2.6/10
794
38 user 22 critic

The Lonely Lady (1983)

A young aspiring screenwriter allows others to exploit her in the hopes of achieving success in Hollywood. She goes through affair after sordid affair in her attempt to write her own screenplay and have it produced.

Director:

Writers:

(novel), (adaptation) | 2 more credits »
Reviews
6 wins & 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Walter Thornton
...
Veronica Randall
...
Vincent Dacosta
...
Guy Jackson
...
George Ballantine
...
Carla Romanelli ...
Carla Maria Peroni
Olivier Pierre ...
George Fox
Kendal Kaldwell ...
Joanne Castel
Lou Hirsch ...
Bernie
...
Walter Thornton Jr.
Sandra Dickinson ...
Nancy Day
...
Adolph Fannon
Nancy Wood ...
Janie
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Storyline

Jerilee Randall, a simple schoolgirl living in the San Fernando Valley, dreams of becoming a famous screenwriter. While at a party, she meets the son of a famous screenwriter. The son invites her over to his house; she accepts. They drive away with some other people, and that night, she is assaulted by one of the son's friends with a garden hose. The friend is interrupted in his assault by screenwriter Walter Thornton, who arrives in time to save her from an even more disgusting fate. Walter's rescue of Jerilee begins a friendship between the two, and before you know it, the two fall in love. They marry. Their marriage falls apart when Jerilee's script rewrites actually improve one of Walter's screenplays and he feels one-upped. Jerilee then goes through affair after sordid affair in her attempt to write her own screenplay and have it produced. Written by Chris Holland <cholland@atlantic.net>

Plot Summary | Plot Synopsis

Taglines:

From Harold Robbins, the world's best-selling author, comes a world of glamour, passion, betrayal and fame. See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 1983 (USA)  »

Also Known As:

Harold Robbins' The Lonely Lady  »

Filming Locations:

 »

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$1,223,220 (USA) (2 October 1983)

Gross:

$1,223,220 (USA) (2 October 1983)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film is listed among the Top Ten Best Bad Films ever made in Golden Raspberry Award founder John Wilson's book "The Official Razzie Movie Guide". See more »

Goofs

When Joe is in the pool, he's completely nude, but when he climbs out to assault Jerilee, he is wearing a pair of blue swimming trunks. See more »

Quotes

Doctor: [Jerilee's mother comes to the hospital after Jerilee's nervous breakdown] A neighbor brought her in, Mrs. Randall. She was suffering from paranoia and hallucinations.
Veronica Randall: There's never been anything like that on my side of the family.
Doctor: Her condition was drug induced at the time. Tranquilizers, cocaine, amphetamines, alcohol. Would you know about her... eh... problems?
Veronica Randall: She's always been difficult.
See more »

Connections

Featured in The Cinema Snob: Let My Puppets Come (2013) See more »

Soundtracks

Give It Up
Written by Jeff Harrington and Jeff Pennig
Performed by Jeff Harrington
See more »

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User Reviews

 
"Maybe THIS is more your 'kick'!!!!"
29 October 2005 | by (Arlington, VA.) – See all my reviews

The memory banks of most of the reviewers here must've short-circuited when trying to recall this Cubic Zirconia of a gem, because practically everyone managed to misquote Lloyd Bochner's Walter Thornton, when in a fit of peevish anger, he hurls the phallic garden nozzle at his new wife, Jerilee Randall-Thornton, (a nearly comatose Pia Zadora) which was used to sexually assault her earlier in the movie...but I'm getting ahead of myself. In any case, poor Lloyd could've been snarling that line at the speechless audience as much as he was his put-upon co-star.

Hard as it is for most of us to believe, especially these days, nobody in Hollywood sets out to INTENTIONALLY make a bad movie. This is certainly not the most defensible argument to make, since there just seem to be so damn many of them coming out. But then again, there is that breed of film that one must imagine during the time of its creation, from writing, casting and direction, must've been cursed with the cinematic equivalent of trying to shoot during the Ides of March.

THE LONELY LADY is in that category, and represents itself very well, considering the circumstances. Here we have all the ingredients in a recipe guaranteed to produce a monumentally fallen soufflé: Pia Zadora, a marginal singer/actress so determined to be taken seriously, that she would take on practically anything that might set her apart from her peers, (which this movie most certainly did!); a somewhat high-profile novel written by the Trashmaster himself, Harold Robbins (of THE CARPETBAGGERS and DREAMS DIE FIRST fame); a cast who probably thought they were so fortunate to be working at all, that they tried to play this dreck like it was Clifford Odets or Ibsen; plus a director who more than likely was a hired gun who kept the mess moving just to collect a paycheck, (and was probably contractually obligated NOT to demand the use of the 'Alan Smithee' moniker to protect what was left of his reputation.) Like Lamont Johnson's LIPSTICK, Meir Zarchi's I SPIT ON YOUR GRAVE, Roger Vadim's BARBARELLA, Paul Verhoeven's SHOWGIRLS or the Grandmammy of Really Bad Film-making, Frank Perry's MOMMY DEAREST, THE LONELY LADY is still often-discussed, (usually with disgust, disbelief, horrified laughter, or a unique combination of all three), yet also defies dissection, description or even the pretzel logic of Hollyweird. Nobody's sure how it came to be, how it was ever released in even a single theater, or why it's still here and nearly impossible to get rid of, but take it or leave it, it IS here to stay. And I don't think that lovers of really good BAD movies would have it any other way.


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