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The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel. Written by
Keith Loh <firstname.lastname@example.org>
Chris Sarandon's wife was pregnant throughout the filming of this movie. He said that the added tension provided his character with a little more depth. His wife gave birth shortly after filming wrapped. See more »
When Tanner is warning the others to get out of the camper, he writes "Get out now". Richard is reading it aloud as "Get out of the camper now". See more »
What you've just witnessed is, in many ways, a life-sized video game. You saw a liar talk to a killer and you couldn't tell them apart. But hey, it's only television. As you may know, television programs are just the filler between attempts to steal your money. So if you want to save some, turn me off. It's a simple movement, done with the hand and what is left of your free will. The moment is now. My bet is you can't do it. But go ahead and try.
Am I still on?
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"The Osterman Weekend" emits the feeling of a last gasp. What was an author's second novel later took this form of a director's last film. Sam Peckinpah was a good choice for directing, with film's like "The Wild Bunch" and "Pat Garrett and Billy the Kid" under his belt, Peckinpah wouldn't hesitate to show the grim world of betrayal and manipulation that Robert Ludlum showed through virtually everyone of his books. With spy films like the James Bond franchise being the most popular, this was the lesser seem side of that coin - the side that is less escapist adventure storytelling for boys.
However, the problems that Sam Peckinpah was going through at his last stages have noticeably affected the film. The intricate plot is there, but feels stitched together in parts, though that may very well be due the studio demanding re-editing work. The action is at times sloppy with very little of the mesmerizing details of Peckinpah's previous action sequences; a car crash even contains multiple repeats of the same angle and makes some disastrous continuity. The other action scenes are a notch or two better, but still far from what they could have been.
But, at least the plot and its many deceptions keep you guessing, right to the last shot. --- 6/10
BsCDb Classification: 13+ --- violence, sexual content
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