Bill Forsyth returns to the romantic comedy of Gregory's Girl. Twenty years after his teenage crush on a football-mad schoolgirl, Gregory is back at his old school, teaching English. When ... See full summary »
John Gordon Sinclair,
In the Pacific Northwest during the 1950's, two young sisters whose mother has abandoned them wind up living with their Aunt Sylvie, whose views of the world and its conventions don't quite... See full summary »
Radio host Alan Bird witnesses how an ice cream van is attacked and destroyed by an angry competitor. This leads him into the struggle between two Italian families, the Bernardis and the ... See full summary »
Ronnie, Wal, Andy and Vic are four bored, unemployed teens in dreary, rainy Glasgow. Ronnie comes up with a great idea. He has noticed that stainless steel sinks are worth a lot of money ... See full summary »
Oil billionaire Happer sends Mac to a remote Scotish villiage to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the 'Silver Dollar' and can't believe their luck. However a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms. Written by
Matthew Stanfield <firstname.lastname@example.org>
Writer-director Bill Forsyth said in "Local Hero: The Making of the Film" (1983) by Alan Hunter and Mark Astaire: "I saw it along the lines of a Scottish Beverly Hillbillies -- what would happen to a small community when it suddenly became immensely rich -- that was the germ of the idea and the story built itself from there. It seemed to contain a similar theme to Brigadoon (1954), which also involved some Americans coming over to Scotland, becoming part of a small community, being changed by the experience and affecting the place in their own way. I feel close in spirit to the Powell and Pressburger feeling, the idea of trying to present a cosmic viewpoint to people, but through the most ordinary things. And because both this film and 'I Know Where I'm Going!' (1945) are set in Scotland, I've felt from the beginning that we're walking the same... treading the same water." See more »
When Happer leaves Knox's hut, Knox says, "Goodnight." As Happer strolls the beach past the helicopter, the sun's shadow falls directly in front of him. He is immediately joined by MacIntyre and Olsen, but the shadows on their bodies indicate that shot was taken at a different time. See more »
Some may be turned off by the apparent disregard of plot. Amazing characters, scenery and music make this a truly brilliant movie. It's a movie that may not be fully appreciated until you've seen it three or four times. Burt Lancaster steals the show in a small role. Peter Riegert is perfectly cast as a lost American who finds a place where he belongs. The memorable scenes are countless: the aurora borealis show, the eccentric beachcomber who offers to sell for a dollar per grain of sand in his hand, the injured rabbit, Riegert proposes to trade places with Gordon, etc., etc., etc. Mark Knofler's music is worth the price of admission alone. Definitely one of my all-time favorites.
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