Why are we here, what's it all about? The Monty Python-team is trying to sort out the most important question on Earth: what is the meaning of life? They do so by exploring the various stages of life, starting with birth. A doctor seems more interested in his equipment than in delivering the baby or caring for the mother, a Roman Catholic couple have quite a lot of children because 'every sperm is sacred'. In the growing and learning part of life, catholic schoolboys attend a rather strange church service and ditto sex education lesson. Onto war, where an officer's plan to attack is thwarted by his underlings wanting to celebrate his birthday and an officer's leg is bitten off by presumably an African tiger. At middle age a couple orders 'philosophy' at a restaurant, after which the film continues with live organ transplants. The autumn years are played in a restaurant, which, after being treated to the song 'Isn't It Awfully Nice to Have a Penis?' by an entertainer, sees the arrival ... Written by
Arnoud Tiele (email@example.com)
According to Terry Gilliam, before the Pythons decided to make a sketch movie about the meaning of life, two ideas were considered for the movie. The first one was "Monty Python's World War III", where they would all be soldiers wearing military uniforms full of advertisements, and the Armies would be sponsored. Another idea that was under consideration was a trial movie, where the Pythons are judged to be making not a movie, but a tax dodge. They spend the entire movie trying to prove they're making a proper movie, trying to make an adaptation of "Hamlet" in the Caribbean. At the end, they're found guilty and sentenced to execution, and each one of them gets to decide how they're going to die. This idea was used in "The Meaning of Life" in the death sketch, where Arthur Jarrett (Graham Chapman) has chosen to die while pursued by naked girls. See more »
In the scene where The Grim Reaper is talking to the couple and their dinner guests, you can see the boom mic moving along the fabric which is the ceiling. See more »
[the Middle Of The Film]
Hello, and welcome to 'The Middle of the Film', the moment where we take a break to invite you, the audience, to join us, the film-makers, in 'Find the Fish'. We're going to show you a scene from another film and ask you to guess where the fish is, but, if you think you know, don't keep it to yourselves. Yell out so that all the cinema can hear you. So, here we are with... 'Find the Fish'.
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Not the Production Accountant....................Steve Abbott See more »
"The Meaning of Life" as a whole is clearly not Monty Python's best work, yet some of the individual sketches - the film is really just a big-budget sketch show - provide some of their most inspired moments. But overall, this is not the sort of swansong that befits the Monty Python legend.
Part of the problem is that, when the film was made (1983), British comedy was in the grip of the "alternative" revolution, as a new generation of comic writer/performers (Ben Elton, Rik Mayall, Ade Edmondson, etc) were beginning their rise to stardom and making the Python brand of humour look hopelessly out-of-date - alternative comedy was essentially comedy's "punk" to the "prog-rock" of Python.
The film opens with a beautifully-shot, but utterly pointless Terry Gilliam creation, "The Crimson Permanent Assurance", which serves little purpose other than to provide a set-up for a gag later in the film. When the film proper begins, though, the familiar Pythonesque humour kicks in, and normal business is resumed, albeit patchily.
The highlights for me are the "Live Organ Transplants" sketch, in which a man has his liver forcibly removed on his own kitchen table, and "Mr Creosote", the grossly fat diner who gorges and vomits his way to an explosive demise, both of which are the type of gross-out gags which have always found a place in British humour - even today, the "League of Gentlemen" team are proudly carrying on this tradition.
Also, some of the songs in the film are among Python's best, particularly "Every Sperm Is Sacred", a wonderfully over-the-top song-and-dance number, and the cheesey "Christmas In Heaven", in which Graham Chapman gives the greatest Tony Bennett impersonation ever committed to celluloid. Unfortunately, much of the remaining material is meandering and tedious, and just serves to pad the thing out to its already over-long 107 minutes.
Python fans will find a lot to amuse them in "The Meaning of Life", but don't expect it to be another "Holy Grail" or "Life of Brian" - it isn't.
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