The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
During the shower/chainsaw scene, Tony fights with one of Hector's men, takes his pistol away, and shoots him. The pistol is supposed to be a semi-automatic 9mm Beretta 92, but when Tony fires a single shot, the hammer stays down, the slide never recoils, and no casing is ever ejected. The gun is clearly a single-shot prop gun. See more »
...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
[Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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Scarface is a fiction account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban/ American Community and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban/Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »
Pacino gives an amazing performance that is both comic and tragic in this remake of the 1932 classic about corruption in America.
Brian De Palma updated the original Prohibition story to the era of the Mariel boat-lift and the heavy traffic in drugs that still infest the United States. The film is an uncompromising revelation of humanity's dark side as Pacino's character learns never to underestimate the other guy's greed. He neglects to learn the other important lesson -- never get caught in the vice you are pushing on others.
Pacino's character wants the world and everything in it. That's what he gets. We are reminded to beware of what we wish for.
The film is violent but never makes drug dealing seem glamorous.
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