A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond's next mission sends him to the circus. A British agent was murdered and found holding onto a priceless Faberge egg. Kamal Kahn buys the egg at an auction, but Bond becomes suspicious when Kahn meets up with Russian General, Orlov. Bond soon finds out that Kahn's and Orlov's plan is to blow a nuclear device in an American Air Force Base. Bond teams up with a circus group, which are headed by the beautiful Octopussy, who is also close friend of Kahn. Will Bond be quick enough, before World War III begins? Written by
John Glen: [pigeon] As Bond creeps on the ledge after breaking out of his room at Kamal's mansion. See more »
The train scene (shot in Peterborough, England) is meant to be in Germany, but features quintessential English countryside and British pylons. East Germany's topography is markedly different, particularly as it has more pine trees as opposed to the hedgerows and broadleaf typical of England. See more »
You didn't tell me there was going to be this much security.
They moved the flight up to this afternoon.
Well, we're going to have to go ahead as planned anyway.
[Bianca hands an ID badge with the name 'Luis Toro' to Bond]
Toro. Sounds like a load of bull.
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JAMES BOND WILL RETURN IN "FROM A VIEW TO A KILL" - this is the second time in the series that the title of the next Bond film is not given as it will eventually appear (the FROM being dropped from Fleming's original title). See also The Spy Who Loved Me. See more »
This is by far the best of the Roger Moore Bond films in my opinion. I may be prejudiced since "Octopussy" was the first Bond film I saw theatrically, but I absolutely loved it back then and it still holds up today. The plot is a fine blend of the serious stories of the early Connery films and the humorous touches of the Moore era. Add to that a smooth villain in Louis Jourdan, delicious over-the-top counterpoint from Steven Berkoff, a formidable henchman in Kabir Bedi, two exotic Bond girls in Maud Adams and Kristina Wayborn, beautiful location photography in the rich "travelogue" style (did India ever look as good as it does here?) and a great John Barry score and you can't go wrong with it at all. The tense buildup in the bomb countdown which has Bond donning clown makeup at one point is probably one of the most exciting in any Bond film.
Roger Moore hit his peak playing Bond in this film and the proof is how he seems so much better than Sean Connery does in the inferior "Never Say Never Again" that came out that same year. It's a pity that Moore didn't go out with this one, since "A View To A Kill" was so poor by comparison.
By all means rent this, watch it and have fun!
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