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Directed by | |||
| John Glen | |||
Writing credits | ||
| Ian Fleming | (stories "Octopussy" and "The Property of a Lady") uncredited | |
| George MacDonald Fraser | (screen story and screenplay) and | |
| Richard Maibaum | (screen story and screenplay) & | |
| Michael G. Wilson | (screen story and screenplay) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Tom Pevsner | .... | associate producer (as Thomas Pevsner) | |
| Michael G. Wilson | .... | executive producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Alan Hume | (director of photography) | ||
Film Editing by | |||
| Peter Davies | |||
| Henry Richardson | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Peter Lamont | |||
Art Direction by | |||
| John Fenner | |||
Set Decoration by | |||
| Jack Stephens | |||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Eric Allwright | .... | makeup artist | |
| Jeanette Freeman | .... | hairdresser (as Jeannette Freeman) | |
| George Frost | .... | makeup supervisor | |
| Peter Robb-King | .... | makeup artist (as Peter-Robb King) | |
| Chris Taylor | .... | hairdressing supervisor (as Christopher Taylor) | |
Production Management | |||
| Leonhard Gmür | .... | production manager | |
| Hugh Harlow | .... | production supervisor | |
| Philip Kohler | .... | production manager | |
| Gerry Levy | .... | production manager | |
| Barrie M. Osborne | .... | production manager (as Barrie Osborne) | |
Second Unit Director or Assistant Director | |||
| Tony Broccoli | .... | second assistant director | |
| Don French | .... | additional assistant director | |
| Gerry Gavigan | .... | assistant director: second unit | |
| Terry Madden | .... | second assistant director | |
| Baba Shaikh | .... | additional assistant director | |
| Andrew Warren | .... | second assistant director | |
| Anthony Waye | .... | assistant director | |
| Arthur Wooster | .... | second unit director | |
| Michael Zimbrich | .... | second assistant director | |
| Barbara Broccoli | .... | assistant director (uncredited) | |
| James Devis | .... | assistant director (uncredited) | |
| Dilip Roy | .... | second second assistant director (uncredited) | |
Art Department | |||
| Ernest Archer | .... | assistant art director (as Ernie Archer) | |
| Ken Court | .... | additional art director | |
| Fred Hole | .... | assistant art director | |
| Dave Jordan | .... | property master (as David Jordan) | |
| Michael Lamont | .... | additional art director | |
| Jim Morahan | .... | assistant art director | |
| Ron Quelch | .... | production buyer | |
| Michael Redding | .... | construction manager | |
| Crispian Sallis | .... | set dresser: India | |
| Jan Schlubach | .... | additional art director | |
| Ernest Smith | .... | scenic artist | |
| Jacqueline Stears | .... | scenic artist | |
| Ram Yedekar | .... | additional art director | |
| John Chisholm | .... | prop man (uncredited) | |
| Agnes Goveas | .... | set dresser (uncredited) | |
| Duncan Guest | .... | carpenter (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Brian Muir | .... | sculptor (uncredited) | |
| Wesley Peppiatt | .... | props (uncredited) | |
| Bob Sherwood | .... | dressing prop (uncredited) | |
| John Wells | .... | stand-by prop (uncredited) | |
Sound Department | |||
| Derek Ball | .... | sound recordist | |
| Ken Barker | .... | re-recording mixer | |
| Derek Holding | .... | dubbing editor | |
| Mike Hopkins | .... | dubbing editor (as Michael Hopkins) | |
| Jean-Pierre Lelong | .... | sound effects (as John Pierre Lelong) | |
| Gordon K. McCallum | .... | re-recording mixer (as Gordon McCallum) | |
| Colin Miller | .... | sound editor | |
| Ken Nightingall | .... | boom operator | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| John Hayward | .... | sound re-recording mixer (uncredited) | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Evans | .... | second unit effects supervisor | |
| John Richardson | .... | special effects supervisor | |
| David Domeyer | .... | special effects (uncredited) | |
Visual Effects by | |||
| Leslie Dear | .... | model photographer | |
| Brian Smithies | .... | model effects supervisor | |
| Charles Staffell | .... | front projection | |
| Julian Parry | .... | model unit (uncredited) | |
Stunts | |||
| Del Baker | .... | the stunt team | |
| Pat Banta | .... | the stunt team | |
| Dave Bickers | .... | stunt engineer | |
| William H. Burton | .... | the stunt team supervisor (as Bill Burton) | |
| Clive Curtis | .... | the stunt team | |
| Jim Dowdall | .... | the stunt team | |
| Dorothy Ford | .... | the stunt team | |
| Martin Grace | .... | the stunt team supervisor | |
| Nick Hobbs | .... | the stunt team | |
| Jazzer Jeyes | .... | the stunt team | |
| Rémy Julienne | .... | driving stunts arranger (as Remy Julienne) | |
| Wayne Michaels | .... | the stunt team | |
| Dan Peterson | .... | stunt engineer | |
| Bob Simmons | .... | action sequences arranger | |
| Rocky Taylor | .... | the stunt team | |
| Malcolm Weaver | .... | the stunt team | |
| Chris Webb | .... | the stunt team (as Christopher Webb) | |
| Bill Weston | .... | the stunt team | |
| Paul Weston | .... | the stunt team supervisor | |
| Roy Alon | .... | additional stunts (uncredited) | |
| Ken Barker | .... | additional stunts (uncredited) | |
| Marc Boyle | .... | additional stunts (uncredited) | |
| David Brandon | .... | additional stunts (uncredited) | |
| William H. Burton | .... | additional stunts (uncredited) | |
| Terry Cade | .... | stunts (uncredited) | |
| George Lane Cooper | .... | additional stunts (uncredited) | |
| Jim Dowdall | .... | stunt double under train: Roger Moore (uncredited) | |
| Eddie Eddon | .... | additional stunts (uncredited) | |
| Steve Emerson | .... | additional stunts (uncredited) | |
| Stuart Fell | .... | additional stunts (uncredited) | |
| J.W. 'Corkey' Fornof | .... | stunt pilot (uncredited) | |
| Terry Forrestal | .... | stunts (uncredited) | |
| Alan Gold | .... | additional stunts (uncredited) | |
| Martin Grace | .... | stunt double: Roger Moore (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Fred Haggerty | .... | additional stunts (uncredited) | |
| Reg Harding | .... | stunts (uncredited) | |
| Frank Henson | .... | additional stunts (uncredited) | |
| Dave Holland | .... | stunt performer (uncredited) | |
| Buddy Joe Hooker | .... | additional stunts (uncredited) | |
| Arthur Howell | .... | additional stunts (uncredited) | |
| Norman Howell | .... | riding double: Roger Moore (uncredited) | |
| Tommy J. Huff | .... | additional stunts (uncredited) | |
| George Leech | .... | explosion stunt (uncredited) | |
| George Leech | .... | stunt driver (uncredited) | |
| Jimmy Lodge | .... | additional stunts (uncredited) | |
| Jake Lombard | .... | stunt double: Roger Moore (uncredited) | |
| Wayne Michaels | .... | stunt double: Twin, during train fight (uncredited) | |
| Eddie Powell | .... | additional stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| R.A. Rondell | .... | additional stunts (uncredited) | |
| Michael Runyard | .... | additional stunts (uncredited) | |
| Jack Sholomir | .... | additional stunts (uncredited) | |
| Colin Skeaping | .... | additional stunts (uncredited) | |
| Tony Smart | .... | additional stunts (uncredited) | |
| Stuart St. Paul | .... | additional stunts (uncredited) | |
| Roy Street | .... | additional stunts (uncredited) | |
| Rocky Taylor | .... | stunt double: Roger Moore (uncredited) | |
| Tip Tipping | .... | additional stunts (uncredited) | |
| Henri Trautman | .... | motorcycle stunt (uncredited) | |
| Henri Trautman | .... | stunt driver (uncredited) | |
| Bill Weston | .... | stunt double: Louis Jordan (uncredited) | |
| Paul Weston | .... | stunt double: Roger Moore (uncredited) | |
| Jason White | .... | stunts (uncredited) | |
| Nick Wilkinson | .... | stunts (uncredited) | |
| B.J. Worth | .... | stunt double: Kabir Bedi (uncredited) | |
| Dick Ziker | .... | additional stunts (uncredited) | |
Camera and Electrical Department | |||
| Robert E. Collins | .... | additional photographer (as Bob Collins) | |
| Frank Connor | .... | stills | |
| James Devis | .... | additional photographer (as Jimmy Devis) | |
| W.C. 'Chunky' Huse | .... | camera grip (as Chunky Huse) | |
| Jack Lowin | .... | camera operator: second unit | |
| Colin Manning | .... | camera grip | |
| Alec Mills | .... | camera operator | |
| David B. Nowell | .... | camera operator: second unit (as David Nowell) | |
| John Tythe | .... | electrical supervisor | |
| Malcolm Vinson | .... | camera operator: second unit | |
| George Whitear | .... | stills | |
| Arthur Wooster | .... | photographer: second unit | |
| Ian Foster | .... | clapper loader (uncredited) | |
| Vince Goddard | .... | electrician (uncredited) | |
| Geoff Mulligan | .... | aerial camera operator (uncredited) | |
| Nick Schlesinger | .... | assistant camera (uncredited) | |
| Nigel Seal | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Jane Jenkins | .... | casting: U.S. | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | costume supervisor | |
Editorial Department | |||
| Brent Eldridge | .... | digital color correction | |
| John Grover | .... | supervising editor | |
| Nigel Galt | .... | assistant editor (uncredited) | |
| Matthew Glen | .... | first assistant editor (uncredited) | |
Music Department | |||
| John Barry | .... | conductor | |
| Monty Norman | .... | composer: The James Bond theme | |
| John Richards | .... | music mixer | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Rashid Abbasi | .... | location manager (as Rashid Abassi) | |
| Mohini Banerji | .... | production assistant | |
| Reginald A. Barkshire | .... | production controller | |
| Sheila Barnes | .... | production assistant | |
| Peter Bennett | .... | location manager | |
| Maurice Binder | .... | title designer: main title | |
| Albert R. Broccoli | .... | presenter | |
| Barbara Broccoli | .... | executive assistant | |
| Joanna Brown | .... | production secretary | |
| May Capsaski | .... | production assistant (as May Capsaskis) | |
| Eleanor Chaudhuri | .... | production secretary | |
| Penny Daniels | .... | continuity: second unit | |
| Rande DeLuca | .... | the aerial team: Beech 18 (as Rande Deluca) | |
| J.W. 'Corkey' Fornof | .... | the aerial team: AcroStar Jet (as Corkey' Fornof) | |
| Geoff Freeman | .... | unit publicist | |
| Shama Habibullah | .... | Indian production advisor | |
| Richard Holley | .... | the aerial team: AcroStar Jet (as Rick Holley) | |
| Charles Juroe | .... | director of publicity | |
| Clay Lacy | .... | the aerial team: coordinator | |
| Jake Lombard | .... | the aerial team: Beech 18 | |
| Jane Meagher | .... | location accountant | |
| Douglas Noakes | .... | production accountant | |
| Iris Rose | .... | production assistant | |
| Marge Rowland | .... | location accountant | |
| Ursula Schlieper | .... | location accountant | |
| Elaine Schreyeck | .... | continuity | |
| Doreen Soan | .... | continuity: second unit | |
| Mary Stellar | .... | production secretary | |
| Joe Taylor | .... | the aerial team: Beech 18 | |
| Michael Turk | .... | boatmaster | |
| Joyce Turner | .... | production assistant | |
| B.J. Worth | .... | the aerial team: Beech 18 | |
| Philip Wrestler | .... | the aerial team: director | |
| Sarah Lucraft | .... | assistant accountant (uncredited) | |
| Robin Melville | .... | production assistant (uncredited) | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
| Doris Spriggs | .... | assistant: Roger Moore (uncredited) | |
| Marc Wolff | .... | helicopter pilot (uncredited) | |
Thanks | |||
| Udaipur Shree Maharana B.S. Mewar | .... | the producers gratefully acknowledge the assistance and co-operation of | |
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| GoldenEye | The Living Daylights | Moonraker | The Spy Who Loved Me | Die Another Day |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
Admittedly, I am one of those people who feel that NONE of the movies ever really captured the entire essence of Fleming's books. I don't believe one should weigh films against one another based on some scale of supposed relative "Flemingness" but rather on whether they were entertaining -- which may be the purest Fleming scale of all. He did not set out to write some ponderous literary tomes, after all, but rather an entertaining series of spy thrillers people would ENJOY reading.
That said, OCTOPUSSY is the best of the Bond movies. It is adventurous, light, and immensely entertaining. There is a sense of place, of play with the place, and of a willingness to look at things (like India) through the eyes of a (neon-letter non-p.c.) womanizing playboy hired thug for Her Majesty like Bond. There's blood, there's action, there's gadgets, and there are plenty of very pretty Bond girls. It doesn't try to be anything but an entertaining movie. The jokes are genuinely funny.
Having an admittedly biased feminine opinion, I seriously love the treatment of the females in this film. The blonde is a perfect touch -- he gets her, but she gets the Faberge: who used whom, here?? Then, Bond actually manages to find himself a real woman: Octopussy chooses to have a sweet distraction with him because she wants to, she finds him interesting, perhaps finds him the nearest to her equal she's seen lately. She's not a freak like View To A Kill's Mayday (and I don't even want to discuss the she-villain from GoldenEye!), but she's not a ditz or a flake who gets seduced because she's stupid or scared. This is a full-fledge Bond woman, and we get to see Bond displaying (apparently sincere) affection for her which was a hallmark of Fleming's Bond, for all that the affections of this ultimate male fantasy didn't come with strings of commitment attached. For all that he was a cad, the original Bond was a gentlemanly sort, not a sleazy lecher, and I think that is why the novels appeal so well to women as well as to men -- why he was able to become a hero. We all know men are, in their fantasies if not actually in their hearts, Casanova types; the good ones are simply gentlemen about it. (& hopefully the ones who make big-time promises do so with the intention of keeping them and subjugating their roving instincts to the realm of fantasy). It is this film's portrayal of a Bond and his primary romance that makes it the most romantic of the movies, and which blends so smoothly with the enjoyable action-movie component that there is no serious downside.
Overall, this is the best of the Bond films -- enjoyable, entertaining, with beautiful visuals well filmed, and a truly enjoyable sensual component.