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A Night in Heaven (1983)

R  |   |  Drama, Romance  |  18 November 1983 (USA)
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Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girl's night out, ... See full summary »



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Cast overview, first billed only:
Robert Logan ...
Deney Terrio ...
Sandra Beall ...
Mrs. Johnson
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Jack Hobbs
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Don Cox ...
Veronica Gamba ...
Bill Hindman ...


Faye Hanlon is a community-college professor with an emotionally depressed husband and an abundance of sexual frustration. Her sister drags her to a male strip-club for a girl's night out, where she discovers that one of the dancers is her failing student Rick Monroe, a.k.a. "Ricky the Rocket". A heated affair between teacher and student ensues, as Faye struggles to reconcile her emotions and make consequential life choices: Continue her lustful sessions with the studly-but-shallow teen stripper? Or break it off with Ricky and work to salvage her marriage to the loving-but-distant husband? Written by Anonymous

Plot Summary | Add Synopsis


Will one forbidden night change both their lives forever? See more »


Drama | Romance


R | See all certifications »

Parents Guide:





Release Date:

18 November 1983 (USA)  »

Also Known As:

Clube das Mulheres  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


During the opening credits, the decommissioned Saturn V launch tower (Mobile Launch Platform #1 retrofitted with the milkstool pedestal (which was built by Chrysler Corporation Aerospace Division) fitted to launch the Saturn IB for Skylab and the final Apollo-Soyuz mission) is seen next to the Vehicle Assembly Building (seen in the film with one side of the building painted with the Star and Stripes with the 1976 Bicentennial Star, which was removed in 1998 and repainted with the NASA meatball logo). The Saturn V (SA-514 second and third stage, along with a first stage (S-IC-T) which was a test stage painted in the Saturn V livery, with BP30 (a mock up of the Apollo CSM), was originally earmarked for the canceled Apollo 19 mission, which was reassigned as Apollo 15 right after Apollo 20 was canceled. After 1996, the Saturn V on display at Kennedy Space Center is now housed at the Apollo/Saturn V Center where it has been enclosed after years of sitting outside being subjected to corrosion and elevated off the ground - it has been restored to its original condition. This also holds true with the other Saturn V on display at the Johnson Space Center in Houston, Texas where it was restored in 2004 - a building was constructed around the Saturn V and completed in 2007; both Saturn Vs on display are properties (docents) of the Smithsonian Institution. The decommissioned launch tower was dismantled and refitted to LC39B which was not in use when the film was released - this launch facility last used in 1975 during Apollo-Soyuz was operational January 28, 1986 when the Space Shuttle Challenger disintegrated 73 seconds after liftoff. See more »


When Faye and Patsy are talking at the airport, Patsy is holding her magazines with her left arm. When they hug, the magazines jump to her right arm. See more »


Rick Monroe: Please don't kill me. What are you doing?
Whitney Hanlon: I'm not going to kill you. I said I was mad, not insane.
See more »


Featured in Retrosexual: The 80's (2004) See more »


The Best Was Yet to Come
Composed by Bryan Adams and Jim Vallance
Performed by Bryan Adams
See more »

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User Reviews

Atkins gets a Warren piece.
7 August 2005 | by (Hollywood) – See all my reviews

Heavenly, this film is not, but I must admit that it is one of my guilty pleasures.

The story centers on a community college speech teacher (Warren) with a recently laid-off husband. Her wild sister drags her to a male strip club one night where she discovers that her lazy student (Atkins) is the star attraction. Wouldn't you know it, eventually the teacher is getting private lessons from the student. It's really about temptation and devotion and the fight between the two.

While the plot and styles are incredibly dated, thee are some things to recommend about this film. Warren gives a strong performance, doing as much with the material as she can. Her transition from constricted and conflicted wife to released vixen is convincing. Her frustrated husband, Logan, also does a fine job. Atkins is Atkins and does nothing more than offer lingering stares and lots of skin.

What makes this film a guilty pleasure is the good use of Bryan Adams' music and one of the more erotic love scenes ever filmed with someone of Warren's stature (this was around the time she blew audiences away with her Oscar-nominated performance in Victor/Victoria). If you never thought of Warren as a sexual dynamo, stick around. Some cuts of the love scene contain a shot of Atkin's manhood, which shocked me even back then.

There are some dramatic elements involving the husband and his frustrations, as well as Warren's inner conflicts, but the film is far too short to go into these too deeply.

It's not a good film by any means but I do think it tried to be something more than the trash it was. Perhaps some of the plot ended up on the dance-room floor.

7 of 8 people found this review helpful.  Was this review helpful to you?

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