A desperate alcoholic reaches a turning-point in his life when he meets a strange woman in a railway carriage: they make love, but then she leaves. Chasing after the girl, he clings to her as if she were his final chance.
Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this sureal setting. The Roller is a rollerskating ... See full summary »
In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »
In San Luis de la Paz, a small and and very poor town in northern Mexico, the priest Father Victorio manages an orphanage with nearly 50 children. He does wrestling, disguised with a golden... See full summary »
Squale, an ace spy, is called back from South America to carry out a tough operation. Goal: dismantle an international arms traffic masterminded by an important French government official. ... See full summary »
Michel is a bored lonely cheap-thrills-seeker. Everything changes when he finds an unusual bobble head doll in the shape of a pretty woman that can say "I love you" and falls in love with it to the point of obsession.
Max Baumstein is a reputable businessman, a rich self-made man with a conscience - he founded a highly visible and active international organization fighting against violations of human ... See full summary »
This French film is quite different from the movies of its era: mostly French cinema was about comedies (silly or clever, gross or sophisticated) or drama. "Signes extérieurs de richesses" is one of a kind: a romantic comedy with (somewhat) social relevance.
Jean-Jacques - nicknamed Gigi - (the always great Claude Brasseur) is a successful veterinarian. His pet clinic is full of wealthy women, as well as his bed. So, when the IRS sends an average-looking girl (Josiane Balasko) to check his fiscal files, he's not really impressed and even laughs about it, too confident in his accountant Jérôme (the hilarious Jean-Pierre Marielle) who reveals himself to be a crook. Now, Gigi is busy with serious money issues, his clients' pets to care about, and the ugly-but-lovable IRS agent who makes his heart tick...
The characters are really well written, the hero is neither totally an asshole, nor a truly sympathetic guy. Same with the IRS girl shown first-hand as a dragon lady, and who reveals herself a shy, fragile woman seeking love.
Overall, a nice surprise from an otherwise mediocre era for French cinema.
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