The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably ... See full summary »
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail... See full summary »
Colonel James Braddock is an American officer who spent seven years in a North Vietnamese POW camp, then escaped 10 years ago. After the bloodiest war, Braddock accompanies a government ... See full summary »
Colonel James Braddock has a Vietnamese wife who was supposed to leave Vietnam with him when they evacuate. But she loses her papers and wasn't allowed in the embassy. Braddock went looking... See full summary »
Roland Harrah III
Prequel to the first Missing In Action, set in the early 1980s it shows the capture of Colonel Braddock during the Vietnam war in the 1970s, and his captivity with other American POWs in a brutal prison camp, and his plans to escape.
The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably culminates a martial arts showdown between the drug lord and the ranger, and involving the woman they both love. Written by
Keith Loh <firstname.lastname@example.org>
After Snow got pulled out of his burning vehicle and thrown due to the following explosion of the tank-truck we can clearly see his glasses on the lying on the ground, which remains there as McQuade throws him into his car and drives off.
The very next scene, after they stopped on another location, he gets dragged, meant for his interrogation, but this time he is wearing his glasses. See more »
Among all Chuck Norris movies I've watched so far, there were a few I rather liked (especially "Missing In Action" was so hilarious they had to quote it in "Hot Shots 2"), but "Lone Wolf McQuade" is the first time I actually loved every minute. I confess. There are many good reasons for it, though. Already in the opening scene, I noticed the excellent music by Francesco De Masi. The guitars, bells, trumpets, harmonicas are straight from the school of spaghetti western and turn every close-up into larger-than-life drama. David Carradine is a opponent way ahead of the villains Chuck battled in other flicks. Barbara Carrera ("Never Say Never Again") catches the eye as a widow falling in love with Chuck. The story is (intentionally or not) kept as basic as possible: hero meets bad guys, tries a solution with violence, doesn't work, tries MORE violence, then it works. Much in this movie defies reason and logic, but don't ask "why?", just view it as a kind of ritualistic fantasy western in a modern day decoration, thus it can be great fun. And you learn a lot of useful things, for example: you can revive a seemingly dead and definitely buried man with two cans of beer. And don't miss one of the first computer hacking scenes in film history, you won't believe your eyes.
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