An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
A mute woman along with her young daughter, and her prized piano, are sent to 1850s New Zealand for an arranged marriage to a wealthy landowner, and she's soon lusted after by a local worker on the plantation.
When pregnant, 12-year-old Tui tries to kill herself in a freezing New Zealand lake, Detective Robin Griffin has plenty of questions for the girl. But when Tui suddenly disappears, Griffin finds herself knee-deep in small-town secrets.
Thomas M. Wright,
Based solely on a tea leaf reading, superstitious and introspective Kay believes she and Louis are destined to fall in love with each other, he who she is able to convince of the same ... See full summary »
A father along with his son and sister is driving back home in his car. The son continiously is throwing orange peels onto the road when suddenly the father stops the car and tells his son ... See full summary »
A voice says, "There are 1,000,000 moments in your neighborhood; each has a fragile presence which fades almost as it forms." Ten such moments are dramatized, from a chubby man exercising and realizing that "sex" and "thing" go together to an ill, bored child discovering that most pieces of paper fit on top of a Scotties box. Along the way, a child races time, a matron thinks she hears a woodpecker, an unfaithful gay man wonders why his eyes can't focus on two depths simultaneously, Angela thinks about her uncle's pet pig as she eats pork, beer-drinking Ed recalls his school football days and vows to get back in shape, and a bachelor remembers his mother. Written by
While I really admire this film, a very lovely collection of moments which describe human idiosyncracy, I must say that it is best viewed in a theater. Some films have humor that is so sophisticated, so esoteric, that it demands projection at 24 frames per second, and anything less than the silver screen does not do it justice. Take "Stranger Than Paradise". The editing technique is what makes the film so funny and wry. The full of effect of the technique just doesn't fly on a television screen; t.v. screens just aren't cinematic. Passionless Moments is wonderful, but buyer beware: only purchase the film if you have access to a theater.
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