Three women make an emergency landing on a planet plagued with a fatal disease, but are captured by dictator Overdog. Adventurer Wolff goes there to rescue them and meets Niki, the only ... See full summary »
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Michael D. Roberts
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A sobering mid-life crisis fuels dissatisfaction in Philip Dimitrius, to the extent where the successful architect trades his marriage and career in for a spiritual exile on a remote Greek ... See full summary »
P.K. runs away from home because her step-father keeps on harassing her sexually and her mother is ignoring the problem. She hides in the loading space of Kid Kane's pickup, who's on the ... See full summary »
Three women make an emergency landing on a planet plagued with a fatal disease, but are captured by dictator Overdog. Adventurer Wolff goes there to rescue them and meets Niki, the only Earthling left from a medical expedition. Combining their talents, they try to rescue the women. Written by
The car-lot goof is often mentioned as "only visible in a work-print which was never released", but is VERY visible in many European VHS versions. When the spaceship lands, you can clearly see a street with cars in one of the corners. See more »
[to Chalmers, after she's ceased functioning]
You were the best model they ever put out.
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Spacehunter is a film I saw as a child, which has remained at the back of my mind for years. Around the same time, I was watching things like Ghostbusters and Star Trek (The Wrath of Khan), and knew nothing about special effects, budgets or story lines. All I knew was that I liked these films. Having recently obtained a copy of Spacehunter, I was pleasantly surprised at how well it holds up, compared to other classics. Yes, a lot of it is hokey nonsense, but in a GOOD way.
Strauss makes a likable rogue, obviously straight from the Han Solo mold, and Molly Ringwald is her usual early eighties cutie. The special effects are fair for the time (though the title sequence leaves something to be desired), and the futuristic 'Mad Max' style vehicles could easily be from a more recent movie.
Michael Ironside is almost unrecogniseable underneath prosthetics, but offers a great performance, hampered only by his lack of mobility in costume. I was especially surprised to recognise Ernie Hudson as a supporting character, playing Strauss' ex-buddy.
In all, a great film with a few minor flaws. I'm amazed this got no further than it did at the time. One of the few post-Star Wars movies that deserves a sequel (which i'm tempted to have a bash at myself).
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