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Oliver Stone (screenplay)
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9 December 1983 (USA) more
He was Tony Montana. The world will remember him by another name...SCARFACE. more
In 1980 Miami, a determined Cuban immigrant takes over a drug empire while succumbing to greed. (Cartel not Mafia) full summary | full synopsis
Nominated for 3 Golden Globes. Another 3 nominations more
Pucker Up. It's La Pfeiffer
(From FilmExperience. 6 November 2009, 9:45 AM, PST)
AFI's 100 Years ...100 Movie Quotes
(From Extra. 4 November 2009, 4:45 AM, PST)
The 80's and how not to live them... more (680 total)
| Al Pacino | ... | Tony Montana | |
| Steven Bauer | ... | Manny Ribera | |
| Michelle Pfeiffer | ... | Elvira Hancock | |
| Mary Elizabeth Mastrantonio | ... | Gina Montana | |
| Robert Loggia | ... | Frank Lopez | |
| Miriam Colon | ... | Mama Montana | |
| F. Murray Abraham | ... | Omar Suarez | |
| Paul Shenar | ... | Alejandro Sosa | |
| Harris Yulin | ... | Mel Bernstein | |
| Ángel Salazar | ... | Chi Chi | |
| Arnaldo Santana | ... | Ernie | |
| Pepe Serna | ... | Angel | |
| Michael P. Moran | ... | Nick The Pig | |
| Al Israel | ... | Hector The Toad | |
| Dennis Holahan | ... | Jerry The Banker | |
| Mark Margolis | ... | Alberto The Shadow | |
| Michael Alldredge | ... | Sheffield | |
| Ted Beniades | ... | Seidelbaum | |
| Richard Belzer | ... | M.C. at Babylon Club | |
| Paul Espel | ... | Luis | |
| John Brandon | ... | Immigration Officer #3 | |
| Tony Perez | ... | Immigration Officer #2 | |
| Garnett Smith | ... | Immigration Officer #1 | |
| Loren Almaguer | ... | Dr. Munoz | |
| Gil Barreto | ... | Cuban Refugee | |
| Heather Benna | ... | Gutierrez Child | |
| Sue Bowser | ... | Miriam (as Dawnell Bowers) | |
| Tina Leigh Cameron | ... | Saleslady | |
| Victor Campos | ... | Ronnie Echevierra | |
| Robert Hammer Cannerday | ... | Marielito | |
| Rene Carrasco | ... | Shooter | |
| Albert Carrier | ... | Pedro Quinn | |
| John Carter | ... | Vic Phillips | |
| Richard Caselnova | ... | Driver | |
| Gary Cervantes | ... | Shooter #1 | |
| Carlos Cestero | ... | Matos | |
| Johnny Contardo | ... | Miguel Echevierra | |
| Roberto Contreras | ... | Rebenga | |
| Caesar Cordova | ... | Taco stand cook | |
| Gregory Cruz | ... | Shooter #2 (as Gregory N. Cruz) | |
| Dante D'Andre | ... | General Strasser (as Dante D'André) | |
| Richard Delmonte | ... | Fernando | |
| Wayne Doba | ... | Octavio The Clown | |
| Michel François | ... | Maitre d' | |
| Ben Frommer | ... | Male Patron | |
| Edward R. Frommer | ... | Taco Stand Customer | |
| John Gamble | ... | Helicopter Pilot | |
| Troy Isaacs | ... | Cuban Refugee | |
| Ronald G. Joseph | ... | Car Salesman (as Ronald Joseph) | |
| Mario Machado | ... | Interviewer | |
| Joe Marmo | ... | Nacho 'El Gordo' | |
| Ray Martel | ... | Nacho's Bodyguard | |
| John McCann | ... | Bank Spokesman | |
| Richard Mendez | ... | Gina's Killer | |
| Victor Millan | ... | Ariel Bleyer | |
| Santos Morales | ... | Waldo | |
| Mike Moroff | ... | Gaspar's Bodyguard | |
| Angela Nisi | ... | Gutierrez Child | |
| Manuel Padilla Jr. | ... | Kid #2 | |
| Tony Pann | ... | Driver | |
| Ilka Tanya Payan | ... | Mrs. Gutierrez (as Ilka Payan) | |
| Barbra Perez | ... | Marta | |
| Michael Rougas | ... | Monsignor | |
| Anthony Saenz | ... | Cuban Refugee | |
| Geno Silva | ... | The Skull | |
| Arnold Tafolla | ... | Kid #1 | |
| Charles A. Tamburro | ... | Helicopter Pilot (as Chuck Tamburo) | |
| Jim Towers | ... | Cuban Refugee | |
| Robert Vandenberg | ... | Gaspar Gomez (as Robert Van den Berg) | |
| Bob Yanez | ... | Cuban Man | |
| Angela Aames | ... | Woman at Babylon Club | |
| Nancy Lee Andrews | ... | Woman at Babylon Club | |
| Dona Baldwin | ... | Woman at Babylon Club | |
| Rosa Lee Benton | ... | Woman at Babylon Club | |
| Cynthia Burr | ... | Woman at Babylon Club | |
| Lana Clarkson | ... | Woman at Babylon Club | |
| Karen Criswell | ... | Woman at Babylon Club | |
| Margo Kelly | ... | Woman at Babylon Club | |
| Ava Lazar | ... | Woman at Babylon Club | |
| Emilia Crow | ... | Woman at Babylon Club (as Emilia Lesniak) | |
| Marii Mak | ... | Woman at Babylon Club | |
| Shelley Taylor Morgan | ... | Woman at Babylon Club | |
| Catharine Richardson | ... | Woman at Babylon Club | |
| Pat Simmons | ... | Woman at Babylon Club | |
| Terri Taylor | ... | Woman at Babylon Club | |
| Charlie Adiano | ... | Woman at Babylon Club | |
| Lisa Katz | ... | Woman at Babylon Club | |
| Jeanette Linne | ... | Woman at Babylon Club (as Jeanette Linné) | |
| Margaret Michaels | ... | Woman at Babylon Club | |
| Rhonda Sandberg | ... | Woman at Babylon Club | |
| Katt Shea | ... | Woman at Babylon Club (as Kathy Shea) | |
| Marcia Wolf | ... | Woman at Babylon Club | |
| rest of cast listed alphabetically: | |||
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Barclay DeVeau | ... | Ambassador's Daughter (uncredited) | |
| Charles Durning | ... | Immigration Officer (voice) (uncredited) | |
| Dennis Franz | ... | Immigration Officer (voice) (uncredited) | |
| Gregg Henry | ... | Charles Goodson (uncredited) | |
| Richard Jasen | ... | Little Boy at Pool (uncredited) | |
| Henry Kingi | ... | Colombian hitman (uncredited) | |
| Brett Ratner | ... | Boy lying on raft in pool (uncredited) | |
| Marcus Shirock | ... | Boy at pool (uncredited) (unconfirmed) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Armitage Trail | (novel) uncredited | |
| Ben Hecht | (1932 screenplay) uncredited and | |
| Howard Hawks | (1932 screenplay) uncredited | |
| Oliver Stone | (screenplay) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Peter Saphier | .... | co-producer | |
| Louis A. Stroller | .... | executive producer | |
Original Music by | |||
| Giorgio Moroder | |||
Cinematography by | |||
| John A. Alonzo | |||
Film Editing by | |||
| Gerald B. Greenberg | (as Jerry Greenberg) | ||
| David Ray | |||
Casting by | |||
| Alixe Gordin | |||
Art Direction by | |||
| Edward Richardson | (as Ed Richardson) | ||
Set Decoration by | |||
| Bruce Weintraub | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| Janice D. Brandow | .... | hair stylist (as Janice Brandow) | |
| Barbara Guedel | .... | makeup artist | |
| Toni-Ann Walker | .... | hair stylist (as Toni Walker) | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager (as Ray Hartwick) | |
Second Unit Director or Assistant Director | |||
| David Dreyfuss | .... | second unit director (as David Hans Dreyfuss) | |
| James Herbert | .... | additional second assistant director | |
| Joe Napolitano | .... | first assistant director | |
| Chris Soldo | .... | second assistant director | |
| Robert Yannetti | .... | dga trainee | |
| Jerry Ziesmer | .... | first assistant director | |
| Lewis Gould | .... | second assistant director (uncredited) | |
Art Department | |||
| Jim Allen | .... | assistant art director | |
| Casey Hallenbeck | .... | set dresser | |
| Geoff Hubbard | .... | set designer | |
| Peter Ivy | .... | carpenter foreman | |
| Peter Lamppu | .... | carpenter foreman | |
| Daniel Loren May | .... | lead man (as Dan May) | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
| Blake Russell | .... | set designer | |
| Carlos Salinas | .... | carpenter foreman | |
| Ferdinando Scarfiotti | .... | visual consultant | |
| Steven Schwartz | .... | set designer (as Steve Schwartz) | |
| Edmund Villa | .... | assistant property master (as Ed Villa) | |
| Will Waters | .... | set dresser | |
| 'Dangerous' Bob Widin | .... | assistant property master (as Bob Widin) | |
| John Zemansky | .... | property master | |
| Ronald S. Baratie | .... | greensman (uncredited) | |
| Robert Misetich | .... | painter (uncredited) | |
| John Sweeney | .... | props (uncredited) | |
Special Effects by | |||
| Stan Parks | .... | special effects | |
| Ken Pepiot | .... | special effects | |
| George Zamora | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Bill Hansard | .... | rear projection | |
Camera and Electrical Department | |||
| Sidney Ray Baldwin | .... | still photographer (as Sidney Baldwin) | |
| Michael Barrett | .... | electrician | |
| Michael A. Chavez | .... | assistant camera (as Michael Chavez) | |
| Michael Ferris | .... | camera operator | |
| James W. Finnerty | .... | grip: New York | |
| Donald Glenn | .... | best boy grip (as Don Glenn) | |
| Bud Heller | .... | key grip | |
| Susan C. Ingram | .... | assistant camera (as Susan Ingram) | |
| Horace Jordan | .... | assistant camera (as Horace Jordan Jr.) | |
| Thomas Laughridge | .... | camera operator (as Tom Laughridge) | |
| Bob Mundell | .... | best boy | |
| Dutch Presley | .... | best boy | |
| Kevin Presley | .... | electrician | |
| Donald Schmitz | .... | grip (as Don Schmitz) | |
| Clyde Smith | .... | dolly grip | |
| Stuart A. Spohn | .... | gaffer (as Stuart Spohn) | |
| John Toll | .... | camera operator | |
| Mario Zavala | .... | assistant camera | |
| Vincent Contarino | .... | electrician (uncredited) | |
| Michael J. Schwartz | .... | rigging electrician (uncredited) | |
Casting Department | |||
| Karl Brindle | .... | extras casting | |
| Billy Cardenas | .... | extras casting | |
| Bob Morones | .... | additional casting | |
| Judy Dennis | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Henrikson | .... | costumer | |
| Gregory B. Peña | .... | costumer (as Greg Pena) | |
| G. Tony Scarano | .... | costumer (as Tony Scarano) | |
| Randi Mavestrand | .... | costumer (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Bregman | .... | editing room assistant | |
| Laura Civiello | .... | assistant film editor | |
| Phil Hetos | .... | color consultant: Technicolor | |
| Ray Hubley | .... | assistant film editor | |
| Alfred Laurence Kahn | .... | editing room assistant | |
| Lori Kornspun | .... | editing room assistant | |
| Paul Neshamkin | .... | editor: title sequence | |
| David Oakden | .... | assistant film editor | |
| Debby Paley | .... | editing room assistant | |
| Bill Pankow | .... | associate film editor | |
| Shari Smith | .... | editing room assistant | |
| Robert Yang | .... | editing room assistant | |
| Rick Derby | .... | apprentice editor (uncredited) | |
| J. Kathleen Gibson | .... | apprentice editor (uncredited) | |
Music Department | |||
| Arthur Barrows | .... | music arranger | |
| Jim Henrikson | .... | music editor | |
| Laurie Kanner | .... | music coordinator | |
| Sylvester Levay | .... | music arranger | |
| Giorgio Moroder | .... | music arranger | |
| Kristian Schultze | .... | music arranger | |
| Richie Zito | .... | music arranger | |
| Daniel J. Johnson | .... | co-music editor (uncredited) | |
| Daniel Walker | .... | score arranger (uncredited) | |
Transportation Department | |||
| Dan Anglin | .... | transportation coordinator (as Danny Anglin) | |
| Richard Brehm | .... | driver | |
| Bob Cornell | .... | transportation co-captain (as Bob Cornnell) | |
| Tony Emerzian | .... | driver | |
| Frankie Hernandez | .... | driver | |
| Junior Newman | .... | driver | |
| Ted Reed | .... | transportation captain | |
| Pat Seran | .... | driver | |
| Frank Khoury | .... | driver (uncredited) | |
Thanks | |||
| Howard Hawks | .... | dedicatee | |
| Ben Hecht | .... | dedicatee | |
| Rafael Hernandez Jr. | .... | special thanks | |
| Nick Navarro | .... | special thanks | |
170 min | 81 min (DVD version by VCA)
Color (Technicolor)
2.35 : 1 more
Belgium:KNT | Finland:K-16 (cut) (1990) | Finland:K-18 | Colombia:18 | Mexico:C | Germany:18 (JK/SPIO) | West Germany:18 (video premiere) (cut) (1985) | Iceland:16 | Finland:K-15 (DVD version) (re-rated) | Canada:13+ (Quebec) (re-rating) | Canada:18+ (Quebec) (original rating) | Canada:R | Brazil:18 | Netherlands:18 (original rating) | South Korea:18 | Israel:18 | Australia:MA (Cable TV rating) | Argentina:18 | Australia:R | Chile:18 | Denmark:15 | France:-12 | Hong Kong:IIB | Ireland:18 | Italy:VM14 | Japan:R-15 | Malaysia:(Banned) | Netherlands:16 (DVD rating) | New Zealand:R18 | Norway:15 (re-rating) (2000) | Norway:18 (original rating) | Peru:18 | Portugal:M/18 | Singapore:M18 | Spain:18 | Sweden:15 | Taiwan:R-18 | UK:18 | USA:R (re-rating on appeal) | USA:X (original rating) | Germany:BPjM Restricted
Steven Bauer is the only actual Cuban in the principal cast. more
Revealing mistakes: During the shower/chainsaw scene, Tony fights with one of Hector's men, takes his pistol away, and shoots him. The pistol is supposed to be a semi-automatic 9mm Beretta 92, but when Tony fires a single shot, the hammer stays down, the slide never recoils, and no casing is ever ejected. The gun is clearly a single-shot prop gun. more
[first lines]
Fidel Castro:
...al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[... to the effort and heroism of a revolution... We don't want them! We don't need them!]
more
Referenced in "Friends: The One with Phoebe's Wedding (#10.12)" (2004) more
Turn Out the Night more
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Ya know when one looks at this Brian DePalma film today, I'm sure there has been allot of criticism about how dated it is. Also, about the violence. When I looked at this film on VHS when I was 20, I thought it was ulta-violent and gritty as well. But I didn't get 'it'.
A few decades go by and man, how I know how much I didn't get in this film!! This is a remake of an excellent film which was done back in the 30's/40's. How can you improve upon a classic? Ya don't. But you tell a tale that is brought up to date through the eyes of the "new immigrants" during the most greed ridden decade, the over indulgent 80's. DePalma, Stone and the gang present an ambitious, disturbing and darn right good film.
Yes....Disco was dying and New Wave/Punk were taking over but these immigrants from Cuba who had to make a new home in Florida couldn't tell the difference. It was exciting, it was what they wanted but how to get it???? To these immigrants, there was only one way to get it in Florida where they were..by having lots of money and to get the money, you had to take over running a drug empire.
Al Pacino was fantastic to me as Tony Montana, the "little train that could". What an amazing way to have your lead character look at America: to fight, kill, steal. lie, cheat all to get -- "the money, the women and the power."
That's what Tony saw as the American dream.
He wanted it, he wanted to live it and in his circle saw nothing wrong with how he went to get it. Tony Montana's command of the English language was heavily saturated with the "f" word but what did you expect, Emily Post's finishing school for him and his co-horts? Look at how they CAME to America, what they knew, what they were exposed to. This is the way Tony and his crew chose to "be all they can be in America." It was all about the power. Tony Montana would and did ANYTHING to achieve it..it all its violent, lying, stealing, crooked, thieving glory.
The part of the film that personified the 1980's to me, is the money laundering. Tony's crew bringing sacks of drug money to the bank. Did those around Tony and his crew care? At the clubs where he spent and drank? Nope. Money was money and with money, you get the power. Tony was living high off the hog. He and his pretty blond American trophy he married played well by Michelle Pfieffer.
After Tony Montana's rise to power, he finds out its really crappy up there. He's riddled with doubt, he's drug addicted, he's paranoid, he's surrounded by those who want to take him on in a bloody take-over, his trophy 80's American blonde drug addicted wife he finds out is a bore, he needs to keep atop of his empire because...he's going down. And down he goes in a horrific violent fashion, but again I ask, what do you expect?
This is the quintessential 1980's film telling you a warped tale of how some misunderstand the American Dream...to obsession. It's violent, bloody, overly so..but it drives the point disturbingly home. Not all Cubans thrown out of Cuba who landed in Florida in the 80's were anything like Tony Montana. Give me a break. But the showing of how miserable the 1980's were with its emphasis on greed and money as the only measures in the USA to "be somebody" and have power took its tool on these poor characters and their lives in America.
Makes you wonder -- has anything from then -- been learned today?