In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »
A medieval nobleman and his squire are accidentally transported to contemporary times by a senile sorcerer. He enlists the aid of his descendent to try to find a way to return home, all the... See full summary »
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, ... See full summary »
Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can't expand because Capestro, the man ... See full summary »
A shaman from the South American rain forest visits France for a public relations campaign. In a hotel's elevator in Paris he meets a French good-for-nothing named Perrin he's fascinated ... See full summary »
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, ... See full summary »
This French film is quite different from the movies of its era: mostly French cinema was about comedies (silly or clever, gross or sophisticated) or drama. "Signes extérieurs de richesses" is one of a kind: a romantic comedy with (somewhat) social relevance.
Jean-Jacques - nicknamed Gigi - (the always great Claude Brasseur) is a successful veterinarian. His pet clinic is full of wealthy women, as well as his bed. So, when the IRS sends an average-looking girl (Josiane Balasko) to check his fiscal files, he's not really impressed and even laughs about it, too confident in his accountant Jérôme (the hilarious Jean-Pierre Marielle) who reveals himself to be a crook. Now, Gigi is busy with serious money issues, his clients' pets to care about, and the ugly-but-lovable IRS agent who makes his heart tick...
The characters are really well written, the hero is neither totally an asshole, nor a truly sympathetic guy. Same with the IRS girl shown first-hand as a dragon lady, and who reveals herself a shy, fragile woman seeking love.
Overall, a nice surprise from an otherwise mediocre era for French cinema.
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