8.3/10
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Scarface (1983)

In Miami in 1980, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.

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Top Rated Movies #105 | Nominated for 3 Golden Globes. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Arnaldo Santana ...
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Michael P. Moran ...
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Storyline

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by garykmcd

Plot Summary | Plot Synopsis

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The world is yours... See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

9 December 1983 (USA)  »

Also Known As:

Caracortada  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$242,821 (USA) (19 September 2003)

Gross:

$44,700,000 (USA)
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Company Credits

Production Co:

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Technical Specs

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| (TV)

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In creating the Freedom Town sequence, Brian De Palma and visual consultant Ferdinando Scarfiotti researched actual events and found that in 1980, newly arrived Marielitos were housed in a hastily constructed camp beneath a Miami freeway. For the movie, the camp was erected in Los Angeles, beneath the intersection of the Santa Monica and Harbour freeways. The final riot in Freedom town called for some linguistic agility, as many of the six hundred extras spoke Spanish; thus safety required careful translation prior to each set-up. See more »

Goofs

In one scene, when Tony is in the tub watching TV, he's cheering for the "pelicans", which are actually flamingos. See more »

Quotes

[first lines]
Fidel Castro: ...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
Fidel Castro: [Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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Crazy Credits

In the opening we see a crawl text (with narrator) that reads: "In May of 1980, Fidel Castro in an effort to normalize relations with the Carter Administration opened the harbor at Mariel, Cuba with the apparent intention of letting some of his people join their relatives in the United States. Within seventy-two hours, 3,000 U.S. boats were headed for Cuba. In the next few weeks, it became evident that Castro was forcing the boat owners to carry back with them not only their relatives but the dregs of his jail population. By the time the port was closed 125,000 'Marielitos' had landed in Florida. An estimated 25,000 had criminal records. This is the story of that minority those they call 'Los Bandidos'." See more »

Connections

Referenced in Min misunnelige frisør (2004) See more »

Soundtracks

Scarface (Push It to the Limit)
Performed by Paul Engemann
Music by Giorgio Moroder
Lyrics by Pete Bellotte
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Frequently Asked Questions

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User Reviews

 
The Real Scarface.
28 January 2007 | by (Sundance, Utah) – See all my reviews

"A Classic is something that everybody wants to have read but nobody wants to read. A classic is also something that everyone praises but no one has read." -Mark Twain

'Classic' seems to be the word used to describe "Scarface", Brian DePalma's 1983 film about opulence, self surrender, greed, and danger among Florida's drug ring. People and critics (and rappers for that matter) deem this film 'an epic gangster classic' or 'eptiome of gangster films.' When it is anything but. It is praised for all the wrong reasons. Scarface is a terrific film that deserves praise from all over, but not all the praise it gets from audiences today, and therefor the fine points it so poignantly makes are missed by the general public.

First off, the film is about a Cuban refugee, with a past of wanting to escape communism grasp and find happiness. Simple? Yes. But the layers of De Palma's directing genius, and the great story written by Oliver Stone (yes I know, he actually wrote a real good one here) play into all of it. The characters are all looking for an escape, as escape is a natural element dealt with in the film by all. Each character has something to offer, that makes them likable by everyone who could appreciate this film. They are entwined in a world of mystique and money, but all that has a price, as they all learn. Each character thinks they are getting better chances in life, when in true dramatic irony, they are actually getting worse. 'Tragedy' would be a better word to describe this movie. All those who praise the film for it's drug usage, it's violence, it's dialog, totally missed the point. There is nothing really positive about the film besides the characters positive expectations of themselves. And that is why the film works so well. The devastation through out the film serves to deliver the message of the film, not to look cool or attract viewers. Brian De Palma doesn't make movies for cult gangsters, or brainless action fans.

Next on, the film is an adult drama. It is not a 'gangster film'. It has it's share of action, but the action is plotted very carefully, so it has a point. It's not like "Aliens"- an example of a big dumb action film, and most audiences perceive this film as a big dumb action gangster film about doing drugs and shooting people. Ridiculous. Hogwash. If this film is about that, then it is about how bad it is. Not a promotion of it.

This being said, the film is indeed a great film. It has great cinematography that pulls you into the story. It has a very dramatic score (in true Giorgio Moroder style), which simply could give you chills, or bring you to tears. The film is rather lengthy, but it is a story, and each moment counts. The acting is terrific. Al Pacino - enough said. He can do any role that he puts his mind to, and this was no exception. Pretty boy Steven Bauer, as Manny. I didn't think much of him in other films he did, but he actually makes you like him when he goes under maestro De Palma's direction. Michelle Pfeiffer is a true gem as Elvira. Popping' fresh off the heels of a sort of embarrassment in "Grease 2" she got her ticket to ride performing a no holds barred performance of a beauty that is more than meets the eye. But the three true diamonds in this rough are Mary Elizabeth Mastrontonio as Tony's sister Gina, who when she smiles, or cries, we see her soul and her fresh way of living, and watch it deteriorate; Paul Shenar as Alejandro Sosa, a drug lord, who runs deeper than a river, and Shenar portrays him as so; and Miriam Colom as Tony and Gina's torn mother. These three dig the film as deep as it can go.

This reviewer learned one main thing when watching "Scarface" for the first time. Always go into a film unsuspecting. All the hype and talk of this film cannot possibly prepare you for what you really see. Only knowing De Palma (like I do) can give you even a glimpse of what this film holds. So ignore the rap crap, ignore the mindless violence supporters, and fix yourself a glass of Bailey's on the rocks, and indulge yourself in an emotional viewing of a great film, the real "Scarface."


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