| Peter Weller | ... | Bart Hughes | |
| Jennifer Dale | ... | Lorrie Wells | |
| Lawrence Dane | ... | Eliot Riverton | |
| Kenneth Welsh | ... | James Hall | |
| Louis Del Grande | ... | Clete | |
| Shannon Tweed | ... | Meg Hughes | |
| Keith Knight | ... | Hardware Salesman | |
| Maury Chaykin | ... | Dan Errol | |
| Leif Anderson | ... | Peter Hughes | |
| Jimmy Tapp | ... | Meg's Father | |
| Gayle Garfinkle | ... | Janis Wycoff | |
| Earl Pennington | ... | Mr. Thompson | |
| Jacklin Webb | ... | Newspaper Vendor | |
| Bronwen Mantel | ... | Florence Riverton | |
| Monik Nantel | ... | Secretary | |
| Aimée Castle | ... | Birthday Party Child (as Aimee Castle) | |
| Jesse Grasis | ... | Birthday Party Child | |
| Tara O'Donnell | ... | Birthday Party Child | |
| rest of cast listed alphabetically: | |||
| Amber T. Chase | ... | Dan Errol's Wife (uncredited) | |
Directed by | |||
| George P. Cosmatos | |||
Writing credits | ||
| Chauncey G. Parker III | (novel "The Visitor") | |
| Brian Taggert | (screenplay) | |
Produced by | |||
| Pierre David | .... | executive producer | |
| Claude Héroux | .... | producer | |
Original Music by | |||
| Kenneth Wannberg | (as Ken Wannberg) | ||
Cinematography by | |||
| René Verzier | |||
Film Editing by | |||
| Roberto Silvi | |||
| Hubert de La Bouillerie | (uncredited) | ||
Casting by | |||
| Deirdre Bowen | |||
| Ginette D'Amico | |||
Production Design by | |||
| Anne Pritchard | |||
Art Direction by | |||
| Rose Marie McSherry | (as Rosemarie McSherry) | ||
Set Decoration by | |||
| Serge Bureau | |||
Costume Design by | |||
| Paul-André Guérin | |||
Makeup Department | |||
| Michèle Dion | .... | makeup artist | |
| Chantal Ethier | .... | makeup artist | |
| Martin Ménard | .... | hair stylist | |
| Constant Natale | .... | hair stylist | |
Production Management | |||
| Roger Héroux | .... | production supervisor | |
| François Ouimet | .... | unit manager (as Francois Ouimet) | |
| Bill Wiggins | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| John Fretz | .... | first assistant director | |
| Frank Ruszczynski | .... | assistant director | |
| Michael Sarao | .... | assistant director | |
Art Department | |||
| Tina Boden | .... | art department coordinator | |
| Peter Borowski | .... | sculptor (as Peter Borowsky) | |
| Jacques Chamberland | .... | property master | |
| Tom Coulter | .... | set dresser | |
| Violette Daneau | .... | set dresser | |
| Michael Devine | .... | construction crew | |
| Frank DiGiacomo | .... | construction crew | |
| Peter Dowker | .... | sculptor | |
| Jean-Vincent Fournier | .... | assistant set props (as Jean Vincent Fournier) | |
| Denis Hamel | .... | set dresser | |
| Serge LaForest | .... | construction crew | |
| Larry Lamont | .... | construction crew | |
| P. Karen Langshaw | .... | sculptor | |
| Abraham Lee | .... | set dresser | |
| Jak Oliver | .... | construction crew | |
| Marc Rainville | .... | construction crew | |
| Barbara Shrier | .... | set dresser | |
| Jean-Baptiste Tard | .... | set dresser (as Jean Baptiste Tard) | |
| Harold Thrasher | .... | construction coordinator | |
| Maurice Tremblay | .... | set dresser | |
| Kathy Wolf | .... | scenic artist (uncredited) | |
Sound Department | |||
| Peter Burgess | .... | sound effects editor | |
| Terry Burke | .... | foley artist | |
| Don Cohen | .... | sound | |
| Paul Coombe | .... | sound re-recording mixer | |
| Gary Daprato | .... | assistant sound editor | |
| Leslie Hodgson | .... | supervising sound editor | |
| Mike Hoogenboom | .... | sound re-recording mixer (as Michael Hoogenboom) | |
| Kerry Kohler | .... | assistant sound editor | |
| Dick Lewzey | .... | sound recording engineer | |
| Alban Streeter | .... | dialogue editor (as Al Streeter) | |
| Haydn Streeter | .... | assistant sound editor | |
| Eric Zimmer | .... | boom operator | |
Special Effects by | |||
| Louis Craig | .... | special effects | |
| Stephan Dupuis | .... | special effects makeup | |
| Jacques Godbout | .... | special effects | |
Stunts | |||
| Jean Lysight | .... | stunts | |
| Marie-Patricia St-Laurent | .... | stunts | |
Camera and Electrical Department | |||
| Claude Alarie | .... | best boy | |
| Peter Benison | .... | camera operator | |
| Claude Brasseur | .... | electrician | |
| Marc Charlebois | .... | electrician | |
| Jean Courteau | .... | electrician | |
| Jean-Maurice de Ernsted | .... | grip | |
| Marc de Ernsted | .... | key grip | |
| Gilles Fortier | .... | electrician | |
| Jacques Fortier | .... | gaffer | |
| Denis Gingras | .... | focus puller | |
| Paul Gravel | .... | focus puller | |
| Serge Ladouceur | .... | camera operator | |
| Glen MacPherson | .... | focus puller | |
| Piroska Mihalka | .... | still photographer | |
| Patti Morein | .... | loader | |
| Christine Pelletier | .... | loader | |
| Jean-François Pouliot | .... | loader (as Jean Francois Pouliot) | |
| Jean Trudeau | .... | electrician | |
| René Verzier | .... | camera operator (as Rene Verzier) | |
| Normand Viau | .... | electrician | |
| Serge Ladouceur | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Rosina Bucci | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Laura Drew | .... | wardrobe | |
| Louise Gagne | .... | wardrobe | |
| Hazel Pethig | .... | wardrobe (as Hazel Pethig-Cote) | |
Editorial Department | |||
| Chantal Bowen | .... | assistant editor | |
| Teresa De Luca | .... | assistant editor | |
Music Department | |||
| David Franco | .... | music supervisor | |
| Albert Woodbury | .... | orchestrator | |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
I give this one a ten. How? Well, if you love rats, you will hate me. Let me just start off by saying I have never written a public comment, so do be gentle. I am also rather desensitized to horror films. Salo, Irreversible, and others I am ashamed to mention, hardly phase me. I've seen other rat films. Older rat films, and new ones haven't bothered me. I had purchased this film with about 20 others, and it looked silly, was inexpensive, so why not? I find myself awake this morning at 4:30 am, and in need of mild entertainment. Here is where my horrific morning begins.
I am a 24 year old female, so to all you guys reading this, never show a woman this movie. Show her Cannibal Holocaust, not this. I slap in my DVD of this film, pull my covers back and wait for 90 minutes to pass. 10 minutes later I am screaming like a wild woman being attacked by the Texas Chainsaw Massacre. This movie is INSANE! I own 1000 horror movies, and I thought I had built up enough tolerance and desensitization to endure any form of human torture. Wrong! This is one evil, hideous, demon possessed rat. By the time an hour had passed I was clutching on to my baseball bat, and wouldn't you know? A shadow from my ceiling fan caused a sharp movement on the floor., and I was running down my hall in a terrified frenzy. It may be that girls like me just can't cope with a rat, but it might just be that this movie is hell bent on preying on everyone's natural dislike for these foul little beasts. I sat and hoped that WHAT I KNEW WOULD HAPPEN would not. It did. I was so happy when this movie was over, but ever happier I gave it a chance. It is rare I feel fear, and this was a great reminder. It isn't Citizen Kane, sure, but it is more entertaining. It is my worst fear, realized. Except for that whole broom in girlie prison thing. I digress.
I know you guys are tough! I know you ARE THE MAN! BUT! If you can make it through this movie without jumping in your seat, well, you should join the Navy Seals. Or better yet .you would make a great executioner. This is a nerve wrecking modern spin on MAN VS. MONSTER. No kidding!
This movie gets a ten from me. After sitting through 1000 movies that people say are scary, I find this fabulous little gem, and come to realize just why I love horror. This is horror. Nobody gets tortured, raped, or beheaded. That is fine, considering how brilliantly the film makers took a simple fear and found a way to torture the audience, and not one lesbian bimbo vampire was skinned alive. I was impressed.
I wish I was so well versed and I could give you the most complex analysis of the technical specifics. I am not. Peter did a great job in being convincing, and some of the camera work is great I think. The camera often acts as the eyes of this evil monstrosity. The mans wife in this movie is really pretty, and you see her boobs. So, you guys might like that if nothing else. I think the film was very well done, and most effective at making it's point. I would tell you all about the shocks, but that would ruin them for you. Some must be seen to be believed.
I'm a girlie girl, sure. I bet you can't make it through this movie, in the dark, without your baseball bat either. If you are on the fence and wondering if you want to give it go, do it. But, remember, it can bring out your feminine side. Isn't that the definition of scary for you boys?
Either way, for my own sanity,I am adopting a cat today.