Window Washer /
Fish #5 /
Mr. Pycroft /
Narrator #1 /
Regimental Sergeant Major /
Rear End /
Female TV Presenter /
Mr. Marvin Hendy /
Leaf Son /
Why are we here, what's it all about? The Monty Python-team is trying to sort out the most important question on Earth: what is the meaning of life? They do so by exploring the various stages of life, starting with birth. A doctor seems more interested in his equipment than in delivering the baby or caring for the mother, a Roman Catholic couple have quite a lot of children because 'every sperm is sacred'. In the growing and learning part of life, catholic schoolboys attend a rather strange church service and ditto sex education lesson. Onto war, where an officer's plan to attack is thwarted by his underlings wanting to celebrate his birthday and an officer's leg is bitten off by presumably an African tiger. At middle age a couple orders 'philosophy' at a restaurant, after which the film continues with live organ transplants. The autumn years are played in a restaurant, which, after being treated to the song 'Isn't It Awfully Nice to Have a Penis?' by an entertainer, sees the arrival ... Written by
Arnoud Tiele (firstname.lastname@example.org)
According to Terry Gilliam, before the Pythons decided to make a sketch movie about the meaning of life, two ideas were considered for the movie. The first one was "Monty Python's World War III", where they would all be soldiers wearing military uniforms full of advertisements, and the Armies would be sponsored. Another idea that was under consideration was a trial movie, where the Pythons are judged to be making not a movie, but a tax dodge. They spend the entire movie trying to prove they're making a proper movie, trying to make an adaptation of "Hamlet" in the Caribbean. At the end, they're found guilty and sentenced to execution, and each one of them gets to decide how they're going to die. This idea was used in "The Meaning of Life" in the death sketch, where Arthur Jarrett (Graham Chapman) has chosen to die while pursued by naked girls. See more »
When Terry Gilliam unzips the Zulu costume to introduce The Middle Of The Film, using the nose-ring as a zipper, the suit separates when it is half-way unzipped, and the zipper continues down the right side of the suit, as the two pieces fall apart. See more »
All right, settle down. Settle down... Now, before I begin the lesson, will those of you who are playing in the match this afternoon move your clothes down onto the lower peg immediately after lunch, before you write your letter home, if you're not getting your hair cut, unless you've got a younger brother who is going out this weekend as the guest of another boy, in which case, collect his note before lunch, put it in your letter after you've had your hair cut, and make sure he moves your ...
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Not the Production Accountant....................Steve Abbott See more »
More hilarity on film from the Monty Python team; this time, in sketch-comedy form
The third and last real film by the Monty Python crew. First, they made fun of the medieval times and its beliefs. Then, they gave the earliest followers of Jesus a whooping'. Now, they... well, they pretty much cover every stage of life in the search for the 'meaning of life'. The film, unlike the two other ones(Monty Python and the Holy Grail, Life of Brian) is basically a series of sketches(whereas the two aforementioned films had progressive plots), much like the series(Monty Python's Flying Circus). As such, it's pretty much like watching an episode of said series, if the episodes were nearly two hours long. Of course, this means that if you like the series, you'll like the film. To this date, I have yet to meet anyone who likes the group and doesn't like the series, so I guess it was a good idea. Despite the title, it has reasonably little actual philosophy and such, but I doubt any Python-fans will be completely devastated by this. As another new thing for a Python-film, it's also a musical. There have been one or two musical numbers during the previous films and the series, but nothing this major. There are about 8-9 musical scenes in the film, complete with choreographed dancing, lead singers and backup vocals. Of course, it's all done in typical Python-style, so not a single one of them is what you'd normally expect from a musical. The comedy is pretty much the same as usual from the Python troupe, with some misses, but mostly hits. Plot is pretty much nonexistent, but what there is, is good. The pacing is good, but because of the film's all-sketch content, it gets somewhat dull around the middle(as Cleese also points out in the 'making of' featured on the DVD). The acting is all pretty good. The special effects are nice. Not much else to say, since you already pretty much know the Pythons' style of humor from the series and the two earlier films. And if you don't, you should probably check out either of the films first, or, even better, one of the more sober episodes of the series. I recommend this to any fan of the Monty Python group, particularly those who prefer the Flying Circus over the two other films, since it's more sketch-comedy than the others. 8/10
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