Directed by
| Simon Wincer | ||
Writing Credits
| David Williamson | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| John Sexton | ... | producer |
Music by
| Bruce Rowland | ||
Cinematography by
| Russell Boyd | ||
Editing by
| Tony Paterson | ||
Production Design by
| Laurence Eastwood | ||
Art Direction by
| David Bowden | ||
Set Decoration by
| Sally Campbell | ||
Costume Design by
| Anna Senior | ||
Makeup Department
| Lesley Lamont-Fisher | ... | makeup artist |
| Cheryl Williams | ... | hair stylist |
| Nik Dorning | ... | background makeup artist (uncredited) |
| Joanne Gair | ... | makeup artist (uncredited) |
Production Management
| Richard Davis | ... | executive in charge of production |
| Paula Gibbs | ... | production manager |
Second Unit Director or Assistant Director
| Michael Bourchier | ... | second assistant director |
| Deuel Droogan | ... | third assistant director |
| Murray Newey | ... | first assistant director |
Art Department
| Geoff Full | ... | art department runner |
| Tony Larkins | ... | assistant props |
| David McKay | ... | set dresser |
| Karan Monkhouse | ... | stand-by props |
| Harry Zettel | ... | props buyer |
Sound Department
| Peter Burgess | ... | sound editor |
| Steve Edwards | ... | foley recording |
| Peter Fenton | ... | re-recording mixer |
| Phil Heywood | ... | re-recording mixer |
| Rosemary Lee | ... | assistant sound editor |
| Frank Lipson | ... | dialogue editor |
| Ron Purvis | ... | re-recording mixer |
| Terry Rodman | ... | sound editor |
| Roger Savage | ... | recording engineer |
| Mark J. Wasiutak | ... | boom operator (as Mark Wasiutak) |
| Gary Wilkins | ... | sound recordist |
Special Effects by
| Conrad Rothmann | ... | special effects supervisor |
Visual Effects by
| Roger Cowland | ... | visual effects |
| Amanda Short | ... | digital colourist (2013) |
Camera and Electrical Department
| Brian Bansgrove | ... | gaffer |
| Nixon Binney | ... | camera operator |
| Russell Boyd | ... | additional camera operator |
| Ray Brown | ... | key grip |
| Dan Burstall | ... | additional camera operator |
| Colin Chase | ... | electrician |
| David Connell | ... | additional camera operator |
| Geordie Dryden | ... | grip |
| Paul Gantner | ... | best boy |
| Stuart Green | ... | assistant grip |
| Bill Grimmond | ... | additional camera operator |
| Keith Lambert | ... | additional camera operator |
| Laurie McInnes | ... | clapper loader: second unit |
| Peter Menzies Jr. | ... | focus puller (as Peter Menzies) |
| David Parker | ... | still photographer |
| Peter Rogers | ... | focus puller: second unit |
| Keith Wagstaff | ... | cameraman: second unit |
| Geoffrey Wharton | ... | clapper loader (as Geoff Wharton) |
Casting Department
| Alison Barrett | ... | casting consultant |
| Dina Mann | ... | extras casting |
| Sue Parker | ... | extras casting |
Editorial Department
| Arthur Cambridge | ... | color grader |
| Miriam Cortes | ... | negative matcher |
| Carmen Galán | ... | first assistant editor (as Maria Carmen Galan) |
| Bill Gooley | ... | laboratory liaison |
| Peter McBain | ... | dailies projectionist |
Music Department
| Robert John | ... | musician |
| Bruce Rowland | ... | conductor |
| Roger Savage | ... | music recording engineer |
| Ray West | ... | music assistant / music copyist |
Script and Continuity Department
| Therese O'Leary | ... | continuity |
| Jo Weeks | ... | continuity |
Additional Crew
| Evanne Chesson | ... | wrangler (as Evanne Cheesom) |
| Heath Harris | ... | horse trainer |
| Roy Higgins | ... | technical director |
| Peta Lawson | ... | production coordinator |
| Julia Ritchie | ... | production assistant |
| Tommy Woodcock | ... | technical supporter |
| Elizabeth Wright | ... | production secretary |
