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Directed by | |||
| Francis Ford Coppola | (as Francis Coppola) | ||
Writing credits | ||
| Kathleen Rowell | (screenplay) (as Kathleen Knutsen Rowell) | |
| S.E. Hinton | (novel) | |
Produced by | |||
| Kim Aubry | .... | producer: The Outsiders - The Complete Novel (2005 version) | |
| Gian-Carlo Coppola | .... | associate producer | |
| Gray Frederickson | .... | producer | |
| Fred Roos | .... | producer | |
Original Music by | |||
| Carmine Coppola | |||
Cinematography by | |||
| Stephen H. Burum | (director of photography) | ||
Film Editing by | |||
| Rob Bonz | (2005 edition) | ||
| Anne Goursaud | |||
| Melissa Kent | (2005 version) | ||
| Roy Waldspurger | (2005 version) | ||
Casting by | |||
| Janet Hirshenson | |||
Production Design by | |||
| Dean Tavoularis | |||
Set Decoration by | |||
| Gary Fettis | |||
Makeup Department | |||
| Dee-Dee Petty | .... | hair stylist (as Dee Dee Petty) | |
| Jack Petty | .... | makeup artist | |
Production Management | |||
| Ronald Colby | .... | unit production manager | |
| Michelle Manning | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| James M. Freitag | .... | second assistant director (as Jamie Freitag) | |
| David Valdes | .... | first assistant director | |
Art Department | |||
| Roger Dietz | .... | set artist | |
| Donald Elmblad | .... | assistant: Mr. Fettis (as Don Elmblad) | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| John J. Rutchland Jr. | .... | construction coordinator (as John Rutchland) | |
Sound Department | |||
| James Austin | .... | sound re-recording mixer | |
| Richard Beggs | .... | sound designer | |
| Richard Beggs | .... | sound re-recording mixer | |
| Karen Brocco | .... | mix coordinator | |
| Gordon Ecker | .... | supervising sound editor (as Gordon Ecker Jr.) | |
| Pete Horner | .... | sound re-recording mixer (2005 version) | |
| Pete Horner | .... | sound supervisor (2005 version) | |
| Richard Hymns | .... | sound editor | |
| Chris McLaughlin | .... | boom man | |
| Vince Melandri | .... | adr editor | |
| Michael Minkler | .... | sound re-recording mixer | |
| Norman B. Schwartz | .... | adr editor (as Norman Schwartz) | |
| Jim Stuebe | .... | boom man (as Jim Steube) | |
| Wayne Wagner | .... | sound re-recording chief engineer | |
| James E. Webb | .... | production sound mixer (as Jim Webb) | |
| John A. Amicarella | .... | assistant sound editor (uncredited) | |
| Randal A. Goya | .... | foley mixer (uncredited) | |
| Anthony Milch | .... | sound editor (uncredited) | |
| Bob Newlan | .... | foley supervisor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
| Marvin Walowitz | .... | sound editor (uncredited) | |
| Michael D. Wilhoit | .... | sound editor (uncredited) | |
Special Effects by | |||
| Dennis Dion | .... | special effects | |
Visual Effects by | |||
| Millie Z. Alexich | .... | project manager: visual effects unit | |
| Don Baker | .... | camera operator: visual effects unit | |
| Martin Bresin | .... | pyrotechnic effects: visual effects unit | |
| Robert Spurlock | .... | mechanical effects: visual effects unit | |
| David K. Stewart | .... | director of photography: visual effects unit (as Dave Stewart) | |
| Robert Swarthe | .... | special visual effects | |
Stunts | |||
| Steve M. Davison | .... | stunts | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Reid Rondell | .... | stunts | |
| Scott Wilder | .... | stunts | |
| Tom Elliott | .... | stunts (uncredited) | |
| John Meier | .... | stunts (uncredited) | |
| Reid Rondell | .... | stunt double: Tom Cruise (uncredited) | |
Camera and Electrical Department | |||
| Dustin Blauvelt | .... | first assistant camera | |
| Emmett Brown | .... | key grip | |
| Elliot Davis | .... | camera operator (as Elliott Davis) | |
| Ralph Gerling | .... | camera operator: second unit | |
| Steven Hiller | .... | second assistant camera (as Steve Hiller) | |
| Ed Nielsen | .... | first assistant camera: second unit (as Edward Nielsen) | |
| Louis Tobin | .... | gaffer (as Lou Tobin) | |
| James Zenk | .... | still photographer (as Jim Zenk) | |
| David A. Smith | .... | video assist operator (uncredited) | |
Casting Department | |||
| Nancy Foy | .... | casting assistant | |
| Teresa Wilkerson Hunt | .... | extras casting (as Teresa Hunt) | |
| Jane Iredale | .... | casting: New York | |
Costume and Wardrobe Department | |||
| Marjorie Bowers | .... | costumes (as Marge Bowers) | |
| Kathleen Gore-Misko | .... | wardrobe supervisor (as Kathleen Gore) | |
| Ernest Misko | .... | wardrobe supervisor (as Ernie Misko) | |
Editorial Department | |||
| Cathy Carr | .... | negative cutter | |
| Craig Conwell | .... | apprentice editor | |
| Carrie Ellison | .... | assistant editor | |
| Chris Lebenzon | .... | first assistant editor (as Christopher Lebenzon) | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
Music Department | |||
| Bob Badami | .... | music editor (as Robert Badami) | |
| Michael Z. Gordon | .... | music producer (2005 version) | |
| The Marketts | .... | musician (2005 version) | |
| Robert Randles | .... | music editor | |
Transportation Department | |||
| Ernie Foster | .... | transportation | |
| Bill Hunt | .... | transportation (as J. William Hunt) | |
Other crew | |||
| Mitchell Amundsen | .... | electronic cinema (as C. Mitchell Amundsen) | |
| Jean A. Autrey | .... | location auditor (as Jean Autrey) | |
| Jeff Block | .... | production aide (as Jeffrey Block) | |
| Jim Clark | .... | location manager | |
| Francis Ford Coppola | .... | presenter | |
| Roman Coppola | .... | production aide | |
| Loolee DeLeon | .... | executive secretary | |
| Tony Dingman | .... | location coordinator | |
| Teri Fettis-D'Ovidio | .... | production coordinator (as Teri Fettis) | |
| Wayne Fitzgerald | .... | title designer | |
| S.E. Hinton | .... | special consultant: Francis Coppola | |
| Murdo Laird | .... | chief systems engineer: electronic cinema | |
| Brian Lee | .... | electronic cinema | |
| Michael Lehmann | .... | electronic cinema | |
| Barbara Lucey | .... | payroll auditor | |
| Bonnie Macker | .... | executive secretary | |
| David Marconi | .... | production aide | |
| Connie McCord | .... | production aide | |
| Anahid Nazarian | .... | script supervisor: electronic cinema | |
| Lloyd Nelson | .... | script supervisor | |
| Bonna Newman | .... | production aide | |
| David Oliver | .... | title designer | |
| David A. Smith | .... | electronic cinema (as David Smith) | |
| Daniel R. Suhart | .... | dialogue coach (as Dan Suhart) | |
| Jane Vickerilla | .... | production aide (as Jane Vickerella) | |
| Beverly Walker | .... | public relations | |
| Laurel Walter | .... | production aide | |
| Kurt Woolner | .... | completion bond representative | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Scott Clark | .... | production assistant (uncredited) | |
| Sandy King | .... | script supervisor (uncredited) | |
| Sue Bea Montgomery | .... | production assistant (uncredited) | |
Thanks | |||
| Mary Nell Clark | .... | special thanks: Oklahoma Film Commission | |
| Jo Ellen Misakian | .... | dedicatee | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
When I first read the book, I thought it was excellent. Then after reading the book, I decided to watch the movie. The first time I watched it I thought it was horrible, but then I watched it a second time and started realizing what the director was trying to point out. I thought that Coppola left out ALOT of VERY important details, like the first chapter, which wasn't really important but more then some scenes he put in. I also think he could have picked the actors better, not by how they acted (they acted great, but by how they looked, in the book it said Dally was towheaded (blonde) and he had dark brown hair in the movie, and it also said he was ugly and frightening, but I found him pretty good looking, BUT it was played by Matt Dillon.
Now I have the movie and have watched it a hundred times, and liking it more every time I see it. I have also read the book over and over, and find it better then the movie. If you are to watch the movie, read the book first because then the film will be easier to understand. I would recommend, both the movie and book to young adults. It was done wonderfully and the actors were great, especially Matt Dillon and Rob Lowe, even though he only had a few lines.