A psychiatrist who falls in love with a patient is visited by the spirit of Sigmund Freud, who gives him advice on how to handle it.

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Cast

Credited cast:
...
Saul Benjamin
...
Chloe Allen
...
...
Nymphomanic
Gene Saks ...
Frantic Patient
...
Mrs. Mondragon
Kent Broadhurst ...
Gay Patient
Rest of cast listed alphabetically:
Suzanne Barrie ...
Jaffe's Wife
Anna Berger ...
Analysis
Otto Bettmann ...
Dr. Waxman
...
Intern Murphy
Amalie Collier ...
Maid
...
Case Interviewer
...
Stage Hand
Selma Diamond ...
Harriet Singer, M.D.
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Storyline

A psychiatrist who falls in love with a patient is visited by the spirit of Sigmund Freud, who gives him advice on how to handle it.

Plot Summary | Add Synopsis

Taglines:

The psychiatrist who's crazy about a patient See more »


Certificate:

PG | See all certifications »
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Details

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Language:

Release Date:

18 February 1983 (USA)  »

Also Known As:

A szerelem bolondja  »

Box Office

Budget:

$10,100,000 (estimated)

Gross:

$10,100,000 (USA)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This movie is credited with creating the "tinfoil hat" for paranoid conspiracy people. See more »

Quotes

Chloe Allen: Here I was, in the middle of an obscene phone call, and I thought of you.
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Connections

Referenced in The Cinema Snob: Caligula: Part II (2010) See more »

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User Reviews

 
Intellectual-lite
14 December 2006 | by (las vegas, nv) – See all my reviews

Marshall Brickman attempts something comedic, fanciful and yet high-brow with "Lovesick"...and the different genres prove to be an uneasy mix. Dudley Moore, who at this point was churning out more bombs than WWII, plays the most unconvincing psychiatrist I have ever seen; his rapport with Alec Guinness (a fantasy Freud) has a tidy bounce, and John Huston works minor magic as the head of the medical board, but Moore is continually unsure of himself. Elizabeth McGovern tries hard as the object of Moore's lovesickness, but she isn't really suited to this kind of material--nor is she suitable for Dudley Moore, just as Mary Tyler Moore was wrong for him in "Six Weeks" and Mary Steenburgen looked out of place in the later "Romantic Comedy". The picture has a poor, cheap look, with blurry beiges and whites typical of the staid early-'80s, and I couldn't wait until it was over. *1/2 from ****


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