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The Lonely Lady (1983)

 -  Drama  -  30 September 1983 (USA)
2.5
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Ratings: 2.5/10 from 674 users  
Reviews: 35 user | 18 critic

A young screenwriter allows others to exploit her in the hopes of "making it" in Hollywood.

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(novel), (adaptation), 2 more credits »
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Title: The Lonely Lady (1983)

The Lonely Lady (1983) on IMDb 2.5/10

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6 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Lloyd Bochner ...
Walter Thornton
...
Veronica Randall
Joseph Cali ...
Vincent Dacosta
Anthony Holland ...
Guy Jackson
...
George Ballantine
...
Carla Romanelli ...
Carla Maria Peroni
Olivier Pierre ...
George Fox
Kendal Kaldwell ...
Joanne Castel
Lou Hirsch ...
Bernie
Kerry Shale ...
Walt Thornton Jnr
Sandra Dickinson ...
Nancy Day
...
Adolph Fannon
Nancy Wood ...
Janie
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Storyline

Jerilee Randall, a simple schoolgirl living in San Fernando, dreams of becoming a famous writer. While at a party, she meets the son of a famous screenwriter. The son invites her over to his house; she accepts. They drive away with some other people, and that night, she is assaulted by one of the son's friends with a garden hose. The "friend" is interrupted in his assault by screenwriter Walter Thornton, who arrives in time to save her from an even more disgusting fate. Walter's rescue of Jerilee begins a friendship between the two, and before you know it, the two fall in love. They marry. Their marriage falls apart when Jerilee's script rewrites actually improve one of Walter's screenplays and he feels one-upped. Jerilee then goes through affair after sordid affair in her attempt to write her own screenplay and get it produced. Written by Chris Holland <cholland@atlantic.net>

Plot Summary | Plot Synopsis

Taglines:

From the sensual world of Harold Robbins comes the story of a woman's struggle for fame in Hollywood.

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 1983 (USA)  »

Also Known As:

Harold Robbins' The Lonely Lady  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This film's entire American marketing campaign - Theatrical Trailers, TV Spots and Radio Ads - was written by Razzie Awards founder John Wilson, who argued with its producer to restore several especially funny scenes because he wanted to use them as clips in his Razzie Awards for Worst Achievements in Film. The scenes eventually did appear in the released film, and at The 4th Annual Razzie Awards ceremonies. See more »

Goofs

When Joe is in the pool, he's completely nude, but when he climbs out to assault Jerilee, he is wearing a pair of blue swimming trunks. See more »

Quotes

Jerilee: [while accepting a major award] I don't suppose I'm the only one who's had to fuck her way to the top.
See more »

Connections

Referenced in Crash: Alone Again Or... (2009) See more »

Soundtracks

Give It Up
Written by Jeff Harrington and Jeff Pennig
Performed by Jeff Harrington
See more »

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User Reviews

 
"Maybe THIS is more your 'kick'!!!!"
29 October 2005 | by (Arlington, VA.) – See all my reviews

The memory banks of most of the reviewers here must've short-circuited when trying to recall this Cubic Zirconia of a gem, because practically everyone managed to misquote Lloyd Bochner's Walter Thornton, when in a fit of peevish anger, he hurls the phallic garden nozzle at his new wife, Jerilee Randall-Thornton, (a nearly comatose Pia Zadora) which was used to sexually assault her earlier in the movie...but I'm getting ahead of myself. In any case, poor Lloyd could've been snarling that line at the speechless audience as much as he was his put-upon co-star.

Hard as it is for most of us to believe, especially these days, nobody in Hollywood sets out to INTENTIONALLY make a bad movie. This is certainly not the most defensible argument to make, since there just seem to be so damn many of them coming out. But then again, there is that breed of film that one must imagine during the time of its creation, from writing, casting and direction, must've been cursed with the cinematic equivalent of trying to shoot during the Ides of March.

THE LONELY LADY is in that category, and represents itself very well, considering the circumstances. Here we have all the ingredients in a recipe guaranteed to produce a monumentally fallen soufflé: Pia Zadora, a marginal singer/actress so determined to be taken seriously, that she would take on practically anything that might set her apart from her peers, (which this movie most certainly did!); a somewhat high-profile novel written by the Trashmaster himself, Harold Robbins (of THE CARPETBAGGERS and DREAMS DIE FIRST fame); a cast who probably thought they were so fortunate to be working at all, that they tried to play this dreck like it was Clifford Odets or Ibsen; plus a director who more than likely was a hired gun who kept the mess moving just to collect a paycheck, (and was probably contractually obligated NOT to demand the use of the 'Alan Smithee' moniker to protect what was left of his reputation.) Like Lamont Johnson's LIPSTICK, Meir Zarchi's I SPIT ON YOUR GRAVE, Roger Vadim's BARBARELLA, Paul Verhoeven's SHOWGIRLS or the Grandmammy of Really Bad Film-making, Frank Perry's MOMMY DEAREST, THE LONELY LADY is still often-discussed, (usually with disgust, disbelief, horrified laughter, or a unique combination of all three), yet also defies dissection, description or even the pretzel logic of Hollyweird. Nobody's sure how it came to be, how it was ever released in even a single theater, or why it's still here and nearly impossible to get rid of, but take it or leave it, it IS here to stay. And I don't think that lovers of really good BAD movies would have it any other way.


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