The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
Like the Russian poet of 'Nostalghia', who, accompanied by his Italian guide and translator, traveled through Italy researching the life of an 18th-century Russian composer, Andrei ... See full summary »
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, he meets the lunatic Domenico, who years earlier had imprisoned his own family in his house for seven years to save them from the evils of the world. Seeing some deep truth in Domenico's act, Andrei becomes drawn to him. In a series of dreams, the poet's nostalgia for his homeland and his longing for his wife, his ambivalent feelings for Eugenia and Italy, and his sense of kinship with Domenico become intertwined. Written by
Anonymous and Brian McInnis
The final shot, where Gorchakov's house - complete with hills and a pond - is translated into the central aisle of the abbazia of San Galgano, was achieved using forced perspective and miniature models of the Russian landscape. See more »
What kind of world is this if a madman tells you
you must be ashamed of yourselves?
See more »
Before the end credits: To the memory of my mother. - Andrei Tarkovsky See more »
What a strange film, utterly lacking in narrative, self-indulgent, in a sense tedious, but I sat transfixed for two hours. Someone once described cinema as 'painting with light' and there isn't a single shot in this movie you wouldn't have been proud to photograph. It's utterly beautiful. You don't engage with it as you would with a regular movie, you just sit back and let the images wash over you, frankly I could have watched with the sound off and the subtitles off. I'm lying about the sound. Tarkovsky is a genius for dripping water. The switch between film stock is incredible, the sepia is some of the most breath-taking cinematography I have ever seen. This is pure art house cinema in all its gorgeous, pretentious grandeur.
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