| John Gielgud | ... | Marquis of Caterhan | |
| Harry Andrews | ... | Superintendent Battle | |
| Cheryl Campbell | ... | Lady Eileen 'Bundle' Brent | |
| James Warwick | ... | Jimmy Thesiger | |
| Joyce Redman | ... | Lady Coote | |
| Leslie Sands | ... | Sir Oswald Coote | |
| Lucy Gutteridge | ... | Lorraine Wade | |
| Terence Alexander | ... | George Lomax | |
| Rula Lenska | ... | Countess Radzsky | |
| Christopher Scoular | ... | Bill Eversleigh | |
| James Griffiths | ... | Rupert 'Pongo' Bateman | |
| Brian Wilde | ... | Tredwell | |
| Hetty Baynes | ... | Vera | |
| John Vine | ... | Ronny Devereux | |
| Robert Longden | ... | Gerry Wade | |
| Jacob Witkin | ... | Mr. Mosgorovsky | |
| Sandor Elès | ... | Count Andras | |
| Norwich Duff | ... | Howard Phelps | |
| Noel Johnson | ... | Sir Stanley Digby | |
| Charles Morgan | ... | Dr. Cartwright | |
| Thom Delaney | ... | Terence O'Rourke | |
| Lynne Ross | ... | Nancy | |
| Roger Sloman | ... | Stevens | |
| John Price | ... | Alfred | |
| Sarah Crowden | ... | Helen | |
| Douglas W. Iles | ... | John Bauer |
Directed by | |||
| Tony Wharmby | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Pat Sandys | (adapted from the novel by) | |
Produced by | |||
| Tony Wharmby | .... | executive producer | |
| Jack Williams | .... | producer | |
Original Music by | |||
| Joseph Horovitz | |||
Film Editing by | |||
| Geoff Beames | (videotape editor) | ||
| Ray Helm | |||
Casting by | |||
| Corinne Rodriguez | |||
Production Design by | |||
| Bryan Bagge | |||
| Colin Monk | |||
Costume Design by | |||
| Penny Lowe | |||
Makeup Department | |||
| Pauline Boulton | .... | makeup artist | |
| Sandy McFarlane | .... | makeup artist (as Sandy Macfarlane) | |
Production Management | |||
| Alan Bairstow | .... | location production manager | |
| Martin Brierley | .... | location production manager | |
| Myra Hersh | .... | production manager | |
Art Department | |||
| John Tribe | .... | graphic designer | |
Sound Department | |||
| Paul Faraday | .... | sound | |
| Alan Mills | .... | film sound | |
Camera and Electrical Department | |||
| Mike Humphreys | .... | film cameraman | |
| Colin Innes-Hopkins | .... | lighting director | |
| Michael Lingard | .... | camera operator (as Mike Lingard) | |
| Tony Maynard | .... | camera operator | |
| Paul Stripp | .... | vision controller | |
| Bert Wilkins | .... | lighting director | |
Editorial Department | |||
| Anne Gurney | .... | vision mixer | |
Other crew | |||
| Stella Bond | .... | stage manager | |
| Lynda Ostermeyer | .... | production assistant | |
| Pat Sandys | .... | script consultant | |
| Teena Steel | .... | stage manager | |
| Simon Wallace | .... | floor manager | |
| Ken Ward | .... | stage manager | |
| John West | .... | floor manager | |
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| Thirteen at Dinner | Murder on the Orient Express | The Secret Adversary | Suspicion | Murder She Said |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
This is the sort of production that gives Agatha Christie a bad name. It doesn't know what it is trying to do. Part of it is played like a farce, part like a spoof, some of it straight; the direction is all over the map.
Harry Andrews struggles through it manfully, but sinks under the strain. The leads are awful and totally confused.
There are only two good things: the production itself, in terms of scenery and use of lovely old vehicles, is super. Finally, the only actor to really shine is John Gielgud. He plays his part superbly well, with a delicate touch that shows why he is such a great actor.
Worth watching for Gielgud and the cars, but be prepared to watch a lot of awful acting and directing in the meanwhile.