The Lonely Lady (1983)A young screenwriter allows others to exploit her in the hopes of "making it" in Hollywood. Director:Peter Sasdy |
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The Lonely Lady (1983)A young screenwriter allows others to exploit her in the hopes of "making it" in Hollywood. Director:Peter Sasdy |
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| Cast overview, first billed only: | |||
| Pia Zadora | ... | ||
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Lloyd Bochner | ... |
Walter Thornton
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| Bibi Besch | ... |
Veronica Randall
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Joseph Cali | ... |
Vincent Dacosta
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Anthony Holland | ... |
Guy Jackson
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| Jared Martin | ... |
George Ballantine
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| Ray Liotta | ... | ||
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Carla Romanelli | ... |
Carla Maria Peroni
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Olivier Pierre | ... |
George Fox
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Kendal Kaldwell | ... |
Joanne Castel
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Lou Hirsch | ... |
Bernie
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| Kerry Shale | ... |
Walt Thornton Jnr
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Sandra Dickinson | ... |
Nancy Day
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| Shane Rimmer | ... |
Adolph Fannon
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Nancy Wood | ... |
Janie
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Jerilee Randall, a simple schoolgirl living in San Fernando, dreams of becoming a famous writer. While at a party, she meets the son of a famous screenwriter. The son invites her over to his house; she accepts. They drive away with some other people, and that night, she is assaulted by one of the son's friends with a garden hose. The "friend" is interrupted in his assault by screenwriter Walter Thornton, who arrives in time to save her from an even more disgusting fate. Walter's rescue of Jerilee begins a friendship between the two, and before you know it, the two fall in love. They marry. Their marriage falls apart when Jerilee's script rewrites actually improve one of Walter's screenplays and he feels one-upped. Jerilee then goes through affair after sordid affair in her attempt to write her own screenplay and get it produced. Written by Chris Holland <cholland@atlantic.net>
The depth of the creative bankruptcy in this film is most evidence in the final scene. The writers gave Pia Zadora's character a reasonably interesting name, Jerilee. (That's as close as I'll come to complimenting this picture). Then, when the nominees at the Oscars are being read, another screenwriter is named Jerilee, too. Bafflingly stupid.
This is one of the few movies so bad that it would even be passed over by nude-scene-hunting horny teenagers. Everything about is bad. There is not a single redeeming quality, not one scene that works, not a single character that isn't a benign, idiotic one-dimensional drip.
I can't call this the worst film ever made but it's close. However, the single worst scene in a movie I have ever seen is Pia Zadora's nervous breakdown.
Quite simply a waste of vital resources. 1/2* out of ****.