Night of Open Sex (1983) Poster

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5/10
Night of open sex ...
parry_na4 March 2020
You wouldn't - would you - expect a Jess Franco film called 'Night of Open Sex' to be a chaste affair. Only fifteen minutes in and we've seen a dialogue-free striptease (featuring Lina Romay) and a protracted, graphic sexual torture scene involving hair tongs exposed to female genitalia. Rather than ease the viewer into his perverse world of sex and violence, Franco drops us in at the deep end, his camera's zoom-lens falling over itself to take in all the nakedness on display. In a typically tonal car-crash, Al Crosby (Antonio Mayans/Robert Foster) is a rapist and Moira (Romay) is the perpetrator of the torture, and yet both are the 'heroes' of the story.

Bizarrely, this then goes on to tell a tale full of humour - but luckily (for me, at least - I've never been persuaded by Franco's stabs at frivolity), this is never a comedy. Due to the exuberant dubbing of orgasmic sexual cries and moaning, it might be best to watch this with the sound down.

I am watching Severin Films' beautifully restored and cleaned version of 'Night of Open Sex' and as always, they have done a stunning job with it. That said - and this is probably Franco's artistic choice - the sexually charged scenes have a richness of colour to them, whereas the more sombre and violent moments have almost all colour bled out of them, giving these scenes a washed-out appearance.

The plot? Well, you wouldn't expect coherence or pace, and you'd be right. Beneath the relentless carnality, there is a caper concerning impersonating a spy in order to locate a vast stash of gold. Keeping in mind the intricacies of the thin plot is a thankless job when Crosby and Moira spend most of the time rutting. At least Crosby's character is consistent with his last appearance two years earlier (in 'Pick-Up Girls') as a kind of coarser version of Franco's recurring Al Pereira character (also played by Mayans, most of the time).

With a shooting schedule of about one week and only the bare bones of plot or script, it might be fair to say Franco let his understandable obsession with Lina Romay take over any pretensions of making a comprehensible film. Back then, much of his output was only reckoned to be seen in the shadier cinemas in Spain. The fact that this has been meticulously spruced up for worldwide release on DVD and Blu Ray almost forty years later would bring a huge smile to his face, I am sure. My score is 5 out of 10.
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5/10
WIld, man. Wild.
BandSAboutMovies6 February 2022
Warning: Spoilers
So yes, if there is a Jess Franco cinematic universe, it's one in which governments have decided that erotic dancers make the perfect spies and are always given the most dangerous missions, like how Moira (Lina Romay, who else) is the only person who can solve the riddle of the Nazi gold when she's not torturing fellow dancers or doing floor work on the hood of an already crashed car.

Somehow, Franco was able to make a movie that has a curling iron scene that even Judy in Sleepaway Camp - also made in 1983, so which came first - would say was upsetting. This film also does not care if you think quick shifts in tone are disconcerting, so one second it's a goofy comedy, the next there's an assault, then a love scene, then some murders. Meanwhile, as always, there's Romay just going for it.

Do you love your significant other? You can base how much on watching Franco film Romay, filling the screen with dirty magazines and still having her be the only focus, his feverish zoom dedicated to not only finding her most intimate regions but pushing your face into them. I can almost imagine him screaming like a lunatic, "I love her so much that I demand that you peer inside her!"

So what I'm saying is that Jess Franco is a lover. And a maniac. And someone who had no problem turning an Indian restaurant into a strip club for one of his movies.
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Some Classic Touches
Michael_Elliott10 August 2008
Noche de los sexos abiertos, La (1983)

*** (out of 4)

Film noir from the Spanish director has a stripper (Lina Romay) getting involved in the murder of a woman. A P.I. (Robert Foster) soon tries using her to track down the killer and the plot behind it. Sadly I had to view this in Spanish without any subtitles but even though I couldn't follow the plot too well this turned out to be one of the best films I've seen from this period in the director's filmmography. For those who have never seen a "well made" Franco movie then you might want to check this one out because it's very well done and features a terrific score by Daniel White and some fine performances. The film noir qualities aren't the same as you'd expect from those classic RKO films because Franco's usual touches of nudity and sex are on full display. The woman who gets murdered is first tortured with a hot iron to the crotch so this will certainly let you know you're watching a Franco film. The style of the film is also very good as Franco doesn't do as many of his zoom shots. The film also features an incredibly surreal opening ten minutes, which are among the greatest thing I've seen from the director. This sequence includes one of the most erotic scenes I've seen from Franco as well. Romay does a strip tease on top of a classic American car and the way Franco shoots this and teasing us with the nudity is extremely well done and becomes highly erotic before it's over. Both Romay and Foster turn in good performances that help the film as well. I've never been a big fan of Foster's but he actually played the role of a cool, no nonsense P.I. very well. If this ever gets released with English subtitles I'll be the first in line to pick it up.
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2/10
SEX FUELED CAPER
kirbylee70-599-52617926 March 2020
Warning: Spoilers
Director Jess Franco has 206 film directing credits to his name and yet many today are still unfamiliar with his name. Unless you're a fan of exploitation films that is. The majority of his films were done in that category, everything from zombie pictures to women in prison to pornographic films. Hated by some and hailed by others, the Spanish director was a standout among his peers willing to apparently make any film possible.

In recent years a large number of the films directed by Franco have made their way to disc, fulfilling the dreams of fans longing to see everything there is from him. Now Severin has had the good fortune to distribute two more of those films, one of which is NIGHT OF OPEN SEX.

Described by Severin as a "delirious hybrid of sexy caper comedy, EuroSpy suspense thriller, hard-boiled erotic noir, and depraved fetish shocker" the movie fulfills each of those adjectives. Lina Romay stars as Moira, a performances artists prone to sexually explicit displays like laying prone nude on a car while gyrating in the most explicitly sexual manner possible for her audience.

Moira is hired by a pimp and the pair break into the home of a woman to interrogate her for information, going so far as to use her curling iron for something it was never intended to be used for. After killing her the pimp explains he wants Moira to impersonate her to get information from a dying General. She does so but before he can give her all the information needed, he realizes she is an imposter and she has to kill him.

Job done and returning to her regular career Moira is approached by privet investigator Al Crosby (Antonio Mayans). After seducing her he recruits her to get back the information. It turns out during the way the General and several cohorts absconded with a fortune in gold. Now Crosby hopes that with her help he can retrieve it.

What sounds like a regular thriller actually pays out more like a soft core porn flick. Much of the screen time is used for Romay to grind suggestively with nearly everything imaginable made available for visual consumption. Sex scenes are no more revealing than those seen on the cable soft core flicks they once ran exclusively on late night which keeps the film from achieving hard core status.

One thing that makes it stand out from those films is the acing abilities of the leads here. While there is plenty of sexual scenes their roles call for more than that and each one delivers. Even though shot in a different language those abilities are obvious.

Is that enough to make this a great film? Not really. It's not a terrible film but know what it is before picking it up. My guess is that Severin knew ahead of time the group to market the film to and exploitation and Franco fans should be rushing to pick up copies of these films.

In addition to owning the film on blu-ray there are some decent extras as well. Those include "In the Land of Franco Part 2" where author Stephen Thrower tours multiple Franco locations in Portugal, "When Donald Met Jess and Lina Part 2" where filmmaker Donald Farmer interviews the couple in 1993 (Romay was Franco's star and wife) and "The Night of Open Jess" and interview with Stephen Thrower who wrote "Murderous Passions & Flowers of Perversion-The Delirious Cinema of Jesus Franco". The first parts of the part 2s here can be found on the release CRISES OF PLEASURE from Severin.

While I'm not a huge fan of Franco I can understand the need to save his films and to offer them to his fans. With few exceptions I've often said that cinema good and bad needs to be retained for future generations, that many films once thought terrible will stand the test of time and be rediscovered. That's not saying that this film is terrible but many view exploitation films as such. The films of Franco have already been discovered by adoring fans and those fans will want to make sure that these films are a part of their collection.
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2/10
Mi Tarzan!
gridoon202410 March 2019
Typical Jess Franco from his declining (1980s) years: distastefully graphic, poorly paced, incoherent. Lina Romay does have a wonderful body, but there are better ways to see it than in this poor excuse for a porn movie. Worthless. 0.5 out of 4 stars.
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8/10
Wallowing in the filth with Jess Franco
Woodyanders24 March 2020
Warning: Spoilers
Blithely brazen and immoral cabaret dancer Moira (the insanely luscious Lina Romay at her most hot and uninhibited) gets hired to impersonate another woman as part of a plot to find a hidden stash of Nazi gold.

Notorious Spanish maverick exploitation cinema maestro Jess Franco keeps the enjoyably lurid story moving along at a brisk pace, maintains a right-on in-your-face unapologetic scuzzy tone throughout, and tosses in a few jolting moments of sadistic torture along with his trademark teeming array of tasty bare distaff skin. Best of all, Franco not only allows the ever-delectable Mrs. Romay to not only strut her scorching stuff in several gloriously sleazy nightclub acts, but also lets Lina go delightfully off the chain lewd and profane in a few seriously smokin' raunchy sex scenes (hearing Romay scream "Oh my Tarzan!" while a man makes furious love to her is well worth the price of admission all by itself). Antonio Mayans lends sturdy support as the dashing Al Crosby. The funky-grinding mambo rhumba prog-rock score hits the get-down groovy spot. The cinematography is a good deal prettier than usual for a Franco flick as well. A real trashy treat.
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