Orson Welles, as judge Rauch, holds a lengthy trial against Jess Tyler, a caretaker deserted by his wife ten years before, who's accused of improper relations with his daughter Kady. ... See full summary »
Dominick and Eugene are twins, but Dominick is a little bit slow due do an accident in his youth. They live together, with Dominick working as garbage man to put Eugene through medical ... See full summary »
In the beginning of the movie you see a woman getting raped by a man-creature of some sort. The movie takes place years later when the child that was a result of that rape is on the rampage... See full summary »
Ty's pal J.J. frames him in a murder and cocaine theft in Hong Kong in 1992. Ty's wife Rachel may be in on the con, so, when Ty gets early release from prison as a gesture of good will from... See full summary »
Tina Lehmann is an auto mechanic who dreams of becoming a pop star. One day after work she sneaks onto the set of the TV music program 'Formel Eins' with her demo tape, and lands a job as a... See full summary »
Jerilee Randall, a simple schoolgirl living in San Fernando, dreams of becoming a famous writer. While at a party, she meets the son of a famous screenwriter. The son invites her over to his house; she accepts. They drive away with some other people, and that night, she is assaulted by one of the son's friends with a garden hose. The "friend" is interrupted in his assault by screenwriter Walter Thornton, who arrives in time to save her from an even more disgusting fate. Walter's rescue of Jerilee begins a friendship between the two, and before you know it, the two fall in love. They marry. Their marriage falls apart when Jerilee's script rewrites actually improve one of Walter's screenplays and he feels one-upped. Jerilee then goes through affair after sordid affair in her attempt to write her own screenplay and get it produced. Written by
Chris Holland <firstname.lastname@example.org>
No, it's not to my liking, but I couldn't stop watching
I haven't been able to decide if this movie is so bad it's good, or, to quote Enid Coleslaw, "so bad it's gone past good and back to bad again." No matter, it forced me look much the same way a pile of weird coloured vomit might, and it offers up a number of scenes that you won't forget even if you want to. There's a sneering young Ray Liotta telling a pigtailed Pia that her creative writing trophy looks like a penis. A bit later, there's Ray again, molesting Pia, not with the appropriately shaped trophy but a garden hose. There's a firm chinned Pia telling her domineering Mom that she wants to go to bed with Ray's geezer father, Walter. There's the actress in the graveyard scene yowling the best line ever written by Pia or anyone else: "WWWWHHHYYYYYYY!" There's that garden hose again, as Walter waves it Pia's face and roars "Is this more to your liking!?" There's Pia and her date so turned on by closeups of each other masticating salad that they start tearing each other's clothes off. There's Pia showering but forgetting to remove her dress. Perhaps best of all, there's Pia's typewriter, but instead of keys there are the miniature talking heads of those who have tormented her the most (afterwards, I was afraid to open my laptop). And finally there's Pia at "The Awards" exposing Hollywood for the cesspool it is, spitting out the second best line ever, "I guess I'm not the only one who has ever had to **** her way to the top." I see I have already spent more time commenting on "The Lonely Lady" than I have on far better pictures, so I'll quit. Be forewarned, though, that once you start watching you probably won't be able to take your eyes off the screen until two hours of your life have vanished forever.
23 of 23 people found this review helpful.
Was this review helpful to you?