| Photos (see all 6 | slideshow) |
| Brooke Shields | ... | Dale | |
| Lambert Wilson | ... | Jaffar | |
| Horst Buchholz | ... | Von Glessing | |
| John Rhys-Davies | ... | Rasoul | |
| Ronald Lacey | ... | Beg | |
| Cliff Potts | ... | String | |
| Perry Lang | ... | Andy | |
| Ya'ackov Ben-Sira | ... | Mayor (as Yaacov Ben-Sira) | |
| John Mills | ... | Cambridge | |
| Tuvia Tavi | ... | Bertocelli | |
| Steve Forrest | ... | Gordon | |
| Terrence Hardiman | ... | Browne | |
| Shahar Cohen | ... | Abu | |
| Zehava Twena | ... | Yasmin | |
| rest of cast listed alphabetically: | |||
| Gabi Amrani | ... | Omar | |
| Joseph Bee | ... | Browne Crewman | |
| Rolf Brin | ... | Curt | |
| Yehuda Elboim | ... | Dramn | |
| Dov Friedman | ... | Lindstrom | |
| Caro Henley | ... | Mistress | |
| Ezra Kafri | ... | Lindstrom Crewman | |
| Barry Langford | ... | Conierge | |
| Dina Ledani | ... | Ismene | |
| David Lodge | ... | Ewing | |
| Paul Maxwell | ... | Chase | |
| Dan Muggia | ... | Bertocelli Crewman (as Dan Angelo Muggia) | |
| Sam Omani | ... | Douvain | |
| Greg Powell | ... | Abdullah | |
| Dorit Seadia | ... | Laliah | |
| Joseph Shiloach | ... | Halef | |
| Shaul Taron | ... | Mustapha | |
| Rocky Taylor | ... | Kamal | |
| Ran Vered | ... | De La Forge Crewman | |
| Ilan Zahavi | ... | De La Forge | |
Directed by | |||
| Andrew V. McLaglen | |||
Writing credits(in alphabetical order) | ||
| Menahem Golan | story | |
| James R. Silke | writer | |
Produced by | |||
| Yoram Globus | .... | producer | |
| Menahem Golan | .... | producer | |
| Teri Shields | .... | executive producer | |
| Rony Yacov | .... | associate producer | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| David Gurfinkel | |||
| Armando Nannuzzi | |||
Film Editing by | |||
| Michael John Bateman | |||
| Michael J. Duthie | |||
Casting by | |||
| Maude Spector | |||
Production Design by | |||
| Luciano Spadoni | |||
Art Direction by | |||
| John Hoesli | |||
Set Decoration by | |||
| Enzo Eusepi | |||
Costume Design by | |||
| Mario Carlini | |||
Production Management | |||
| Ronnie Bear | .... | production manager | |
| Karen Hoenig | .... | post-production supervisor | |
| Omri Maron | .... | production manager | |
| Stefano Spadoni | .... | assistant unit manager | |
Art Department | |||
| Zvika Chen | .... | props buyer | |
| Peter James | .... | set dresser | |
| Tony Jeiger | .... | property master | |
| Zion Kobi | .... | construction manager | |
| Fernando Valento | .... | construction manager | |
| David Varod | .... | set dresser | |
| Vivalda Vigorelli | .... | assistant art director | |
| Israel Vogelernteri | .... | set dresser | |
| Ladislav Wilheim | .... | property master | |
Sound Department | |||
| Marty Church | .... | adr mixer | |
| Cyril Collick | .... | sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer | |
| Stan Haines | .... | boom operator: London | |
| Kimberly Harris | .... | adr editor | |
| Michael J. Kohut | .... | sound re-recording mixer | |
| Itzhak Magal | .... | sound mixer | |
| Amitan Mendelson | .... | boom operator: second unit | |
| Yohai Moshe | .... | boom operator (as Yochai Moshe) | |
| Richard Oswald | .... | dialogue editor (as Richard L. Oswald) | |
| Aaron Rochin | .... | sound re-recording mixer | |
| Philip Rogers | .... | sound recordist | |
| Eli Yarkoni | .... | sound mixer | |
Special Effects by | |||
| Jeff Clifford | .... | special effects | |
| John Stears | .... | special effects supervisor | |
Visual Effects by | |||
| Jim Danforth | .... | matte photographer | |
| Jim Danforth | .... | matte supervisor | |
| Mark Sullivan | .... | matte artist | |
Stunts | |||
| Mario De Baros | .... | assistant stunt coordinator | |
| Juan Maján | .... | stunt coordinator | |
| Eddie Stacey | .... | stunt coordinator | |
| Dorothy Ford | .... | stunts (uncredited) | |
| Doyle McCurley | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Reuven Ajami | .... | grip: second unit | |
| Moshe Alon | .... | electrician (as Moshi Alon) | |
| Moshe Asher | .... | assistant camera | |
| Avi Avrahami | .... | electrician | |
| Itzik Ben-Aroya | .... | key grip: second unit | |
| George Binnersley | .... | camera loader: London | |
| Micky Binyamini | .... | focus puller | |
| Marco Cristiani | .... | focus puller: second unit | |
| Nino Cristiani | .... | director of photography: second unit | |
| David Farrell | .... | still photographer | |
| Zvika Gil | .... | film loader: second unit | |
| John Golding | .... | camera operator: UK | |
| Yoni Hamenachem | .... | still photographer | |
| Avi Koren | .... | camera loader | |
| Avraham Leibman | .... | gaffer | |
| Shmulik Levy | .... | key grip (as Shmuel Levi) | |
| Alex Libik | .... | still photographer: second unit | |
| Danny Mattas | .... | focus puller: second unit | |
| Armando Nannuzzi | .... | director of photography: London | |
| Danny Schneider | .... | clapper loader | |
| Rami Siman-Tov | .... | focus puller | |
| Yuda Tatarko | .... | electrician | |
| Peter Versey | .... | focus puller: London | |
Costume and Wardrobe Department | |||
| Paul Cavaco | .... | additional costumer | |
| Shimon Elimelech | .... | wardrobe | |
| Alan Flusser | .... | additional costumer | |
| Mike Jeffries | .... | wardrobe: London | |
| Joanna Johnston | .... | wardrobe: London | |
| Kezia Keeble | .... | additional costumer | |
| Tami Mor | .... | wardrobe supervisor (as Tammy Mor) | |
| Rina Ramon | .... | wardrobe | |
| Michaela Sharon | .... | wardrobe: second unit | |
Editorial Department | |||
| Rachel Balanga | .... | assistant editor | |
| Michael John Bateman | .... | associate editor (as Michael Bateman) | |
| Paula Erickson | .... | post-production assistant | |
| Charles Gale | .... | assistant editor | |
| Richard Kraft | .... | post-production assistant | |
| Ray Martin | .... | color timer | |
| Frieda Sasson | .... | assistant editor | |
| Jim Stewart | .... | first assistant editor (as James A. Stewart) | |
| Alan Strachan | .... | supervising editor | |
Music Department | |||
| Sergio Marcotulli | .... | music engineer | |
Transportation Department | |||
| Avner Peled | .... | transportation manager | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Sima Ben-David | .... | production accountant | |
| Danny Ben Menahem | .... | location manager | |
| Ronit Chayun | .... | production secretary | |
| Amnon Globus | .... | production controller | |
| Michael Hartman | .... | location manager | |
| Didi Hausdorf | .... | horse trainer | |
| Chaim Idan | .... | location controller | |
| Sophie Kahn | .... | unit publicist | |
| Ruthie Lustig | .... | production secretary: second unit | |
| Naomi Mayberg | .... | production coordinator | |
| Brian McMillan | .... | animal trainer | |
| Jeanette Nae | .... | script supervisor | |
| Carl Schmidt | .... | armorer (as Carl Shmidt) | |
| Phyllis Townshend | .... | script supervisor (as Phyllis Townsend) | |
| Recent Posts (updated daily) | User |
|---|---|
| DVD | velvet20 |
| DVD | dr_shallowgrave |
|
|
|
|
|
| A Passage to India | Superman | Lion of the Desert | Salvador | Vermin |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb UK section | Add this title to MyMovies |
Okay, so it's no Academy Award winner. The writing is poor, some of the movie is just plain silly, but there is a lot to enjoy. I love the romance, the chemistry between the Brooke & Lambert Wilson, and the sheer seductive nature of their scenes. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in Matrix Reloaded or the newer Sahara (but it had been a long time -- the french accent and lack of facial hair through me off). It looks like he's been working steadily in France all along. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting -- memorable. It added a lot to the film. And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.