| Photos (See all 11 | slideshow) |
Directed by | |||
| Robert Hiltzik | |||
Writing credits | ||
| Robert Hiltzik | (written by) | |
Produced by | |||
| Robert Hiltzik | .... | executive producer | |
| Jerry Silva | .... | producer | |
| Michele Tatosian | .... | producer | |
Original Music by | |||
| Edward Bilous | |||
Cinematography by | |||
| Benjamin Davis | (director of photography) | ||
Film Editing by | |||
| Ron Kalish | |||
| Sharyn L. Ross | |||
Casting by | |||
| Michele Tatosian | |||
Production Design by | |||
| William Bilowit | (as William Billowit) | ||
Art Direction by | |||
| Joan Brockschmidt | (as Joni Brockschmidt) | ||
| Ellen Hopkins | |||
| Jorge Luis Toro | |||
Costume Design by | |||
| Eileen Sieff Stroup | (as Eileen Sieff) | ||
Makeup Department | |||
| Ed French | .... | makeup illusions (as Edward French) | |
| Diane Lawrence | .... | makeup effects lab assistant | |
| Suzen Poshek | .... | hairstylist (as Suzan Poshek) | |
| Suzen Poshek | .... | makeup artist (as Suzan Poshek) | |
Production Management | |||
| Carl Clifford | .... | production manager | |
| Ron Kalish | .... | post-production supervisor | |
| Philip Murphy | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| David DeClerque | .... | second assistant director | |
| Richard Feury | .... | first assistant director | |
| Mitchell Wood | .... | second assistant director | |
Sound Department | |||
| Oded Carmi | .... | boom operator | |
| Jack Cooley | .... | sound re-recording mixer | |
| Rolf Pardula | .... | sound mixer | |
| Sharyn L. Ross | .... | sound editor: Magnofex | |
| Linda Shamest | .... | sound editor: Magnofex | |
Special Effects by | |||
| William Bilowit | .... | special effects coordinator (as Bill Billowit) | |
| Ed Fountain | .... | special mechanical effects | |
Stunts | |||
| Cliff Cudney | .... | stunt coordinator | |
| Norman Lopez | .... | stunt helper | |
| Rick Schierbaum | .... | stunt man | |
| Webster Whinery | .... | assistant stunt coordinator | |
Camera and Electrical Department | |||
| Sam Bender | .... | gaffer | |
| Julie Gant | .... | best boy | |
| Darryl Green | .... | dolly grip | |
| Jeff Levy | .... | gaffer | |
| John McElwain | .... | second electrician | |
| Abe Schrager | .... | camera operator | |
| Nick Tallo | .... | key grip | |
| Frank Williams | .... | second assistant camera | |
| John Wilson | .... | first assistant camera | |
| Chaim Kantor | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Rebecca Brizee | .... | extra casting: Glens Falls | |
| Mike Kara | .... | extra casting: New York | |
Costume and Wardrobe Department | |||
| Nancy A. Palmatier | .... | assistant costume designer (as Nancy Palmatier) | |
| Lucy Tatosian | .... | wardrobe production assistant | |
Editorial Department | |||
| Sandra Kaufman | .... | assistant editor | |
| David M. Perkins | .... | final colorist (2000 DVD) | |
| Joe Violante | .... | color consultant: Technicolor | |
Music Department | |||
| Bradford Giaimo | .... | music producer: B&G Music Productions | |
| Scott Hendricks | .... | engineering consultant | |
| Piers Plaskitt | .... | music recording consultant | |
| Frankie Vinci | .... | composer: theme music (uncredited) | |
Thanks | |||
| Coke Tatosian | .... | special thanks: for having so many wonderful children | |
| Lucy Tatosian | .... | special thanks: for having so many wonderful children | |
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| Friday the 13th | A Bay of Blood | Silent Night, Deadly Night | The Prowler | What Have You Done to Solange? |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
When I first picked up the box cover of Sleepaway Camp, I said to myself, "Just another stupid slasher film with a camp setting." Yes, it was another stupid slasher film with a camp setting. It was the best damn slasher film with a camp setting of all time. It provided a simple story with sexy teenagers from the early 80s innocently attending a Christian sleepaway camp. It was really good. The acting and writing alone could not make the movie good though, it was the ending. It had the best movie ending in cinematic history (until I saw Multiple Maniacs). I will not reveal the specifics, but I will urge you to rent the movie and see for yourself, because it is one of the most surprising and shocking endings ever conceived. You will not be disappointed.