Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
City of Hope is a portrait of a typical middle-sized American city of the present day. The crux of the story is an old apartment block which stands in the way of a major commercial ... See full summary »
Tony Lo Bianco,
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages... See full summary »
Dan Rivera González
In an economically devastated Alaskan town, a fisherman with a troublesome past dates a woman whose young daughter does not approve of him. When he witnesses the murder of his shady brother, he, the woman and the kid run to the wilderness.
Mary Elizabeth Mastrantonio,
May-Alice Culhane was a successful soap opera star, but a car accident has left her bound to a wheelchair. She returns to her now-empty family home in the bayous of Louisiana which she had ... See full summary »
Max is a trendy, pretty, young lesbian, who is having trouble finding love. A friend sets her up with Ely, whom Max likes, but Ely is frumpy, homely, and older. Nor do they have much in ... See full summary »
T. Wendy McMillan
Lianna and her husband Dick have been married for a few years but the marriage isn't a happy one, since Dick treats her with arrogance. One day Lianna falls in love - with Ruth, a teacher. The people who know them act different: her husband with feelings of sexual betrayal, her children with curiosity and Lianna's friends with ambivalence. Written by
John Sayles had written the screenplay for this film before writing the screenplay for his debut film, Return of the Secaucus Seven (1979). Sayles failed to get funding for a film about a lesbian love affair in the 1970s, and those who felt comfortable with the material were not comfortable with the film being directed by a man. So, Sayles put the Lianna (1983) screenplay on hold until gaining success with his two first films, Return of the Secaucus Seven (1979) and Baby It's You (1983). See more »
[after seeing him misbehaving there with one of his students]
How was the party?
Okay I guess. The usual. A lot of students like always at the Loomises', trying to score their brownie points.
How many do you get for a fuck in the sandbox?
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The title LIANNA is the last title in the opening credit sequence, after all the actors and fundamental members of the crew are credited. See more »
When John Sayles makes a film, it's usually because he has a very good reason. A man who's made his life in film averting the Hollywood approach, Sayles stories are densely layered character dramas, unencumbered with camera tricks, special effects, or deception.
The idea that Lianna (Linda Griffiths) needs a change of life in and of itself is not surprising. As a young college student, she had succumbed to the advances of one of her professors, then quit school to marry him. Now, twelve years and two children later she finds her life mundane, and loveless. She needs a change.
A John Sayles film is a personal experience. He leads us down a road deluged with emotion, conflict and only some spattering of resolve. The rest he leaves for us. Sometimes we have to fill in the blanks to even the most difficult questions posed. And there's nothing wrong with that.
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