The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ...
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Truckers form a mile long "convoy" in support of a trucker's vendetta with an abusive sheriff...Based on the country song of same title by C.W. McCall.
Director:
Sam Peckinpah
Stars:
Kris Kristofferson,
Ali MacGraw,
Ernest Borgnine
Ace Bonner returns to Arizona several years after he abandoned his family, Junior Bonner is a wild young man. Against the typical rodeo championship, family drama erupts.
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
Director:
Sam Peckinpah
Stars:
Charlton Heston,
Richard Harris,
Jim Hutton
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid.
Director:
Sam Peckinpah
Stars:
James Coburn,
Kris Kristofferson,
Richard Jaeckel
In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
Director:
Sam Peckinpah
Stars:
James Coburn,
Maximilian Schell,
James Mason
An ex-union soldier is hired to transport gold from a mining community through dangerous territory. But what he doesn't realize is that his partner and old friend is plotting to double-cross him.
Director:
Sam Peckinpah
Stars:
Joel McCrea,
Randolph Scott,
Mariette Hartley
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel. Written by
Keith Loh <loh@sfu.ca>
Chris Sarandon's wife was pregnant throughout the filming of this movie. He said that the added tension provided his character with a little more depth. His wife gave birth shortly after filming wrapped. See more »
Goofs
The handwriting on Tanner's sign changes between shots. See more »
After the utterly ridiculous good-ol'-boy trucker film CONVOY in 1978, Sam Peckinpah languished for five years before returning in 1983 with what would prove to be his final film--THE OSTERMAN WEEKEND, based on Robert Ludlum's maddeningly complex 1972 spy novel.
Despite the fact that it is often cold and sometimes confusing, this film's weakest moments are far superior to even the strongest moments of CONVOY. Rutger Hauer stars as a hard-hitting TV talk show host with a habit of skewering people inside the U.S. government. As this film opens, he is about to have a reunion with five friends of his from the good old days of 1960s radical college politics.
But then a CIA operative (John Hurt) drops a bombshell on him: Those friends of his (Craig T. Nelson, Dennis Hopper, Helen Shaver, Cassie Yates, Chris Sarandon) are supposedly traitors working for the Soviets in a scheme involving germ warfare sabotage. The result is that Hurt, with Hauer's reluctant acceptance, sets up surveillance equipment throughout Hauer's property to document further evidence of his friends' betrayal. When those people start coming unglued, however, more is at stake than just national security or the Cold War. So are peoples' lives!
Though Peckinpah was clearly on his last run while making it, THE OSTERMAN WEEKEND shows that he still could deliver the goods when it came to setting up great action sequences. The final shootout between Hurt's CIA underlings and Hauer and Nelson is edited in such a way as to resemble THE WILD BUNCH, while its actual filming suggests still another Peckinpah masterpiece, STRAW DOGS. Lalo Schifrin's score brilliantly accentuates things. Peckinpah, in depicting the head of the CIA (Burt Lancaster) as the heavy, also clearly makes a statement against America's heavy-handed approach toward Communism in the Reagan era.
All in all, despite its slight confusion, THE OSTERMAN WEEKEND works for those willing to give it a go.
31 of 45 people found this review helpful.
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After the utterly ridiculous good-ol'-boy trucker film CONVOY in 1978, Sam Peckinpah languished for five years before returning in 1983 with what would prove to be his final film--THE OSTERMAN WEEKEND, based on Robert Ludlum's maddeningly complex 1972 spy novel.
Despite the fact that it is often cold and sometimes confusing, this film's weakest moments are far superior to even the strongest moments of CONVOY. Rutger Hauer stars as a hard-hitting TV talk show host with a habit of skewering people inside the U.S. government. As this film opens, he is about to have a reunion with five friends of his from the good old days of 1960s radical college politics.
But then a CIA operative (John Hurt) drops a bombshell on him: Those friends of his (Craig T. Nelson, Dennis Hopper, Helen Shaver, Cassie Yates, Chris Sarandon) are supposedly traitors working for the Soviets in a scheme involving germ warfare sabotage. The result is that Hurt, with Hauer's reluctant acceptance, sets up surveillance equipment throughout Hauer's property to document further evidence of his friends' betrayal. When those people start coming unglued, however, more is at stake than just national security or the Cold War. So are peoples' lives!
Though Peckinpah was clearly on his last run while making it, THE OSTERMAN WEEKEND shows that he still could deliver the goods when it came to setting up great action sequences. The final shootout between Hurt's CIA underlings and Hauer and Nelson is edited in such a way as to resemble THE WILD BUNCH, while its actual filming suggests still another Peckinpah masterpiece, STRAW DOGS. Lalo Schifrin's score brilliantly accentuates things. Peckinpah, in depicting the head of the CIA (Burt Lancaster) as the heavy, also clearly makes a statement against America's heavy-handed approach toward Communism in the Reagan era.
All in all, despite its slight confusion, THE OSTERMAN WEEKEND works for those willing to give it a go.