Hank and Frannie don't seem to be able to live together anymore. After a five-year relationship, lustful and dreamy Fanny leaves down-to-earth Hank on the anniversary of their relationship.... See full summary »
A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
The movie details a town split between the wealthy South Zone gang called 'The Socials' and the poor North Zone gang called 'The Greasers'. Dallas Winston, Ponyboy Curtis and Johnny Cade from 'The Greasers' befriend the rich Cherry Valance and Marcia at a drive-in. Later that night, a group of 'The Socs' chase and beat up Johnny and attempt to drown Ponyboy in a fountain. However, Johnny stabs one Soc and kills him, saving Ponyboy. The desperate boys seek Dallas who finds a hideout for them in a nearby town. One week later, Johnny and Ponyboy decide to return to their hometown, with Dallas, to claim the murder as self-defense. But on their way back, they see the church on fire and Ponyboy and Johnny help the children trapped in the church and become heroes. However Johnny is badly wounded and confined to the hospital. Meanwhile The Socs and The Greasers prepare to fight. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The camera shot of Johnny at the fountain, which starts almost upside-down and turns (with Ponyboy's point-of-view as he is getting up) is Francis Ford Coppola "stealing from himself" in a sort of homage to the shot of Capt. Willard in Apocalypse Now (1979), where the natives turn him upside-down, and the camera follows in his point-of-view. See more »
When Johnny and Ponyboy are at the park, and the Socs first get there, Johnny reaches for his blade, in that shot Johnny's jeans have a hole on the pocket (at 24:50 in 91 m.). In the next shot that he takes out his blade the hole is gone (at around 51 mins). See more »
When I stepped out into the bright sunlight, from the darkness of the movie house, I had only two things on my mind: Paul Newman, and a ride home.
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Closing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California. See more »
The Outsiders is a great adaptation of S.E Hinton's wonderful (and heart-breaking) novel. The film is a piece of art. It's got a good, solid story, beautiful photography, convincing acting by the leading actors and a nice score.
It's a star-packed film with appearances by Tom Cruise, Rob Lowe, Patrick Swayze among others. (Not to mention it was directed by Francis Ford Coppola!) But I was most amazed by C. Thomas Howell's portrayal of Ponyboy Curtis, the central character of the novel and film, who did a great job carrying the story.
There are many scenes in the film that are exactly like the book, even following the same dialogue. Usually I don't think that's a good thing since I like to see someone else's interpretation, another one's point of view instead of a copy of the book. But Coppola masters everything beautifully anyway so it never gets boring and C. Thomas Howell's interpretation of his role is what makes the film stand on its own.
Thanks to Howell there are many memorable Ponyboy moments. One of those is Ponyboy's recital of Robert Frost's 'Nothing Gold can stay', which is a scene that stays with you forever. Another actor who caught my attention in this film was Emilio Estevez who plays Two-Bit Mathews, friend of the Curtis brothers and a greaser. Estevez lights up every scene he's in and the film wouldn't be as great without him.
There are only two things I don't like about the film: The greasers are too well-groomed and clean and the socs are a too one-dimensional.
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