| Photos (See all 133 | slideshow) | Videos (see all 24) |
| Al Pacino | ... | Tony Montana | |
| Steven Bauer | ... | Manny Ribera | |
| Michelle Pfeiffer | ... | Elvira Hancock | |
| Mary Elizabeth Mastrantonio | ... | Gina Montana | |
| Robert Loggia | ... | Frank Lopez | |
| Miriam Colon | ... | Mama Montana | |
| F. Murray Abraham | ... | Omar Suarez | |
| Paul Shenar | ... | Alejandro Sosa | |
| Harris Yulin | ... | Mel Bernstein | |
| Ángel Salazar | ... | Chi Chi | |
| Arnaldo Santana | ... | Ernie | |
| Pepe Serna | ... | Angel | |
| Michael P. Moran | ... | Nick The Pig | |
| Al Israel | ... | Hector The Toad | |
| Dennis Holahan | ... | Jerry The Banker | |
| Mark Margolis | ... | Alberto The Shadow | |
| Michael Alldredge | ... | Sheffield | |
| Ted Beniades | ... | Seidelbaum | |
| Richard Belzer | ... | M.C. at Babylon Club | |
| Paul Espel | ... | Luis | |
| John Brandon | ... | Immigration Officer #3 | |
| Tony Perez | ... | Immigration Officer #2 | |
| Garnett Smith | ... | Immigration Officer #1 | |
| Loren Almaguer | ... | Dr. Munoz | |
| Gil Barreto | ... | Cuban Refugee | |
| Heather Benna | ... | Gutierrez Child | |
| Sue Bowser | ... | Miriam (as Dawnell Bowers) | |
| Tina Leigh Cameron | ... | Saleslady | |
| Victor Campos | ... | Ronnie Echevierra | |
| Robert Hammer Cannerday | ... | Marielito | |
| Rene Carrasco | ... | Shooter | |
| Albert Carrier | ... | Pedro Quinn | |
| John Carter | ... | Vic Phillips | |
| Richard Caselnova | ... | Driver | |
| Gary Carlos Cervantes | ... | Shooter #1 (as Gary Cervantes) | |
| Carlos Cestero | ... | Matos | |
| Johnny Contardo | ... | Miguel Echevierra (as John Contardo) | |
| Roberto Contreras | ... | Rebenga | |
| Caesar Cordova | ... | Taco stand cook | |
| Gregory Cruz | ... | Shooter #2 (as Gregory N. Cruz) | |
| Dante D'Andre | ... | General Strasser (as Dante D'André) | |
| Richard Delmonte | ... | Fernando | |
| Wayne Doba | ... | Octavio The Clown | |
| Michel François | ... | Maitre d' | |
| Ben Frommer | ... | Male Patron | |
| Edward R. Frommer | ... | Taco Stand Customer | |
| John Gamble | ... | Helicopter Pilot | |
| Troy Isaacs | ... | Cuban Refugee | |
| Ronald G. Joseph | ... | Car Salesman (as Ronald Joseph) | |
| Mario Machado | ... | Interviewer | |
| Joe Marmo | ... | Nacho 'El Gordo' | |
| Ray Martel | ... | Nacho's Bodyguard | |
| John McCann | ... | Bank Spokesman | |
| Richard Mendez | ... | Gina's Killer | |
| Victor Millan | ... | Ariel Bleyer | |
| Santos Morales | ... | Waldo | |
| Mike Moroff | ... | Gaspar's Bodyguard | |
| Angela Nisi | ... | Gutierrez Child | |
| Manuel Padilla Jr. | ... | Kid #2 | |
| Tony Pann | ... | Driver | |
| Ilka Tanya Payan | ... | Mrs. Gutierrez (as Ilka Payan) | |
| Barbra Perez | ... | Marta | |
| Michael Rougas | ... | Monsignor | |
| Anthony Saenz | ... | Cuban Refugee | |
| Geno Silva | ... | The Skull | |
| Arnold Tafolla | ... | Kid #1 | |
| Charles A. Tamburro | ... | Helicopter Pilot (as Chuck Tamburo) | |
| Jim Towers | ... | Cuban Refugee | |
| Robert Vandenberg | ... | Gaspar Gomez (as Robert Van den Berg) | |
| Bob Yanez | ... | Cuban Man | |
| Angela Aames | ... | Woman at Babylon Club | |
| Nancy Lee Andrews | ... | Woman at Babylon Club | |
| Dona Baldwin | ... | Woman at Babylon Club | |
| Lee Benton | ... | Woman at Babylon Club (as Rosa Lee Benton) | |
| Cynthia Burr | ... | Woman at Babylon Club | |
| Lana Clarkson | ... | Woman at Babylon Club | |
| Karen Criswell | ... | Woman at Babylon Club | |
| Margo Kelly | ... | Woman at Babylon Club | |
| Ava Lazar | ... | Woman at Babylon Club | |
| Emilia Crow | ... | Woman at Babylon Club (as Emilia Lesniak) | |
| Marii Mak | ... | Woman at Babylon Club | |
| Shelley Taylor Morgan | ... | Woman at Babylon Club | |
| Catharine Richardson | ... | Woman at Babylon Club | |
| Pat Simmons | ... | Woman at Babylon Club | |
| Terri Taylor | ... | Woman at Babylon Club | |
| Charlie Adiano | ... | Woman at Babylon Club | |
| Lisa Katz | ... | Woman at Babylon Club | |
| Jeanette Linne | ... | Woman at Babylon Club (as Jeanette Linné) | |
| Margaret Michaels | ... | Woman at Babylon Club | |
| Rhonda Sandberg | ... | Woman at Babylon Club | |
| Katt Shea | ... | Woman at Babylon Club (as Kathy Shea) | |
| Marcia Wolf | ... | Woman at Babylon Club | |
| rest of cast listed alphabetically: | |||
| Fidel Castro | ... | Himself (archive footage) (uncredited) | |
| Barclay DeVeau | ... | Ambassador's Daughter (uncredited) | |
| Charles Durning | ... | Immigration Officer (voice) (uncredited) | |
| Dennis Franz | ... | Immigration Officer (voice) (uncredited) | |
| Linda Gillen | ... | Voice (uncredited) | |
| Gregg Henry | ... | Charles Goodson (uncredited) | |
| Kevyn Major Howard | ... | Extra (uncredited) | |
| Richard Jasen | ... | Little Boy at Pool (uncredited) | |
| Henry Kingi | ... | Colombian Hitman (uncredited) | |
| Brett Ratner | ... | Boy Lying on Raft in Pool (uncredited) | |
| Randall Rutledge | ... | Night Club Patron (uncredited) | |
| Marcus Shirock | ... | Boy at Pool (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Oliver Stone | (screenplay) | |
| Howard Hawks | 1932 screenplay (uncredited) | |
| Ben Hecht | 1932 screenplay (uncredited) | |
| Armitage Trail | novel (uncredited) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Peter Saphier | .... | co-producer | |
| Louis A. Stroller | .... | executive producer | |
Original Music by | |||
| Giorgio Moroder | |||
Cinematography by | |||
| John A. Alonzo | |||
Film Editing by | |||
| Gerald B. Greenberg | (as Jerry Greenberg) | ||
| David Ray | |||
Casting by | |||
| Alixe Gordin | |||
Art Direction by | |||
| Edward Richardson | (as Ed Richardson) | ||
Set Decoration by | |||
| Bruce Weintraub | |||
Costume Design by | |||
| Patricia Norris | |||
Makeup Department | |||
| Stephen Abrums | .... | makeup artist (as Steve Abrums) | |
| Janice D. Brandow | .... | hair stylist (as Janice Brandow) | |
| Barbara Guedel | .... | makeup artist | |
| Toni-Ann Walker | .... | hair stylist (as Toni Walker) | |
Production Management | |||
| Raymond Hartwick | .... | unit production manager (as Ray Hartwick) | |
Second Unit Director or Assistant Director | |||
| David Dreyfuss | .... | second unit director (as David Hans Dreyfuss) | |
| James Herbert | .... | additional second assistant director | |
| Joe Napolitano | .... | first assistant director | |
| Chris Soldo | .... | second assistant director | |
| Robert Yannetti | .... | dga trainee | |
| Jerry Ziesmer | .... | first assistant director | |
| Lewis Gould | .... | second assistant director: New York (uncredited) | |
Art Department | |||
| James Allen | .... | assistant art director (as Jim Allen) | |
| Casey Hallenbeck | .... | set dresser | |
| Geoff Hubbard | .... | set designer | |
| Peter Ivy | .... | carpenter foreman | |
| Peter Lamppu | .... | carpenter foreman | |
| Daniel Loren May | .... | lead man (as Dan May) | |
| Clarence Lynn Price | .... | construction coordinator (as Lynn Price) | |
| Blake Russell | .... | set designer | |
| Carlos Salinas | .... | carpenter foreman | |
| Ferdinando Scarfiotti | .... | visual consultant | |
| Steven Schwartz | .... | set designer (as Steve Schwartz) | |
| Edmund Villa | .... | assistant property master (as Ed Villa) | |
| Will Waters | .... | set dresser | |
| 'Dangerous' Bob Widin | .... | assistant property master (as Bob Widin) | |
| John Zemansky | .... | property master | |
| John Alvin | .... | poster artist (uncredited) | |
| Ronald S. Baratie | .... | greensman (uncredited) | |
| Robert Misetich | .... | painter (uncredited) | |
| John Sweeney | .... | props (uncredited) | |
Special Effects by | |||
| Stan Parks | .... | special effects | |
| Ken Pepiot | .... | special effects | |
| George Zamora | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Bill Hansard | .... | rear projection | |
Casting Department | |||
| Karl Brindle | .... | extras casting | |
| Billy Cardenas | .... | extras casting | |
| Bob Morones | .... | additional casting | |
| Judy Dennis | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Linda Henrikson | .... | costumer | |
| Gregory B. Peña | .... | costumer (as Greg Pena) | |
| G. Tony Scarano | .... | costumer (as Tony Scarano) | |
| Randi Mavestrand | .... | costumer (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Michael Bregman | .... | editing room assistant | |
| Laura Civiello | .... | assistant film editor | |
| Phil Hetos | .... | color consultant: Technicolor | |
| Ray Hubley | .... | assistant film editor | |
| Alfred Laurence Kahn | .... | editing room assistant | |
| Lori Kornspun | .... | editing room assistant | |
| Paul Neshamkin | .... | editor: title sequence | |
| David Oakden | .... | assistant film editor | |
| Debby Paley | .... | editing room assistant | |
| Bill Pankow | .... | associate film editor | |
| Shari Smith | .... | editing room assistant | |
| Robert Yang | .... | editing room assistant | |
| Rick Derby | .... | apprentice editor (uncredited) | |
| J. Kathleen Gibson | .... | apprentice editor (uncredited) | |
Music Department | |||
| Arthur Barrows | .... | music arranger | |
| Jim Henrikson | .... | music editor | |
| Laurie Kanner | .... | music coordinator | |
| Sylvester Levay | .... | music arranger | |
| Giorgio Moroder | .... | music arranger | |
| Kristian Schultze | .... | music arranger | |
| Richie Zito | .... | music arranger | |
| Daniel J. Johnson | .... | co-music editor (uncredited) | |
| Daniel Walker | .... | score arranger (uncredited) | |
Transportation Department | |||
| Dan Anglin | .... | transportation coordinator (as Danny Anglin) | |
| Richard Brehm | .... | driver | |
| Bob Cornell | .... | transportation co-captain (as Bob Cornnell) | |
| Tony Emerzian | .... | driver | |
| Frankie Hernandez | .... | driver | |
| Junior Newman | .... | driver | |
| Ted Reed | .... | transportation captain | |
| Pat Seran | .... | driver | |
| Frank Khoury | .... | driver (uncredited) | |
Other crew | |||
| David Dreyfuss | .... | title designer (as David Hans Dreyfuss) | |
| Robert Easton | .... | dialogue coach | |
| Joan Eisenberg | .... | unit publicist | |
| Ron Filbert | .... | production auditor | |
| Darryl Fong | .... | production assistant | |
| Michael Fottrell | .... | production assistant | |
| Jack Garsha | .... | timing consultant: Technicolor | |
| Gary Hill | .... | assistant: Brian Depalma | |
| Joe James | .... | craft service | |
| Jan Kemper | .... | script supervisor | |
| Willie Kupahu | .... | production auditor (as Willie Kapahu) | |
| Shari Leibowitz | .... | production coordinator | |
| Lori Meeks | .... | production assistant | |
| Barbrah Messing | .... | secretary | |
| Frank Pierson | .... | location manager | |
| Judee Roberts | .... | talent coordinator | |
| Sandy Russell | .... | secretary | |
| Charles A. Tamburro | .... | helicopter pilot | |
| Mary Viviano | .... | assistant: Mr. Pacino | |
| Susan Zwerman | .... | location manager | |
| Dean Gates | .... | production assistant (uncredited) | |
| Jeff Most | .... | production assistant (uncredited) | |
| Maurice Schell | .... | adr loop group (uncredited) | |
| Branko Wohlfahrt | .... | armorer (uncredited) | |
Thanks | |||
| Howard Hawks | .... | dedicatee | |
| Ben Hecht | .... | dedicatee | |
| Rafael Hernandez Jr. | .... | special thanks | |
| Nick Navarro | .... | special thanks | |
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| The Departed | The Godfather: Part II | The Case of the Scorpion's Tail | Black Belly of the Tarantula | The Bird with the Crystal Plumage |
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"A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain
'Classic' seems to be the word used to describe "Scarface", Brian DePalma's 1983 film about opulence, self surrender, greed, and danger among Florida's drug ring. People and critics (and rappers for that matter) deem this film 'an epic gangster classic' or 'eptiome of gangster films.' When it is anything but. It is praised for all the wrong reasons. Scarface is a terrific film that deserves praise from all over, but not all the praise it gets from audiences today, and therefor the fine points it so poignantly makes are missed by the general public.
First off, the film is about a Cuban refugee, with a past of wanting to escape communism grasp and find happiness. Simple? Yes. But the layers of De Palma's directing genius, and the great story written by Oliver Stone (yes I know, he actually wrote a real good one here) play into all of it. The characters are all looking for an escape, as escape is a natural element dealt with in the film by all. Each character has something to offer, that makes them likable by everyone who could appreciate this film. They are entwined in a world of mystique and money, but all that has a price, as they all learn. Each character thinks they are getting better chances in life, when in true dramatic irony, they are actually getting worse. 'Tragedy' would be a better word to describe this movie. All those who praise the film for it's drug usage, it's violence, it's dialog, totally missed the point. There is nothing really positive about the film besides the characters positive expectations of themselves. And that is why the film works so well. The devastation through out the film serves to deliver the message of the film, not to look cool or attract viewers. Brian De Palma doesn't make movies for cult gangsters, or brainless action fans.
Next on, the film is an adult drama. It is not a 'gangster film'. It has it's share of action, but the action is plotted very carefully, so it has a point. It's not like "Aliens"- an example of a big dumb action film, and most audiences perceive this film as a big dumb action gangster film about doing drugs and shooting people. Ridiculous. Hogwash. If this film is about that, then it is about how bad it is. Not a promotion of it.
This being said, the film is indeed a great film. It has great cinematography that pulls you into the story. It has a very dramatic score (in true Giorgio Moroder style), which simply could give you chills, or bring you to tears. The film is rather lengthy, but it is a story, and each moment counts. The acting is terrific. Al Pacino - enough said. He can do any role that he puts his mind to, and this was no exception. Pretty boy Steven Bauer, as Manny. I didn't think much of him in other films he did, but he actually makes you like him when he goes under maestro De Palma's direction. Michelle Pfeiffer is a true gem as Elvira. Popping' fresh off the heels of a sort of embarrassment in "Grease 2" she got her ticket to ride performing a no holds barred performance of a beauty that is more than meets the eye. But the three true diamonds in this rough are Mary Elizabeth Mastrontonio as Tony's sister Gina, who when she smiles, or cries, we see her soul and her fresh way of living, and watch it deteriorate; Paul Shenar as Alejandro Sosa, a drug lord, who runs deeper than a river, and Shenar portrays him as so; and Miriam Colom as Tony and Gina's torn mother. These three dig the film as deep as it can go.
This reviewer learned one main thing when watching "Scarface" for the first time. Always go into a film unsuspecting. All the hype and talk of this film cannot possibly prepare you for what you really see. Only knowing De Palma (like I do) can give you even a glimpse of what this film holds. So ignore the rap crap, ignore the mindless violence supporters, and fix yourself a glass of Bailey's on the rocks, and indulge yourself in an emotional viewing of a great film, the real "Scarface."