When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Lou is a small time gangster, who thinks he used to be something big. He meets up with a younger girl, Sally, who is learning to be a croupier. Her husband turns up with drugs he has stolen... See full summary »
The movie details a town split between the wealthy South Zone gang called 'The Socials' and the poor North Zone gang called 'The Greasers'. Dallas Winston, Ponyboy Curtis and Johnny Cade from 'The Greasers' befriend the rich Cherry Valance and Marcia at a drive-in. Later that night, a group of 'The Socs' chase and beat up Johnny and attempt to drown Ponyboy in a fountain. However, Johnny stabs one Soc and kills him, saving Ponyboy. The desperate boys seek Dallas who finds a hideout for them in a nearby town. One week later, Johnny and Ponyboy decide to return to their hometown, with Dallas, to claim the murder as self-defense. But on their way back, they see the church on fire and Ponyboy and Johnny help the children trapped in the church and become heroes. However Johnny is badly wounded and confined to the hospital. Meanwhile The Socs and The Greasers prepare to fight. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Francis Ford Coppola received letters over the years from fans of the novel, many expressing disappointment that several key scenes from the book were omitted from the film version (they were in Coppola's original cut, but were edited at the behest of the studio). Years later, Coppola's granddaughter was reading the book in class, and was about to watch the film with her fellow schoolmates. Feeling embarrassed, Coppola cobbled together what would eventually become his Director's Cut. See more »
When Dally, Johnny and Ponyboy are watching the movie at the drive in, Ponyboy starts laughing, but in the next shot we see Ponyboy in the background not laughing while the audio track of his laughing is still continuing (at 07:23 to 07:25 in 91 m.). See more »
When I stepped out into the bright sunlight, from the darkness of the movie house, I had only two things on my mind: Paul Newman, and a ride home.
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Closing dedication: This film is dedicated to the people who first suggested that it be made... Librarian Jo Ellen Misakian and the students of the Lone Star School in Fresno, California. See more »
A terrific tweener for kids of any era. Serious but sweet, and refreshingly free of cynicism.
Godfather Coppola has a real way with family, go figure. But here he keeps the themes and emotions simple. One of the reasons for this story's lasting power is that it was written by a teenager, and so accurately reflects kids' perspective. It would have been very tempting to try and infuse an adaptation with "layers," to comment on the action and show yourself superior, but Coppola exercises great restraint and appropriate respect for the material. He knows it isn't profound stuff, but he understands that it *feels* profound to kids who identify with it. In walking this tightrope, he creates a rare thing: a movie that's for kids but neither talks down to or indulges them.
Lowe, Dillon, Estevez, Howell, Macchio, Garrett, Swayze. Only Cruise and Lane (and Sofia!) seem bigger now than they are here. That, and the 20-some years since, makes The Outsiders all the more poignant.
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