The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
Gina Montana (Mary Elizabeth Mastrantonio) actually makes her first appearance during the beach scene. At around 44 minutes, Manny Ribera (Steven Bauer) is seen observing a woman from behind. That women is Gina Montana. Director Brian De Palma states that the appearance is supposed to be the first indication of Gina's promiscuity. See more »
When Tony, Manny and Elvira are in the restaurant, Elvira changes position between shots. In one shot she's holding a cigarette in her left hand with her arm above the table. In the next shot her left arm is down and her right is above the table, holding her glass. See more »
...al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[translated... to the effort and heroism of a revolution... We don't want them! We don't need them!]
See more »
We see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981 See more »
"Scarface" has a major cult following even now, 22 years after its release.
It has also been widely criticized as being very tacky, unrefined, over-the-top and all bloated up! These are people who compare Scarface to The Godfather movies. It is true that on the technical front, (cinematography, screenplay, direction, etc.) Scarface is way behind 'The Godfather'.
But it is also true, that what Scarface has and some other gangster movies lack, is the rawness, the sheer crude approach of the gangsters. The Latino gangsters in this movie look much more menacing and real than any of the polished Italian or Irish gangsters from other gangster classics like 'The Godfather' or 'Goodfellas'. This is one of the major winning points of Scarface and I strongly believe that this fact has been written off as "tackiness" by most critics! I have seen the original 1932 Scarface, and I must say that both these movies are way too different from each other and should be seen as two different movies instead of praising the original over the "remake"!
Al Pacino has been criticized to be over-the-top and loud in this movie. But how about considering that that is precisely the way the film-makers wanted Tony Montana's character to be! He is this angry young man who takes hasty decisions and throws fits of tantrum every other minute! He is not the calm Michael Corleone here. He is Tony Montana, a very tacky, uneducated individual who doesn't really think much and gets angry all the time!
There is definitely a very 80s feel to this movie. The soundtrack is all 80s! I love some of the songs, including 'Gina and Elvira's theme', 'Push it to the limit' and the title track instrumental.
There are some memorable and beautifully shot sequences, including the famous chainsaw scene, the Rebenga hit, the first meeting with Sosa and Tony's visit to his mother's.
About the performances: Al Pacino is brilliant as the angry Cuban refugee. He has reportedly mentioned that he enjoyed playing Tony Montana the most in his entire career. And it really does seem like he has enjoyed himself thoroughly in all his scenes! One wonders what "Scarface" would be like without Pacino. I just couldn't imagine anyone else portraying Tony Montana and in all probabilities, the film wouldn't be as effective without him!
Steven Bauer shines as Tony's friend Manny.
Robert Loggia is wonderful as Tony's boss, Lopez. So is F. Murray Abraham (as Omar) in a small role.
Then there is some eye-candy in the form of Elvira played by Michelle Pfeiffer. She looks beautiful and is adequate in her role.
The director does go a bit overboard during a particular part in the climax. Without revealing anything, I would only say that that was the only little part that suffers due to improper handling.
"Scarface" is definitely one of the most entertaining and one of the best gangster movies to ever come out. Enjoy it for what it is: a raw portrayal of the Drug Lords and their gangland!
287 of 349 people found this review helpful.
Was this review helpful to you?