Oil billionaire Happer sends Mac to a remote Scottish village to secure the property rights for an oil refinery they want to build. Mac teams up with Danny and starts the negotiations, the locals are keen to get their hands on the 'Silver Dollar' and can't believe their luck. However, a local hermit and beach scavenger, Ben Knox, lives in a shack on the crucial beach which he also owns. Happer is more interested in the Northern Lights and Danny in a surreal girl with webbed feet, Marina. Mac is used to a Houston office with fax machines but is forced to negotiate on Bens terms. Written by
Matthew Stanfield <email@example.com>
The scene inside the church (when the villagers were gathered together) was shot at the long disused Polnish chapel beside the A830 on the Road to the Isles, as the road rises up from Lochailort towards Arisaig. The mock-up chapel beside Camusdarach beach was virtually identical to the exterior of Polnish Chapel, which is on the Buildings at Risk Register for Scotland. See more »
Victor, who "has been coming here for years", and is very familiar with all of the townsfolk, is introduced to Ben (the morning after the ceilidh) as though a stranger (and even though Ben was present during Victor's song). See more »
Are you sure there are two l's in 'dollar', Gideon?
Yes! An' are there two g's in 'bugger off'?
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There's the great movies with a capital "M" (Casablanca, Strangelove, Kane) and then there's the great movies which feel like they've been made for the deepest, quietest, quirkiest parts of you and you alone - the small gems. And this one, in my view, is the sparkliest of these gems - a little masterpiece of a rumination on just how beautiful things can be when disparate paths in life intercept each other just the tiniest bit out of phase, never perfectly according to plan, and on how the deepest transformations seem to proceed from the smallest disjoints of orientation and expectation. It is a beautiful dollhouse of a film, whose success lies in its excruciating attention to and understatement of detail. Beautiful Mark Knopler strains suffuse the film's quieter moments, while subtle performances and simply lovely dialogue provide the backbone.
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