A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
After a horrible boating accident kills her family, Angela, a shy and sullen young girl, moves in with her eccentric aunt Martha, alongside her protective cousin Ricky. One summer, Martha sends the kids to Camp Arawak. Soon after their arrival, a series of bizarre and increasingly violent accidents begins to claim the lives of various campers. Who is the twisted individual behind these murders? The disclosure of the murderer's identity is one of the most shocking climaxes in the history of American cinema. Written by
When I first picked up the box cover of Sleepaway Camp, I said to myself, "Just another stupid slasher film with a camp setting." Yes, it was another stupid slasher film with a camp setting. It was the best damn slasher film with a camp setting of all time. It provided a simple story with sexy teenagers from the early 80s innocently attending a Christian sleepaway camp. It was really good. The acting and writing alone could not make the movie good though, it was the ending. It had the best movie ending in cinematic history (until I saw Multiple Maniacs). I will not reveal the specifics, but I will urge you to rent the movie and see for yourself, because it is one of the most surprising and shocking endings ever conceived. You will not be disappointed.
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