Of Unknown Origin (1983) 6.0
A man who recently completed rebuilding a townhouse becomes obsessed with a rat infestation until it becomes an interspecies duel. Director:George P. Cosmatos |
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Of Unknown Origin (1983) 6.0
A man who recently completed rebuilding a townhouse becomes obsessed with a rat infestation until it becomes an interspecies duel. Director:George P. Cosmatos |
|
| 0Share... |
| Cast overview, first billed only: | |||
| Peter Weller | ... |
Bart Hughes
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| Jennifer Dale | ... |
Lorrie Wells
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| Lawrence Dane | ... |
Eliot Riverton
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| Kenneth Welsh | ... | ||
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Louis Del Grande | ... |
Clete
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| Shannon Tweed | ... |
Meg Hughes
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Keith Knight | ... |
Hardware Salesman
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| Maury Chaykin | ... |
Dan Errol
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Leif Anderson | ... |
Peter Hughes
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Jimmy Tapp | ... |
Meg's Father
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Gayle Garfinkle | ... |
Janis Wycoff
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Earl Pennington | ... |
Mr. Thompson
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Jacklin Webb | ... |
Newspaper Vendor
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Bronwen Mantel | ... |
Florence Riverton
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Monik Nantel | ... |
Secretary
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Bart Hughes has a pretty good life, a beautiful wife, a young son, a good job with promotion prospects, and a renovated brownstone in New York. When wife and kid leave for a vacation, Bart stays behind to work on a project that will earn him that promotion, unaware that a certain inhabitant of his basement has other plans for his time. Bart goes a bit bonkers trying to kill this rat, destroying most of his house in the process. Certain allegorical elements tie the household conflict to the "rat race" in his office, but the main event is certainly the night-and-day contest of wills between man and rodent. Written by Chris Holland <stomptokyo@aol.com>
Peter Weller anchors a cast of Canadian actors in this entertaining low budget thriller directed by George Cosmatos. Plenty of action and a good through line of how an obsessively detailed individual would battle a threat to his environment. Louis "Seeing Things" Del Grande is very good as the helpful janitor next door to Weller's yuppie palace. Features rising Canadian actors Kenneth Welsh, Jennifer Dale and a slimmer Maury Chaykin. The Canadian Tax Credit system helped put this film in Montreal, doubling as New York. With little to work with in terms of sets and exteriors, Cosmatos shows his chops as a director who tries to make each shot pay off in a particular way. The overhead shot of Weller looking out over the "human" rat race crossing the street draws an interesting parallel with the main story. More than a couple of 'homages' to Jaws, which Cosmatos admits was one of his favourite movies.A bit repetitive at times but better than 'Willard'. Worth a look.