Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls mother. One of his guests is a young girl who has left the convent where she lived. To get some... See full summary »
Norman Bates returns for this "prequel", once more having mommy trouble. This time around he is invited to share memories of mom with a radio talk show host, but the PYSCHO fears that he ... See full summary »
When Henry Jekyll's experiments with cocaine have gotten out of control, he transforms into the hideous Jack Hyde. As Hyde he searches the London streets at night for his prey in ... See full summary »
Sarah Maur Thorp
23-year-old Meera meets a guy in a bus on her way to work. A casual fun chat with him soon triggers off a series of unpleasant events and Meera realizes that she has become an obsession for... See full summary »
A mentally disturbed man, who roomed with the late Norman Bates at the state lunatic asylum, inherits the legendary Bates Motel after the death of Norman and tries to fix it up to make it a respectable business.
Now declared legally sane, Norman Bates is released from a mental institution after spending 22 years in confinement over the protests of Marion Crane's sister Lila Loomis, who insists that he's still a killer and that the court's indifference to his victims by releasing him is a gross miscarriage of justice. Norman returns to his motel and the old Victorian mansion where his troubles started, and history predictably begins to repeat itself. Written by
When Norman fires Toomey and returns to the house, the front parlor light is on in the exterior shot, but when he enters the house, he finds Mary sitting in the dark and turns the light on himself. See more »
Mother, oh God, Mother. Blood! Blood!
The basis of the staff report Norman Bates is judged returned to sanity and is ordered released at will.
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"Just don't let them take me back to the institution"
Psycho II is, without a doubt, the greatest sequel of all time. Having to make a follow-up to a film as unique and wonderful as Psycho seems like an impossible task, but director Richard Franklin and brilliant writer Tom Holland knew how to pull it off. This isn't a rip-off of the original like some sequels are; this really stands on its own. It's unpredictable, chilling, gruesome, exciting, interesting, and surprisingly touching.
With Psycho II, we are able to see exactly what kind of man Norman is. We get such a clear feeling of how he thinks and feels, and we realize what a fascinating character he really is. He is no longer the villain here, and instead, we just wish that everyone could leave the man alone. Anthony Perkins' performance is too good for words, and the other actors shine as well, especially Meg Tilly, Robert Loggia, and Dennis Franz.
The only real misfire in this movie is that they showed the shower scene from the original Psycho at the very beginning. It doesn't serve any real purpose, especially since there is so much more to Psycho than that one famous scene. However, it recovers quickly during the opening credits when we see the sun set upon Norman's creepy house, making it look lovely. One of the best things about this movie is the music. Jerry Goldsmith contributes some really lovely scores, and they are used perfectly throughout the movie. I honestly can't get enough of the main score; it's beautiful.
Try to avoid seeing this on TV. USA does a lot of editing, and they completely cut out a couple really special parts, in my opinion. The parts they cut out are the most sensitive/sentimental parts of the movie, so try and rent Psycho II instead!!!
Just as good as the original, in my opinion. ***** (out of 5)
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