A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
After a horrible boating accident kills her family, Angela, a shy and sullen young girl, moves in with her eccentric aunt Martha, alongside her protective cousin Ricky. One summer, Martha sends the kids to Camp Arawak. Soon after their arrival, a series of bizarre and increasingly violent accidents begins to claim the lives of various campers. Who is the twisted individual behind these murders? The disclosure of the murderer's identity is one of the most shocking climaxes in the history of American cinema. Written by
It had been years since I saw this movie, but I remembered the key elements. Young girl is harassed at camp, her bullies start dying off, unforgettable ending. I just never realized how big of a classic this really is. For those of you who don't know, the film starts off with a man on a boat in the middle of a lake with his two children. The boat tips over, another boat comes racing towards them and kills all but one.
Flash forward 8 years later, the sole survivor now lives at her aunts house, where she sends the girl, Angela, and her cousin, Ricky, to summer camp. At camp, Angela is brutally teased and taunted by her fellow campers. Her cousin Ricky continuously comes to her defense, but the bullies are all being killed off by a mysterious unknown attacker. All of this leads up to an ending that I believe to be one of the most shocking in cinema history.
Felissa Rose gave an excellent performance as Angela, who makes you sympathize heavily for her, due to her soft mannered and soft spoken personality. She is very much the kid we all were, and some of you might still be. A vulnerable target for those with a superiority complex, very much the outcast.
Writer/Director Robert Hiltzik fills the film to the brim with psychological undertones, masterfully creating a genuine thriller out of this low grade, slasher extraordinare. But you don't care about that, do ya'. You want gore! And while it's not an overtly gory film, there are enough offerings of blood here and there to keep you gorehounds satisfied. Not to mention some nifty death scenes. And the ending, my friends, is what makes Sleepaway Camp worth the watch. That's not to say SC isn't a good film, in my opinion it's great, but for those of you who have no clue as to how it ends... You will not be disappointed. They just don't make horror films like this anymore, folks.
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