Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
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When Travis and Wendell are kidnapped while on their way to opening a nightclub in rural Nebraska. The KGB spy Cameron Smith takes them to the U.S.S.R. instead with the intention of ... See full summary »
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In this sequel to Saturday Night Fever, former disco king Tony Manero has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor and as a waiter at a dance club, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and profanity. However, certain attitudes have not changed, as with his most recent girlfriend, who's also the singer of a local rock band. Written by
Mark J. Popp <email@example.com>
I would give Staying Alive 1 star for actual goodness, and 10 stars for being in that rare category of movie that is so awful it's great. I will say that John Travolta is good dancer and his character is actually rather well portrayed here. But the film itself: ZOMG. The dance sequences are cheesy as hell. I have almost hurt myself from laughing so hard. It's like everyone in the movie lives in a world where cruise ship shows are considered the apex of entertainment. The script is a knock off of a knock off of a knock off of 42nd Street, with obvious rip-offs of All That Jazz. The choreographer character is straight out of the book of Hollywood clichés. The love triangle is as flimsy and transparent as used Saran wrap. The songs are all ridiculously over-earnest, especially the echo-laden 'Dance Close to the Fire' sequence. But I gotta say: watching this is pure joy. Pure 'oh my god I can't believe I'm watching this' guilty pleasure joy.
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