Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Scott Barnes (Travolta) is an alcoholic turned social worker hellbent on saving a young boy named Tommy (Lawrence) from self-destructing when he finds out he has begun selling crack in an ... See full summary »
When Travis and Wendell are kidnapped while on their way to opening a nightclub in rural Nebraska. The KGB spy Cameron Smith takes them to the U.S.S.R. instead with the intention of ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
John Travolta was once touted to going to be starring in the film version of A Chorus Line (1985) which was in development around the time. Travolta did not end up being in that movie, but what was ironic, was that this film had a New York Broadway chorus line storyline. See more »
When Tony is pacing the lobby waiting for the phone call; tape is visible on the floor, marking where he is supposed to stop and turn around. In wide shots, the tape is gone. See more »
I don't understand why critics always scorn this film. OK, it doesn't have the magic of its predecessor "Saturday Night Fever", but it works as an "80's point of view" of the original film. The thing is that you should watch this film as a single one, not a 'sequel'. It has nothing to do with "Saturday Night Fever" but the main character Tony Manero (once again played by John Travolta) and his mother (Julie Bovasso) in a brief appearance. Fast forward from 1977 to 1983. Now Tony wants to be a Broadway star and keeps his struggle for a more mature purpose, as he himself is more mature. Manero's "moody girl" here is Laura (Finola Hughes, not so convincing), who also looks down on him. The funniest thing about "Staying Alive" is that it is directed by Sylvester Stallone! (No one remembers...) The soundtrack is one of my favorite, although it didn't received the deserved attention at the time of its release, nor did the movie itself. (I think people were afraid of another 'Bee Gees fever'). After this film, Travolta's career fell out of the spotlight only to be retaken in late 80's with "Look Who's Talking". Summarizing, in my opinion it is a very good movie, but don't expect this to be another "Saturday Night Fever".
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