The movie details a town split between the wealthy South Zone gang called 'The Socials' and the poor North Zone gang called 'The Greasers'. Dallas Winston, Ponyboy Curtis and Johnny Cade from 'The Greasers' befriend the rich Cherry Valance and Marcia at a drive-in. Later that night, a group of 'The Socs' chase and beat up Johnny and attempt to drown Ponyboy in a fountain. However, Johnny stabs one Soc and kills him, saving Ponyboy. The desperate boys seek Dallas who finds a hideout for them in a nearby town. One week later, Johnny and Ponyboy decide to return to their hometown, with Dallas, to claim the murder as self-defense. But on their way back, they see the church on fire and Ponyboy and Johnny help the children trapped in the church and become heroes. However Johnny is badly wounded and confined to the hospital. Meanwhile The Socs and The Greasers prepare to fight. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During filming, the actors playing the Socs were given leather-bound scripts and were put up in luxury accommodations, while the "Greasers" were given battered paperback scripts and had to stay in the ground floor of the hotel, as director Francis Ford Coppola wanted to create tension between the two groups. See more »
When Dally uses phone (at 01:24:07 in 91 m.), a tilted In-and-Out burger cup is visible. There were fewer than 20 open at the time, and only in Southern California. See more »
When I stepped out into the bright sunlight, from the darkness of the movie house, I had only two things on my mind: Paul Newman, and a ride home.
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Closing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California. See more »
First let me say that this will not be a comment where the author will be gushing about how "hot" the cast is! Like a lot of people who have commented on this film I, too, read the book first in school and then proceeded to seek out the film to see how the story translated to the screen. I thought esteemed director Francis Ford Coppola (The Godfather, Apocalypse Now) did a fairly competent job of adapting the book (there will always be somerevisions and omissions in such an enterprise). He preserved the essence of the class struggle: the eternal conflict between those who were better favored by birth and station (Socs) with those less favored (Greasers). Coppola elicited more than competent performances from the young up-and-coming cast he assembled. All in all, a very good coming of age film.
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