| Cast overview, first billed only: | |||
| Chuck Norris | ... | ||
| David Carradine | ... | ||
| Barbara Carrera | ... | ||
| Leon Isaac Kennedy | ... | ||
| Robert Beltran | ... | ||
| L.Q. Jones | ... | ||
| Dana Kimmell | ... | ||
| R.G. Armstrong | ... | ||
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Jorge Cervera Jr. | ... | |
| Sharon Farrell | ... | ||
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Daniel Frishman | ... | |
| William Sanderson | ... | ||
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John Anderson | ... | |
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Robert Arenas | ... |
Gas Station Attendant
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Tommy Ballard | ... |
Colonel
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The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably culminates a martial arts showdown between the drug lord and the ranger, and involving the woman they both love. Written by Keith Loh <loh@sfu.ca>
Among all Chuck Norris movies I've watched so far, there were a few I rather liked (especially "Missing In Action" was so hilarious they had to quote it in "Hot Shots 2"), but "Lone Wolf McQuade" is the first time I actually loved every minute. I confess. There are many good reasons for it, though. Already in the opening scene, I noticed the excellent music by Francesco De Masi. The guitars, bells, trumpets, harmonicas are straight from the school of spaghetti western and turn every close-up into larger-than-life drama. David Carradine is a opponent way ahead of the villains Chuck battled in other flicks. Barbara Carrera ("Never Say Never Again") catches the eye as a widow falling in love with Chuck. The story is (intentionally or not) kept as basic as possible: hero meets bad guys, tries a solution with violence, doesn't work, tries MORE violence, then it works. Much in this movie defies reason and logic, but don't ask "why?", just view it as a kind of ritualistic fantasy western in a modern day decoration, thus it can be great fun. And you learn a lot of useful things, for example: you can revive a seemingly dead and definitely buried man with two cans of beer. And don't miss one of the first computer hacking scenes in film history, you won't believe your eyes.