .... | special effects | |
| Neil Corbould | .... | special effects technician | |
| Paul Corbould | .... | special effects | |
| Ricky Farns | .... | special effects | |
| Dave Ford | .... | special effects | |
| Ginger Gemmel | .... | camera operator: model unit | |
| Martin Gutteridge | .... | special effects supervisor | |
| Garth Inns | .... | special effects | |
| Peter Netley | .... | special effects | |
| Zoran Perisic | .... | front projection consultant | |
| Roy Quinn | .... | special effects | |
| Neil Trifunovich | .... | on set effects | |
| Brian Warner | .... | special effects supervisor | |
Visual Effects by | |||
| Ken Baker | .... | assistant director: process unit | |
| Dennis Bartlett | .... | matte supervisor: process unit | |
| Charles Bishop | .... | art director: model unit | |
| Janice Body | .... | assistant matte artist | |
| Martin Body | .... | optical and matte camera | |
| John Deaton | .... | focus puller: model unit | |
| Roy Field | .... | supervisor of optical and visual effects | |
| Peter Harman | .... | optical and matte photography | |
| John Harris | .... | photography: process unit | |
| Keith Holland | .... | cameraman | |
| Nick Laws | .... | second assistant director: process unit | |
| Peter Melrose | .... | matte artist | |
| Harry Oakes | .... | photographer: model unit | |
| Terry Reed | .... | supervising modelmaker | |
| Charles Stoneham | .... | matte artist | |
| Steve Wright | .... | digital animator: video game computer animation, Atari Inc. | |
| Alan Buchan | .... | visual effects (uncredited) | |
| Peter Donen | .... | visual effects supervisor (uncredited) | |
| Dion Hatch | .... | optical cameraman: CRC (uncredited) | |
| Derek Meddings | .... | additional model effects (uncredited) | |
| Paul Wilson | .... | additional model photography (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunts | |
| Ken Barker | .... | stunts | |
| Dickey Beer | .... | stunts | |
| Marc Boyle | .... | stunts | |
| Sue Crosland | .... | stunts | |
| Clive Curtis | .... | stunts | |
| Tracey Eddon | .... | stunts | |
| Greg Wayne Elam | .... | stunts | |
| Richard Hammatt | .... | stunts | |
| Reg Harding | .... | stunts | |
| Billy Horrigan | .... | stunts | |
| Wendy Leech | .... | stunts | |
| Wayne Michaels | .... | stunts | |
| Colin Prescott | .... | balloon stunts arranger | |
| Colin Skeaping | .... | stunts | |
| Eddie Stacey | .... | stunts | |
| Mark Stewart | .... | stunts | |
| Terry Walsh | .... | stunts | |
| Paul Weston | .... | stunt coordinator | |
| Marc Wolff | .... | helicopter stunt pilot | |
| Rick Anderson | .... | stunts (uncredited) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Eddie Eddon | .... | stunts (uncredited) | |
| Alex Green | .... | stunts (uncredited) | |
| Dick Hancock | .... | stunts (uncredited) | |
| Ken Kirzinger | .... | stunts (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Greg Powell | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
| Les White | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Stephen Claydon | .... | focus puller | |
| Freddie Cooper | .... | camera operator | |
| John Deaton | .... | focus puller | |
| David Garfath | .... | camera operator | |
| Jeff Paynter | .... | focus puller | |
| Derek Suter | .... | clapper loader | |
| Matt Tundo | .... | director of photography: Alberta scenes | |
| Costas Charitou | .... | titles & opticals: Camera Effects Ltd (uncredited) | |
| Vince Goddard | .... | electrician (uncredited) | |
Casting Department | |||
| Trish Robinson | .... | casting: Canada | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe supervisor | |
| Barbara Ann Schoemaker | .... | costume assistant | |
Editorial Department | |||
| Peter Hollywood | .... | associate editor | |
| Steve Johnson | .... | colorist | |
Music Department | |||
| Robert Hathaway | .... | music editor | |
| Ken Thorne | .... | conductor | |
| Ken Thorne | .... | music arranger | |
Other crew | |||
| Joy Bayley | .... | production assistant | |
| Pauline Couteleno | .... | production executive | |
| Susie Ford | .... | accounting assistant | |
| Robert Harman | .... | flying effects technician | |
| Bobbie Johnson | .... | assistant accountant | |
| Maria Monreal | .... | executive assistant to producers | |
| Mark Mostyn | .... | runner | |
| Sally Pardo | .... | production assistant | |
| Christopher Reeve | .... | production consultant | |
| Philip Seber | .... | location and firefighter support | |
| Tana Tocher | .... | caterer | |
| Marc Wolff | .... | helicopter pilot | |
| Frans J. Afman | .... | financial consultant (uncredited) | |
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| Superman | Superman II | Superman Returns | Superman IV: The Quest for Peace | Spider-Man |
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Despite the overwhelming hatred for Superman III, I gotta say that I think it's an excellent film. One of the two best of the whole Superman saga, actually. The other, of course, is the original film. But Superman III is so much fun, and a great example of how it's possible for Superman to have enemies OTHER than Lex Luthor. The guy's been the main villain in, how many is it, FOUR of the now FIVE Superman films? I liked Gene Hackman's Luthor (far superior to Kevin Spacey's), but you gotta take a break at some point. No, Superman III is a refreshing change of pace, not only in that respect, but in several ways.
Most noticeable, and much to the chagrin of many people, is the slightly more comedic tone of the film, centered mainly around Richard Pryor's character, August 'Gus' Gorman. I thought Prior was great. He plays an over-the-top character in a movie series about an over-the-top character. I hear people complain all the time that they hate the comedy that Prior brought to the film because Superman is supposed to be, and these are actual quotes, "gritty" and "realistic". NO, he's not. Superman is not gritty, and he's not realistic. Never was, never will be. Richard Donner's original doesn't even come CLOSE to playing it straight. Just look at how he portrays Clark Kent. In the comic books and 1950's television series, the "mild-mannered" Clark Kent is treated with respect and professionalism. He basically co-exists amongst his peers at the Daily Planet. In "Superman: The Movie", Richard Donner has taken the character straight out of the old comics and TV series, with all the same mannerisms and morals, and placed him in a very modern 1978. This is a set-up for much of the films adequate amount of comedy relief. "Superman: The Movie" is not a comedy. Neither is "Superman III", but they both have comic relief. The Clark Kent character is slightly more serious in this one, thus, you have Gus. A funny little man, with an interesting power. A savant-like intellect that gives him complete control over any computer system.
I especially like how Clark Kent, Superman's alterego, is fleshed out more as he returns home to Smallville. This is a great follow-up to Richard Donner's brief exploration to Superman's early years in Smallville. The inclusion of Lana Lang as Clark's high school crush was great, even better in that they chose the lovely Annette O'Toole to portray the character. I LOVE Margot Kidder, but I think Lana is a very important character in Superman's backstory.
All the delving into Clark Kent's character and background leads us to one of the greatest scenes in motion picture history... Clark Kent vs. Evil Superman. I could sit here and expound on the scene's metaphoric implications all day long, but simply put, I found it jaw-dropping. Christopher Reeve was always perfect as Superman, but his best work is here in this scene. Evil Superman is a very physical representation of everything Clark/Superman has ever repressed, and obviously we're talking about a lot of repression here. It's great stuff. I still wanna cheer every time the victorious Clark Kent opens his shirt to reveal his famous insignia, which, by the way, is differentiated by Evil Superman's in that it's excessively bright, where as his was really dark and dingy looking. Having been a Superman fan since I was a kid way back in the day, that's one of those scenes I'll remember 'till the day I die. I remember it from my childhood, but it's actually more relateable for me now as an adult.
Superman III is one of the greats. If you haven't seen it yet, I only ask that you watch it with an open mind and not look for grit or realism where it has no place being. Instead, just believe a man can fly... again.