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11 out of 12 people found the following review useful:
Delightful attack on the senses, 3 March 2001
8/10
Author: Blake Matthews (drngor@yahoo.com) from Stockton, California

Because this movie was made in the 1980s, I did not expect the special FX to be the equivalent of anything made in the states, or even up to the level of The Stormriders. However, I found this film a lot more enjoyable than the latter. This film is almost a non-stop ride full of swordfights, optical FX battles, flying people, and it still leaves room for some interesting themes also.

The plot deals with a soldier being disillusioned by the endless civil wars that have been fought. He goes to a mountain where he joins a swordsman, a monk and his apprentice, Sammo Hung, and some lovely ladies in a quest to defeat the Blood Demon, a being of pure evil. On the way, the soldier (Yuen Biao) and the monk's apprentice (Mang Hoi) must find some swords to use in the battle.

The action is nearly non-stop. It first starts out with some basic swordplay. Once Yuen reaches the mountain, than everything shifts into overdrive. Optical FX fly across the screen at dizzying speeds. Humans and demons fly across the screen at dizzying speeds. People get frozen alive. Women fly around with swirling cloth in their wake. Men fly around chained to boulders. Eyebrows are used to contain evil. All I can say is...wow. Only Ching Siu Tung could come up w/ some as imaginative as this.

As I mentioned earlier, there are some interesting themes involved. Tsui Hark seemed to make a statement against world leaders who start senseless wars and kill innocent people. Also, he talks about how battles become futile when people won't set aside their differences for a common cause. If we want to save the world or even ourselves, we all have to work together.

Of interesting note is the International dubbed version. That version makes the film into a dream sequence and turns the war parable into a love story spanning many generations. A lot of scenes are cut and shortened, giving the Zu mountain segment a very rushed feel. Overall, the subtitled version is a lot more preferable.

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8 out of 8 people found the following review useful:
Wacked-out, rainbow-hued fun from Hong Kong, 31 March 2000
9/10
Author: Progbear from Northern CA, U.S.A.

This eye-popping, special-effects-laden Asian fantasy is a real feast for the eyes. It stars Yuen Biao as a soldier who, fed up with the constant and seemingly pointless civil war, deserts his platoon only to find himself caught in another battle. He escapes the battle by falling off a cliff, but descends unharmed into a cave, where he is rescued from an attack by glow-eyed flying demons by a fantastic warrior with a magical flying sword. He goes under the tutelage of the warrior, who is reluctant to take on a new pupil. What follows, words cannot aptly describe. Suffice it to say, it's an absolutely frenzied mix of action, special effects and bizarre, magical occurrences. The action is non-stop and the editing is laser-paced. I was absolutely exhausted by the end of the film. The cast is likewise first-rate. I was impressed especially by Sammo Hung in a dual role: as Yuen Biao's soldier buddy, and as Long Brows, the ancient priest who holds the Blood Monster at bay using his "sky mirror" and magical extending beard and eyebrows...You'd have to see it to understand. Suffice to say that there's many moments in this film that will have you thinking, "I have no idea what's going on, but it sure *looks* cool." Trust me, you won't be able to tear your eyes from the screen.

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8 out of 9 people found the following review useful:
The films which finally woke up the West, 20 February 2005
Author: steve bentley (mantisfist6@hotmail.com) from york, england

If you are a fan of Hong Kong action films and you haven't seen this i would suggest you track a copy down right now.

As an opening paragraph it sums up the importance of this landmark title. Conceived by its' makers as a production to rival Western films for technical (behind the camera) as well as beating them technically in front as well.

Although it fails to rival the level of sophistication with its' effects (due to bane of all Hong Kong films, its' limited budget)to match those of Hollywood films of its' time is irrelevant, it looks and feels so Far Eastern as well as using cutting edge (for 1982)it is simply unique.

The story is set in mythical times in China, where constant wars threaten to consume everyone, soldier or otherwise. One such soldier (ably played by Yuen Biao) manages to alienate himself from his commanders and ends up getting lost in the mystical region of Zu, fabled for its' magic mountain.

He becomes embroiled in a quest to find a pair of magical swords to kill a blood demon which threatens the whole of humanity. The blood demon draws its' power from pain and suffering and there is enough in the world to allow it to destroy all mankind.

The film contains so much energy, unparallelled visual flair and a cast which has the skill and experience to make it all work. The directors' vision and imagination are easy to see and appreciate, if you take the time to look. It is too easy to watch the action and miss the subtleties. It is a film which is difficult to describe, but unforgettable once watched.

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9 out of 11 people found the following review useful:
Visually stunning, a failure otherwise, 11 August 2005
6/10
Author: genrebusters from United States

To truly appreciate Tsui Hark's film Zu: Warriors of the Magic Mountain, one must approach the film from a total aesthetic view. The film is really a site to behold, moves at an unbelievably fast pace, and employs some of the zaniest special effects and action sequences ever captured on film. Zu Warriors is also pure Hark: no other director could have crammed 3000 years of Chinese mythology into an 98-minute mini-epic with as much visceral stimuli, humor, over the top action and nuttiness as Hark did. And, only Tsui Hark could make such a convoluted mess of a narrative so much pure fun to behold.

Zu Warriors is the ultimate Martial Arts fantasy. However, Hark uses this fantasy backdrop for politically charged themes and metaphors. The film starts with two rival soldiers, Ti Ming who fights for the "blue army" and East Zu Soldier who fights for the "orange army", trying to escape (quite comically I might add) the absurdities of war. Ti Ming (Yuen Biao) is court marshaled for agreeing with two of his own generals (one wanted to attack by land, the other by sea. They can't both be right, and since Ti Ming agreed with both, he must be wrong) and East Zu Soldier (Samo Hung) is just on the run from the war. They meet up and are soon ambushed by the "green army", the "yellow army" and the "red army". At this point Biao's character declares "what a colorful war this is!" Right before the attack, Ti Ming and EZS share a moment where they discover they were practically neighbors separated only by a river and the color of their uniforms.

All of this takes place in the first 10 minutes of film! Hark clearly shows his hate of war, the ineptitude of the ruling officials, and how underneath petty differences both sides of the battlefield are the ultimately the same and the soldiers really don't want to fight. At this point Ti Ming and EZS decide to try and play dead, but soon discover that over half of the fallen soldiers are also playing dead! They both try to escape but EZS is captured while Ti Ming falls from a top a high cliff and lands in a valley of the Magical Mountains. Here Hark clearly moves into another common theme of his: alienation in one's own country. Although Ti Ming is still in his own world, he has fallen into a place where he feels like a fish out of water, a common narrative thread and real life struggle of those living in Hong Kong – they are Chinese but not really part of China, alienated from their own nationality.

The film now shifts gears into the utter fantastic. Once within the shadows of the Magic Mountains, Ti Ming meets two strong and crazy warrior monks and a master swordsman who controls two magical flying swords. Ti Ming falls out of a war, and into the ultimate war. He soon discovers that the wars on his plane of reality are fought because of the ultimate battle between good and evil that is constantly going on in the dangerous peaks, valleys, temples and shrines of the Magic Mountains. Here Samo Hung turns up again but this time he is White Brows, a priest who fights evil with his animated facial hair and is the embodiment of ultimate good who is battling the Blood Demon, a giant red monstrosity representing not only the ultimate evil, but red China itself.

Although the film is most definitely a wild fantasy, Hark continues to bombard his audience with allegory of his social-political beliefs. During the next hour the viewer is treated to some of the most imaginative visual film-making ever produced. Hark shows giant stone elephants used as projectiles, ghostly figures who attack from giant clay jars, black cloaked demons who multiply and attack with flags, monks fighting with giant flying cymbals, animated skulls, lightening bolts from finger tips, flying swordsmen, a beautiful mountain top shrine inhabited by beautiful female priestesses led by The Countess (the always good looking Brigitte Lin) and a host of other such amazing sights. It is a good thing that the film is so aesthetically pleasing, because ultimately this is really the only level the film truly works on. When it comes to a well-structured plot without the need for the audience to make HUGE leaps in continuity or logic, Zu Warriors unfortunately falls flat. It is just too scatter brained and Hark tried to cram too much into such a short running time.

Although the narrative and characters may be lost and utterly convoluted, what stands out are Hark's message and his energy. The pure kinetic force of Zu Warriors can really be felt oozing from the screen. This is the type of energy typically found in a young director, doing new things, and challenging the conventions and institutions of the day. However, Hark unlike many directors, continued to channel this energy throughout the majority of his career. Zu Warriors may be a narrative disaster but what it lacks in cohesiveness, it more than makes up for in pure excitement and entertainment. ZU Warriors not only launched the entire fantasy martial arts genre (which by the way directly influenced Sam Raimi to make Evil Dead and John Carpenter's Big Trouble in Little China) but it launched the career of one of the worlds most creative directors who continues to shape the landscape of genre film-making even today. And for this we should all be eternally grateful.

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5 out of 6 people found the following review useful:
This is a freaky bit of fun, 19 April 1999
8/10
Author: Hanichi from Skaville, UK

This film illustrates the major difference between Western and Eastern fantasy films. A western version of this same film would attempt for some level of realism, some element of grittiness and angst. This film ignores realism entirely. Hey, its a fantasy already! Swordsman and monks float and dive in aerial battle, an old man's eyebrows are deadly weapons, whole armies of guys in brightly colored uniforms run about attacking each other for very poorly explained reasons, and blue eyed jawa clones swoop about the inside of evil temples. Although the ending is almost unintelligible, the first hour of the film is just one cool scene after another. The editing of this film would certainly make an epileptic have a seizure, but after five minutes you stop caring about the plot and dialogue and just start enjoying the wacky surreal action. I wish I could see this one on the big screen.

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4 out of 5 people found the following review useful:
Certainly one of the most entertaining martial arts pictures., 30 June 2006
10/10
Author: wierzbowskisteedman from England

"Zu Warriors" certainly pushed wuxia to its limits; it has such a relentless air of enthusiasm, especially given its limited budget, that its incredibly easy to dismiss any faults it does have just because of its overwhelmingly extravagant nature. Its glorious, vivid production design and intentionally camp attitude makes it very difficult not to be totally drawn into its colourful images while completely forgetting the film has a plot.

Tsui Hark has included just about everything in this one. The special effects may not be up to much but that is a sideline; the wonderful swordplay starts almost immediately and the films rarely lets up as it jumps from one operatic martial art display to another, helped by an impeccable cast featuring iconic stars such as Sammo Hung and Brigitte Lin.

Unfortuantly it still took some work before films of this sort were appreciated in the west. Despite the efforts of John Carpenter, it still took over a decade and Crouching Tiger to truly bring this wonderful form of entertainment to the masses. There's only so much praise you can give a film before saying it has to be seen to be appreciated fully. This is certainly a landmark in wuxia and an essential showpiece of Hong Kong action at its finest. (A testament to this is the fact the DVD has a Bey Logan commentary.)

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3 out of 4 people found the following review useful:
Swords! Heroes! Demons! Flying Rocks!, 11 February 1999
8/10
Author: Phil Doyle (phil.doyle@virgin.net) from Gloucester, England

This is the best kung-fu-comedy-action-horror film I've seen since "Big Trouble in Little China". I know that Asian films a bit...off centre but this takes the biscuit. The story revolves around a Scout during an Ancient Civil War who, via the most colourful battle scene EVER, ends up a mystical mountain range. There he meets heroes who battle the vile demons who roam the mountains. Who attack with flags. Then the Blood Monstaer appears and things get a little surreal...

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1 out of 1 people found the following review useful:
Tsui Hark's Energetic Action Fantasy, 22 July 2010
Author: Jizdenky from Fraggle Rock

Hark's action fantasy 'Xin Shu Shan Jian Ke' is a whole lot of fun. Needless to say one can expect lots of extravagant martial arts action sequences which are well choreographed (but some of them are so long that they tend to drag a little). The movie is loaded with special effects and even though they don't look as refined as movies of today, they're still fun to watch. The sets don't look particularly authentic but they hold a certain appeal and I like the way they appeared. The story isn't told in the traditional fashion and at some points question marks will appear in the mind but there's always something happening to keep the viewer engaged. Yuen Biao and Sammo Hung are simply great as they infuse humour and energy into their roles. Energetic, funny, bizarre, wacky, magical...these are just a few words that describe Tsui Hark's 'Xin Shu Shan Jian Ke'. Forget the abysmal 2003 remake. This is where the real fun is.

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1 out of 1 people found the following review useful:
Entertaining hokum, 11 April 2006
5/10
Author: gulliverstu from United Kingdom

What you'll take away from this film very much depends on your own experiences and preferences towards cinema. It is heavy on special effects, the plot is somewhat confusing (no more so than most kung-fu fantasy movies) and due to CGI in 2006 being so good, it does look rather dated. Having said that, I thoroughly enjoyed it. It made me reminisce on those Saturday / Sunday morning films I used to watch as a kid (like Sinbad)which were great fun without being particularly thought provoking or cinematic masterpieces. The actors do their bit and the film has a genuine comedic edge to the dialogue, and some excellent visual comedy too. The music is suitably dramatic, stirring and heightens the feeling of awe caused by the special effects and snappy camera-work. Groundbreaking in terms of special effects (1983!!)and a real comeback for fantasy kung fu, but a little light in characterisation and looks a bit dated. I also prefer martial arts films with conventional fight scenes so would have liked a few more of those. Worth seeing.

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Zu Warriors is my favourite film of all time., 15 January 2012
10/10
Author: Carl Harrington from United Kingdom

*** This review may contain spoilers ***

This is my favourite movie of all time. This film has it all, magic, adventure and heroes. This film is full of visually stunning special effects, lovable characters, a world full of imagination, a truly classic story to go with it and a larger than life cast. Yes, films do not get any better than this. The story is about a soldier called Ti Ming-chi, who wants to end all war, so he seeks to become the apprentice of a mysterious swordsman called Ting Ying. We also meet more heroes and other strange characters on the road. All of a sudden, demons from the nether realm see their chance to take over the mortal world. However, the most notorious of all demons, the blood demon is about to be resurrected and can be destroyed, but only by two swords when united. The heroes of the film seek these swords, but many obstacles wait. In the on-going battle between good and evil, there are epic battles with magic and warriors that fly though the air. This film influenced classics such as Big Trouble in Little China and other films like Crouching Tiger Hidden Dragon, but this remains the definitive fantasy film, that everyone must own.

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