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The Osterman Weekend (1983)

5.9
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Reviews: 51 user | 45 critic

The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in ... See full summary »

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(novel), (adaptation), 1 more credit »
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Title: The Osterman Weekend (1983)

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Cast

Cast overview, first billed only:
...
...
...
...
...
Joseph Cardone
...
Ali Tanner
...
Virginia Tremayne
Cassie Yates ...
Betty Cardone
Sandy McPeak ...
Walter Stennings
Christopher Starr ...
Steve Tanner
...
Maxwell Danforth
Cheryl Carter ...
Marcia Heller
John Bryson ...
Honeymoon Groom
Anne Haney ...
Honeymoon Bride
Kristen Peckinpah ...
Tremayne's Secretary
Edit

Storyline

The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

It will be a weekend to remember...if they survive it! See more »

Genres:

Action | Drama | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 October 1983 (USA)  »

Also Known As:

Das Osterman-Weekend  »

Box Office

Gross:

$6,500,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to "The Espionage Filmography", director Sam "Peckinpah claimed the film was botched in the final edit". In the February 1984 edition of Photoplay (UK), Peckinpah said he was happy with the final cut despite six minutes of scenes with humor being cut out which he said balanced the violence. According to Wikipedia, "The producers changed the opening sequence and deleted other scenes they deemed unnecessary. Peckinpah proclaimed that producers had once again sabotaged his film, a complaint he made after filming Major Dundee (1965) and Pat Garrett & Billy the Kid (1973). He was less vocal this time, mindful that studios and producers were keeping an eye on his behavior". See more »

Goofs

In the kitchen scene after Ali and the Tanner son are kidnapped, Ali refers to the boy as 'Steve', which is supposed to be the character's name according to the closing credits. But the actor's real name is Christopher, and he is referred to as 'Christopher' or 'Chris' numerous times throughout the movie. Note that it may have been challenging for Meg Foster to remember to refer to him as 'Steve' since he is her real life son. See more »

Quotes

Bernard Osterman: I'm still wondering how we got into this mess.
John Tanner: It's called being programmed.
See more »

Connections

Featured in At the Movies: The Stinkers of 1983 (1984) See more »

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User Reviews

 
Peckinpah's last
12 July 2001 | by (San Gabriel, Ca., USA) – See all my reviews

After the utterly ridiculous good-ol'-boy trucker film CONVOY in 1978, Sam Peckinpah languished for five years before returning in 1983 with what would prove to be his final film--THE OSTERMAN WEEKEND, based on Robert Ludlum's maddeningly complex 1972 spy novel.

Despite the fact that it is often cold and sometimes confusing, this film's weakest moments are far superior to even the strongest moments of CONVOY. Rutger Hauer stars as a hard-hitting TV talk show host with a habit of skewering people inside the U.S. government. As this film opens, he is about to have a reunion with five friends of his from the good old days of 1960s radical college politics.

But then a CIA operative (John Hurt) drops a bombshell on him: Those friends of his (Craig T. Nelson, Dennis Hopper, Helen Shaver, Cassie Yates, Chris Sarandon) are supposedly traitors working for the Soviets in a scheme involving germ warfare sabotage. The result is that Hurt, with Hauer's reluctant acceptance, sets up surveillance equipment throughout Hauer's property to document further evidence of his friends' betrayal. When those people start coming unglued, however, more is at stake than just national security or the Cold War. So are peoples' lives!

Though Peckinpah was clearly on his last run while making it, THE OSTERMAN WEEKEND shows that he still could deliver the goods when it came to setting up great action sequences. The final shootout between Hurt's CIA underlings and Hauer and Nelson is edited in such a way as to resemble THE WILD BUNCH, while its actual filming suggests still another Peckinpah masterpiece, STRAW DOGS. Lalo Schifrin's score brilliantly accentuates things. Peckinpah, in depicting the head of the CIA (Burt Lancaster) as the heavy, also clearly makes a statement against America's heavy-handed approach toward Communism in the Reagan era.

All in all, despite its slight confusion, THE OSTERMAN WEEKEND works for those willing to give it a go.


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