Why are we here, what's it all about? The Monty Python-team is trying to sort out the most important question on Earth: what is the meaning of life? They do so by exploring the various stages of life, starting with birth. A doctor seems more interested in his equipment than in delivering the baby or caring for the mother, a Roman Catholic couple have quite a lot of children because 'every sperm is sacred'. In the growing and learning part of life, catholic schoolboys attend a rather strange church service and ditto sex education lesson. Onto war, where an officer's plan to attack is thwarted by his underlings wanting to celebrate his birthday and an officer's leg is bitten off by presumably an African tiger. At middle age a couple orders 'philosophy' at a restaurant, after which the film continues with live organ transplants. The autumn years are played in a restaurant, which, after being treated to the song 'Isn't It Awfully Nice to Have a Penis?' by an entertainer, sees the arrival ... Written by
Arnoud Tiele (email@example.com)
According to Terry Gilliam, before the Pythons decided to make a sketch movie about the meaning of life, two ideas were considered for the movie. The first one was "Monty Python's World War III", where they would all be soldiers wearing military uniforms full of advertisements, and the Armies would be sponsored. Another idea that was under consideration was a trial movie, where the Pythons are judged to be making not a movie, but a tax dodge. They spend the entire movie trying to prove they're making a proper movie, trying to make an adaptation of "Hamlet" in the Caribbean. At the end, they're found guilty and sentenced to execution, and each one of them gets to decide how they're going to die. This idea was used in "The Meaning of Life" in the death sketch, where Arthur Jarrett (Graham Chapman) has chosen to die while pursued by naked girls. See more »
At the start of the miracle of birth section. the mother is traveling backwards (head first). But just before she leaves the corridor, the camera view from the gurney indicates that she is moving feet first. See more »
Is there something YOU'D all rather be doing than marching about the square? You'd all rather be at the pictures, I suppose.
Well, off you go.
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The Producers would like to thank all the fish who have taken part in this film. We hope that other fish will follow the example of those who have participated, so that, in future, fish all over the world will live together in harmony and understanding, and put aside their petty differences, cease pursuing and eating each other and live for a brighter, better future for all fish, and those who love them. See more »
least in the Python 'trilogy', but parts are wildly successful and memorable
Taking a slight departure from the story structure of The Holy Grail and Life of Brian, the Monty Python troupe went back to their 'Flying Circus' TV days to cook up this philosophical, musical, ultra-violent, sexual, total stream-of-consciousness look into what makes up our lives, and if there is a meaning to it. It's split up into parts, starting off with the Miracle of Birth (extending into the Miracle of Birth in the Third Role), a part on war, a part on sex, and so forth. This time Python goes even further with the outrageousness, the delayed punch-lines, the wit, almost nothing is taken prisoners. They go after religion, children, schooling, business, fat people, television, you name it, they go for it, all in the quest for the 'meaning of life'.
I saw the film twice last year, and bits on TV, and I had pretty much the same reaction the second time as the first. Like with many of Python's sketches, the strengths usually out-weigh the weaknesses, depending on who's stronger in the bit; I loved the Miracle of Birth number with Michael Palin's "Every Sperm is Sacred" song, which spirals into one of director Terry Jones's most inspired numbers; I had big belly laughs when Gilliam, as a resident, got an impromptu kidney operation, as the bystanders barely seemed affected; the Mr. Creoste sketch was crude, but blatantly over the top; the timing in the school scenes and the battlefield scenes was very sharp. But in the end, the parts are more memorable than really on the whole, un-like with the other two films.
They set themselves up for a challenge- to make a comedy successful without the sort of core that was in Holy Grail (the search by King Arthur and other knights) and Life of Brian (a man mistaken to be the messiah). Sketches and specifics in the Python world are when they're at their best, and aspects like the animation and the overall scheme of getting the punchlines (or lack thereof) right isn't affected. What can be said is that some of the bits that don't work well as others keep one wanting to get to the next best bit- luckily, this all leads up to a manic scene of Chapman running away from dozens of naked women. It's always a spectacular romp with the Pythons, and even when they're at their worst and most vile and and strange (there is one scene I have no explanation for), its watchable. Maybe some scenes, like with other comedies from my childhood that I'm still amused by, will become funnier as time goes on, like little in-jokes.
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