Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor being hounded by a ruthless dictator.
Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall ... See full summary »
J. Carrol Naish
In the Victorian period, two children are shipwrecked on a tropical island in the South Pacific. With no adults to guide them, the two make a simple life together, unaware that sexual maturity will eventually intervene.
Early press on this movie was so bad that the film company halted it from release in almost every market east of the Mississippi River. See more »
Twice in the opening sequence, Dale (Brooke Shields) slides off the race course on a corner, and the wide view shows her race car hitting a hay bale barricade, but both times in a close-up shot inserted between the long views, her car hits a barricade made of tires. See more »
Okay, so it's no Academy Award winner. The writing is poor, some of the movie is just plain silly, but there is a lot to enjoy.
I love the chemistry between the Brooke & Lambert Wilson... the seductive and emotional nature of their scenes together. Lambert Wilson takes my breath away! He did in 1983 when I first saw the film (okay, I'll admit -- a few times). I just finally found a copy recently and watched it again for the first time in 23 years or so, and he STILL takes my breath away! Brooke is beautiful and he is terribly handsome -- his face, his eyes, his voice -- he looks at her as if he's going to drink her. It's incredible. Mesmerizing. In my book, this is one of the sexiest movies ever (and without actually having any sex in it).
I looked up Lambert Wilson on IMDb and realized I didn't recognize him 20 years later in "Matrix Reloaded" or the newer "Sahara" (but it had been a long time -- the french accent and clean-shaven face threw me off). It looks like he's been working steadily in France all along, thank goodness. I'm thrilled to know he's been a success. I hope he'll do more American films. Oh, and the score was haunting. It added a lot to the film.
And one more thing: Brooke was practically a child when she did this film. I thought her acting was fine, especially considering her age and the poor script with which she had to work.
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