After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Vader back from the dark side without falling into the Emperor's trap.
After the rebels are overpowered by the Empire on their newly established base, Luke Skywalker begins Jedi training with Yoda. His friends accept shelter from a questionable ally as Darth Vader hunts them in a plan to capture Luke.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee, and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-Wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé, while Obi-Wan investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and spare parts scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
When Dr. Henry Jones, Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Dr. Henry "Indiana" Jones, Jr. must follow in his father's footsteps to stop the Nazis from getting their hands on the Holy Grail first.
Luke Skywalker battles horrible Jabba the Hut and cruel Darth Vader to save his comrades in the Rebel Alliance and triumph over the Galactic Empire. Han Solo and Princess Leia reaffirm their love and team with Chewbacca, Lando Calrissian, the Ewoks and the androids C-3PO and R2-D2 to aid in the disruption of the Dark Side and the defeat of the evil emperor. Written by
There are several women among the Rebel pilots seen during the briefing aboard Home One (one can be seen just behind Lando's shoulder in his conversation with Han), who never actually appear in the actual battle sequence, though at least three were known to have filmed cockpit scenes for the battle. One of these actresses did survive into the final cut film: one of the A-Wing pilots is actually a woman redubbed by a male actor. The most significant cut was French model and actress Vivienne Chandler, who played an unnamed female X-wing pilot (later named Dorovio Bold). What made her cut surprising was that it appeared she would have played a significant role in the battle, as she recorded over a full page of dialogue. Footage of her in the cockpit of her X-wing recently resurfaced, indicating she was among the pilots to assault the Death Star itself, and her dialogue (in which she makes a distress call about a fatally-damaged stabilizer) suggests she would have been killed after crashing much like Red Leader had in the original film. It's unclear exactly why the women were cut, but it's been speculated there were concerns that audiences would be made uncomfortable by the thought of women being killed during a battle sequence. See more »
Shortly after the scene in which the Death Star shows that it's fully operational and Lando exclaims at this fact, the extra right behind his alien co-pilot is clearly smiling and in fact looks right at the camera while doing so. See more »
Command station, this is ST321, code clearance blue. We're starting our approach; deactivate the security shield.
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To compensate for the longer credits, later versions of the film like the special edition and DVD release extend the piece of musical score that plays over the credits. See more »
First, yes, in my youth I saw this 43 times at the theater. I love the movie but I am honest about its flaws. The scenes that give it its moral power are surrounded by Ewoks. The Jabba scenes contain some good and a tad not so great like the musical. The film resonates because of the Jungian Archetype of the Dark Father. For anyone in the audience, with an Evil parent, the movie has existential depth. Luke's faith that the goodness Padme last speaks of within Anakin before her death is fulfilled almost at the very cost of Luke's life. These scenes, the Vader / Luke scenes are why you see such a stark dichotomy in the reviews here. Those that focus on the Ewoks and Jabba's palace, with some merit, hate the movie intensely. For me, I always endured these scenes for the lesson of the movie is a deeply spiritual one. That within the most Evil of people, there is an ember of good remaining. Anakin's love for Luke, his only remaining connection to his lost Padme, is why the movie will always be beloved by me. I won't lie to you, of the three, Empire has always been my favorite as an entire movie. This one, however, contains my favorite scenes in the entire trilogy. Vader is deepened from a cartoon character into a father seeking his lost son. The best scene in the movie is devoid of explosions, effects or loud spectacle.
Anakin tells Luke to leave him and save himself as the Death Star is collapsing around them. Luke says,"I'll not leave you here, I've got to save you." Then Vader speaks the message of the entire movie,"You already have Luke." I understand the attacks on many of Marquand's choices here; there was a great reaction to the darkness of Empire with torture scenes and unrelenting sinister imagery. Marquand decided to balance the movie by mixing the light Ewok scenes with the Empire like creepy Emperor Sidious / Vader / Luke parts that could have been seamlessly part of Empire. I like the film for we see Love that comes back from the heart of Darkness. In the new blu ray special edition Vader bellows No! as he grabs Sidious. I preferred the wordless original print where he looks back and forth; suddenly, he snaps and grabs Sidious. Luke's faith, that echoes Padme's, for which he risks his life, gives his character a nobility that deepens Luke. This always was the weakness of the ethos of Star Wars; that no person can ever return from the Dark Side.
Anakin's love for Luke crosses over the chasm; I think this is why it is so beloved here. I understand your irritation at the Ewok / Jabba parts. Truthfully, I often got up and got refreshments during these pieces of the movie. Never lose sight of how good the core scenes are; yes, like many of you, I wish Lucas had re-hired Kirshner to do Jedi. Unfortunately, lots of kiddies were scared by the intensity of Empire. When I read attacks on the use of this word, remember that was thirty-six years ago. Movies were nothing like they are today. Within the hokeyness, the silly giant teddy bears, is a story about a son whose love for his father is so great that he risks everything to bring him back from Darkness. The moral allegorical nature of the existential simile is what gives the movie its power. It speaks to every person who has struggled to bring back that lost member of their family. This is why I love the movie despite its admitted flaws. When you watch it, try to ignore the extraneous elements that damage it.
The lesson that within the most Evil of persons there remains an ember of goodness waiting for the spark is neither puerile nor pedestrian. For dichotomous creatures both Light and Night, it is a reminder that none are beyond redemption. A Good Movie. Q.E.D.
"Darkness Cannot Drive Out Darkness Only Light Can Do That: Hate Cannot Drive Out Hate Only Love Can Do That." Martin Luther King
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