| Photos (See all 15 | slideshow) |
| Anthony Perkins | ... | Norman Bates | |
| Vera Miles | ... | Lila Loomis | |
| Meg Tilly | ... | Mary Loomis | |
| Robert Loggia | ... | Dr. Bill Raymond | |
| Dennis Franz | ... | Warren Toomey | |
| Hugh Gillin | ... | Sheriff John Hunt | |
| Claudia Bryar | ... | Mrs. Emma Spool | |
| Robert Alan Browne | ... | Ralph Statler | |
| Ben Hartigan | ... | Judge | |
| Lee Garlington | ... | Myrna | |
| Tim Maier | ... | Josh | |
| Jill Carroll | ... | Kim | |
| Chris Hendrie | ... | Deputy Pool | |
| Tom Holland | ... | Deputy Norris | |
| Michael Lomazow | ... | D.A. | |
| Bob Hilgenberg | ... | Public Defender (as Robert Destri) | |
| Oz Perkins | ... | Young Norman (as Osgood Perkins) | |
| Ben Frommer | ... | Sexton | |
| Gene Whittington | ... | Diver | |
| Robert Traynor | ... | Desk Clerk | |
| George Dickerson | ... | County Sheriff | |
| Thaddeus Smith | ... | Deputy Sheriff | |
| Sheila K. Adams | ... | Deputy Woman | |
| Victoria Brown | ... | Deputy Clerk | |
| rest of cast listed alphabetically: | |||
| Virginia Gregg | ... | Norma Bates (voice) (uncredited) | |
Directed by | |||
| Richard Franklin | |||
Writing credits | ||
| Tom Holland | (written by) | |
| Robert Bloch | (characters created by) | |
Produced by | |||
| Hilton A. Green | .... | producer | |
| Bernard Schwartz | .... | executive producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Dean Cundey | |||
Film Editing by | |||
| Andrew London | |||
Casting by | |||
| Jackie Burch | |||
Production Design by | |||
| John W. Corso | |||
Set Decoration by | |||
| Jennifer Polito | |||
Costume Design by | |||
| Peter V. Saldutti | |||
| Marla Denise Schlom | |||
Makeup Department | |||
| Brian Wade | .... | makeup effects artist: Norman Bates mother (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Yannetti | .... | dga trainee | |
Art Department | |||
| Martha Johnston | .... | set designer | |
| Peg McClellan | .... | illustrator | |
| 'Dangerous' Bob Widin | .... | property master | |
| Ted Wilson | .... | carpenter | |
| Robert Misetich | .... | painter (uncredited) | |
Sound Department | |||
| Lon Bender | .... | sound editor | |
| Gordon Ecker | .... | supervising sound editor | |
| Randy Kelley | .... | sound effects editor | |
| Andrew London | .... | sound designer | |
| Anthony Milch | .... | sound editor | |
| Bob Newlan | .... | foley editor | |
| Mark Server | .... | boom operator | |
| Michael D. Wilhoit | .... | sound editor | |
| Glenn T. Morgan | .... | assistant sound editor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Greg C. Jensen | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | matte artist | |
Stunts | |||
| George Cheung | .... | stunts | |
| Sandra Kenworthy | .... | stunts | |
| Glenda Moore | .... | stunts | |
| Kurt Paul | .... | stunts | |
| Bob Yerkes | .... | stunt coordinator | |
| Bob Yerkes | .... | stunts | |
Camera and Electrical Department | |||
| Clyde E. Bryan | .... | first assistant camera | |
| Michael Orefice | .... | best boy | |
| Raymond Stella | .... | camera operator | |
| Monty Woodard | .... | electrician | |
Casting Department | |||
| Michael Chinich | .... | executive in charge of casting | |
Music Department | |||
| Kenneth Hall | .... | music editor | |
| Robb Navrides | .... | music editor: TV version | |
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Joan Eisenberg | .... | publicist | |
Thanks | |||
| Alfred Hitchcock | .... | the producers acknowledge the debt owed to (as Sir Alfred Hitchcock) | |
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| Psycho III | Halloween II | Psycho | Torso | Too Scared to Scream |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Anthony Perkins reportedly felt threatened as an actor playing opposite Meg Tilly (portraying a slightly-dazed cupcake who befriends Norman Bates, just out of the asylum); if true, he had good reason, for Tilly is very appealing in her role and this sequel to Alfred Hitchcock's classic screamer gains a spirit of its own--away from its predecessor--every time she's on-screen. The plot is business-as-usual, with a lot of repetitive, cornball dialogue ("It's my mother!" "No, it's MY mother!"). It's great to see those famous sets again, and the filmmakers try to create a stylish, old-fashioned atmosphere at the outset, but a gory, dispiriting conclusion and a dumbbell tag at the end (designed for another sequel) weakens the whole shebang. **1/2 out of ****