A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond's next mission sends him to the circus. A British agent was murdered and found holding onto a priceless Faberge egg. Kamal Kahn buys the egg at an auction, but Bond becomes suspicious when Kahn meets up with Russian General, Orlov. Bond soon finds out that Kahn's and Orlov's plan is to blow a nuclear device in an American Air Force Base. Bond teams up with a circus group, which are headed by the beautiful Octopussy, who is also close friend of Kahn. Will Bond be quick enough, before World War III begins? Written by
James Bond's aliases in the movie were Colonel Luis Toro during the opening sequence; Charles Morton, a Leeds furniture manufacturing representative; and as a clown during the film's finale. Of the three, the first and last involved disguises, the most ever for Roger Moore in a Bond movie. Also, this is the second highest number of aliases used by James Bond in a Bond movie, one less than the record of four held by Diamonds Are Forever (1971). See more »
The area around the airbase at the beginning of the film is rolling hills, green grass and trees. Bond is taken away by the soldiers in a military truck as the girl follows them pulling the horse trailer behind her. Then, moments later, they're all driving down a dusty dirt road in the middle of the desert, with scrub trees, sand and mountains in the distance. Bond escapes the soldiers, whips out his handy dandy jet plane, takes off and flies through the mountainous desert for a moment before he is once again over the rolling green hills and forests around the airbase. See more »
You didn't tell me there was going to be this much security.
They moved the flight up to this afternoon.
Well, we're going to have to go ahead as planned anyway.
[Bianca hands an ID badge with the name 'Luis Toro' to Bond]
Toro. Sounds like a load of bull.
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JAMES BOND WILL RETURN IN "FROM A VIEW TO A KILL" - this is the second time in the series that the title of the next Bond film is not given as it will eventually appear (the FROM being dropped from Fleming's original title). See also The Spy Who Loved Me. See more »
Many criticized this film at the time of its release with comments like" Moore's tongue in cheek humor has turned Bond's style into brainless films , full of silly jokes, with no plot or character development. Just look at that annoying jungle sequence with Moore parodying Tarzan." OK I concede this scene was a dreadful idea. But its minor flaws aside, Octopussy is, in my opinion, one the greatest Bond movies to date.
What makes this movie extremely compelling is its adventurous storyline, which successfully combines the classic 70's spy thriller convoluted plot with amazing, yet surrealistic, action sequences, more likely to be part of a comic book (but a good one, indeed) such as the jet escape at the beginning, which is definitely the BEST pre-credit scene in the whole series. Bond moves from England to India, and then to Germany, while he tries to find out the truth in a mysterious conspiracy involving a stolen Faberge egg and... Well, it actually doesn't make sense ...but the individual sequences are great: 009's death, the purchase of the egg at Sotheby's, Bond and Khamal first encounter at the casino, the night assault on Octopussy's palace... and that lovable seduction scene, with these memorable lines: "We are two of the kind, there are vast rewards for a man of your talents willing to take risks / I am not for hire / Naturally you do it for queen and country, with the praise on your head. I have no country and no praise on my head... she leaves the room , Bond follows her and kisses her, replying, you were right, we are two of the kind" Ins't it delightful?
But the pleasures Octopussy delivers don't end here. Louis Jourdan plays a glamorous, icy, double-dealing villain, perfectly balancing ruthlessness and elegance. He gets this great line" Mr. Bond, you have the nasty habit of surviving", almost comparable to Goldfinger's "Do you expect me to talk? No, Mr. Bond, I expect you to die" And stunningly beautiful Maud Adams gets the leading role she deserved, since she's probably the most seductive and cool of all Bond girls.
And the ending gag is wonderful as well, successfully capturing the film's essence. It isn't just Bond kissing the girl again, but reminds us of the fantasy world we have lived in for two hours. I still remember what a good time I had when I saw this movie for the first time. You cannot miss this one.
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