The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
As Tony is watching the Goodyear blimp go by, the reflection on the window shows him with a cigarette already in his mouth. The very next shot shows him placing the cigarette in his mouth. See more »
...al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[translated... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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We see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981 See more »
In the tradition of the Godfather films, director Brian DePalma has brought Oliver Stone's creation Scarface to the big screen. It is the archetypal `rags to riches' story of a young Cuban refugee named Tony Montana. Al Pacino more than fulfils this role as he conveys the ruthless nature of Montana and likewise the ruthless nature of Miami's Cocaine underworld. Although Montana's ultimate position in life is morally wrong, he is a character with unequalled resolve. DePalma brings the audience not only into the inner recesses of Montana's world, but also the reality of the world that he has built.
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