In 1944, a group of high command officers plot an attempt against Hitler, and one of the leaders of the conspiracy, Stauffenberg (Sebastian Koch), goes to a meeting with the Fuhrer in ... See full summary »
Hardy Krüger Jr.
"The Plot to Kill Hitler" is a historical recreation of the 1944 attempt by several German High Command Officers to assassinate Adolf Hitler and take control of the German government. Lead ... See full summary »
Madolyn Smith Osborne,
During World War II, American soldier Harry Cook is sent to Norway to aid in the defection of a scientist working on the atomic bomb for the Germans. Before they can escape Europe, they are... See full summary »
Fr. Hugh O'Flaherty is a Vatican official in 1943-45 who has been hiding downed pilots, escaped prisoners of war, and Italian Resistance families. His diplomatic status in a Catholic country prevents Colonel Kappler from openly arresting him, but O'Flaherty's activities become so large that the Nazis decide to assassinate him the next time he leaves the Vatican. O'Flaherty continues his work in a variety of disguises. Based on a true story. Written by
John Vogel <firstname.lastname@example.org>
This film's closing epilogue states: "After the liberation, Monsignor Hugh O'Flaherty was honored by Italy, Canada and Australia, given the U.S. Medal of Freedom and made a Commander of the British Empire [CBE]. Herbert Kappler was sentenced to life imprisonment for war crimes. In the long years that followed in his Italian prison, Kappler had only one visitor. Every month, year in and year out, O'Flaherty came to see him. In 1959, the former head of the dreaded Gestapo in Rome was baptised into the Catholic faith at the hand of the Irish priest." See more »
When the priest, disguised as a Sturmbahnführer, is eluding his pursuers, the film is shown reversed; medal ribbons and collar insignia are on the wrong sides. See more »
Intriguing true story; inspirational and well acted.
This is a pretty good movie. Gregory Peck and Christopher Plummer are strong in the leading roles, but the edge goes to Plummer. Peck's on-again-off-again Irish brogue is distracting, but he makes an acceptable hero. Plummer, on the other hand, is deliciously wicked--charming on the outside, ruthless underneath. Even so, there are occasional glimpses of a less-brutish man; a man who loves his family and wants them to be safe; a man not entirely content with the horrors he has helped to create. So, when Plummer is forced to ask his archenemy for help, we can feel a bit sorry for his shattered pride and can share some of his resulting disillusionment and despair. One of the really wonderful moments in the movie comes at the end. Kappler is asked a question and the camera moves in for a close-up of his face. He doesn't have to say a word--the answer is in his eyes. Fantastic! This inspiring story of heroism and courage is also, ultimately, about forgiveness and about asking ourselves what we would have done. It's an excellent reminder that one should never under-estimate oneself--one good person can do a heck of a lot!
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