Marianna, a Los Angeles based therapist, tells the story of one of her patients, middle aged David Fowler, a successful sculptor. He originally came to see her due to his sudden impotence ...
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Stephanie, a famous violin player married to a composer becomes ill from multiple sclerosis. Her whole life goes to pieces : her career ends abruptly and her husband betrays her with ... See full summary »
Marianna, a Los Angeles based therapist, tells the story of one of her patients, middle aged David Fowler, a successful sculptor. He originally came to see her due to his sudden impotence in all aspects of his life, including in his art and in his sex life, the latter especially worrisome as he has always adored women in the holistic sense, they in general who adore him right back. David's sessions with Marianna have most often been comprised of he talking about the women in his life, both past and present, those in his early life who included his single mother who had her fair share of suitors and lovers, and a plethora of prostitutes, one to who he lost his virginity and the profession which he has always treated with respect beyond the issues of many women resorting to the business as a last resort to survive. He has moved from one girlfriend/lover to another in his fear that he would miss something special in the women he has not yet met. Those women include but are not limited to... Written by
Blake Edwards in the Sixties was an amazing director, with a strong visual flair. I mean he directed "Breakfast at Tiffany's", "Days of Wine and Roses", and "An Experiment in Terror"! But somewhere in all that Pink Panthering he did in the Seventies he lost that visual flair and became boring. The only film in the last thirty years that showed any of the old panache was "Victor/Victoria". It's like there are two Blake Edwards.
That's not to say that this film is terrible - it's just that I think he could have done so much better. It's so dull to look at - despite the presence of his enchanting wife Julie Andrews, and one of Burt Reynolds' best performances. Also of note is a very young Kim Basinger displaying a strong flair for comedy. But Edwards' pacing of the action is so slow and ponderous that the moments of slapstick comedy seem completely incongruous and fall completely flat.
Come on Blake - give us some more of that old magic! I know it's still in you.
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